Dialect Definition. A dialect is the language used by the people of a specific area, class, district, or any other group of people. The term dialect involves the spelling, sounds, grammar and pronunciation used by a particular group of people and it distinguishes them from other people around them.
In my mind, I hear poetry with a southern accent. I'm not exactly sure when the internal voice started, but I do know that the type of poetry, no matter how old or contemporary, long or short, comprehensible or abstract, doesn't matter. When I read Shakespeare's iambic pentameter, I slip into a Divine Secrets of…
She's a pure Southern girl Stands out in a crowd Laughs out loud so easily She'll give you the time and make you her world She loves passing the time On a green mountainside or a tan sunny beach Any place in life suits her just fine As long as it's down South within her Southern charms reach With a flip of the coin, she gives you a choice
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Dialect Poetry Although it had been written by white and black poets alike, dialect poetry emerged as a significant part of African-American writing in the mid-1890s with the success of its first well-known black practitioner, Paul Laurence Dunbar, and it played a dominant role in African-American poetry until World War I. Source for information on Dialect Poetry: Encyclopedia of African ...
Paul Laurence Dunbar is one of the most widely known- and probably one of the best- poets to write in dialect. My favorite poem of his is without qualification The Poet and His Song (a poem written in Standard English), yet every time I read one of his dialect poems (or any such poem for that matter) I’m always moved in a way that doesn’t happen with Standard English reads.
In Italian literature: Dialect poetry. A remarkable aspect of 20th-century poetry composed in Italy was the proliferation of cultivated poets who rejected what they saw as the pollution, inauthenticity, and debased currency of the national language.
Selected Bibliography. Poetry. Southern Road (1932) The Collected Poems of Sterling Brown (1980) The Last Ride of Wild Bill and Eleven Narrative Poems (1975). Prose. Negro Poetry and Drama (1937) Outline for the Study of Poetry of American Negroes (1931) The Negro in American Fiction (1937)
The poems that were submitted to the Southern States contest were grounded in the wisdom that comes only with age and experience. They were varied, moving, and formally inventive—they often sang on the page. Subjects ranged from childhood memories, to children, grandchildren, and partners. Some poems confronted illness and the challenge of death—our own or […]
Brown, on the other hand proposed a whole new type of academy. The poems of Southern Road, written near the beginning of Brown's literary and academic career, are consonant with his lifelong work as a poet, anthologist, critic, teacher, promoter, and preserver of African-American literature, music--including jazz--and folklore.