Cultural Disinterestedness and Aesthetic Appreciation. We have seen that of the various forms of disinterestedness the weak variety is the only one which appears to withstand adverse scrutiny. In a more positive vein, some considerations can be advanced which add support to the concept. One is what might be termed "cultural disinterestedness."
Kant and the Problem of Disinterestedness. According to Kant, fine art follows two paradoxes: it “is a way of presenting that is purposive on its own and that furthers, even though without a purpose, the culture of our mental powers to [facilitate] social communication”(Kant 173) and “it must have the look of nature even though we are conscious of it as art”(Kant 174).
History. Aesthetics of nature developed as a sub-field of philosophical ethics. In the 18th and 19th century, the aesthetics of nature advanced the concepts of disinterestedness, the pictures, and the introduction of the idea of positive aesthetics. The first major developments of nature occurred in the 18th century.
Disinterestedness, moreover, was combined with other, related ideas into a new aesthetic, especially the contemplative ideal of appreciation and the isolation of its object from practical uses. These ideas lent themselves later to new movements and intellectual fashions, such as art pour l'art and formalist criticism of art.
The clarification of the notion of the aesthetic in terms of the concept of disinterestedness disassociated the aesthetic appreciation of nature from the appreciator’s particular personal, religious, economic, or utilitarian interests, any of which could impede aesthetic experience.
9 sentence examples: 1. The real name of devotion is disinterestedness. 2. Immanuel Kant defined "disinterestedness in aesthetic appreciation" as the moment of "quality" in beauty. 3. His chief equipment seems to be disinterestedn
The central disagreements between Berleant and Carlson center around a few issues: the subject/object distinction, the differential role that bodily action and mental action play in perception of natural environments, the denial of the myth of the given, the role that disinterestedness plays in aesthetic appreciation.
Aesthetic appreciation refers to the sensory appraisal of objects using the normative system of aesthetics, which judges the quality of objects based on how pleasing they are to the sense. Aesthetics at large is the branch of philosophy concerned with the nature of taste, art and beauty.
need for aesthetic appreciation when contemplating a violent event such as the 9/11 terrorist attacks. What is more, appreciation of the beautiful, even in case of a 9/11, seems necessary because it is a key to establishing an ethical stance towards terror, life, and art. It should be stressed that
On the Notion of "Disinterestedness": Kant, Lyotard, and Schopenhauer . ... specific quality is at the core of any aesthetic theory that is concerned with the particularity of aesthetic appreciation. Firstly, I shall attempt to provide an acceptable interpretation of this extremely intricate issue in Kant and, moreover, question the ...