Wanda Coleman (birth name, Wanda Evans) (born November 13, 1946) is an award-winning American poet. She is known as "the L.A. Blueswoman," and "the unofficial poet laureate of Los Angeles."
Coleman was born Wanda Evans, and grew up in the Watts
neighborhood of Los Angeles
during the 1960s. She has received fellowships from the John Simon Guggenheim Foundation, The NEA, and the California Arts Council (in fiction and in poetry). She was the first C.O.L.A. literary fellow (Los Angeles Department of Cultural Affairs, 2003). Her many honors include an Emmy in Daytime Drama writing, The 1999 Lenore Marshall Prize (for "Bathwater Wine"), and a nomination for the 2001 National Book Awards (for "Mercurochrome"). She was a finalist for California poet laureate (2005).
Like Wallace Stegner
, I am in the 'universal' tradition of writers who concern themselves with The Truth -- never mind that it is apt to hurt someone, in some way, most likely me. — From The Riot Inside Me: More Trials & Tremors
- "Jazz and Twelve O'Clock Tales" Godine/Black Sparrow Books 2008.
- "The Riot Inside Me: More Trials & Tremors" David R. Godine Publisher 2005.
- "Wanda Coleman--Greatest Hits: 1966-2003" Pudding House Publications.
- "Ostinato Vamps" Pitt Poetry Series, 2003-2004.
- "Mercurochrome" Black Sparrow 2001, National Book Awards finalist.
- "Mambo Hips and Make Believe: A Novel" Black Sparrow 1999.
- "Bathwater Wine" Black Sparrow 1998.
- "Native In a Strange Land: Trials & Tremors" Black Sparrow 1996.
- "American Sonnets" Woodland Pattern 1994.
- "Hand Dance" Black Sparrow 1993.
- "African Sleeping Sickness: Stories & Poems Black Sparrow 1990.
- "A War of Eyes and Other Stories" Black Sparrow 1988.
- "Heavy Daughter Blues: Poems & Stories 1968-1986" Black Sparrow 1987.
- "Imagoes" Black Sparrow 1983.
- "Mad Dog Black Lady" Black Sparrow 1979.
Critical articles about or featuring Coleman include:
- "Revising Western Criticism Through Wanda Coleman," essay by Krista Comer; Western American Quarterly Journal of the Western Literature Association, Vol. XXXIII, No. 4., Utah State University, Dept. of English, Logan UT, Winter 1999.
- "Literature and Race in Ls Angeles," by Julian Murphet, Cambride University Press, 2001.
- "AMERICAN WRITERS: A Collection of Literary Biographies," Jay Parini, Editor, article by Tony Magistrale (perhaps the only in-depth authority on Coleman, having written and interviewed her in the late 80s), 2002.
- "City of Poems: The Lyric Voice in Los Angeles Since 1990," by Laurence Goldstein, from THE MISREAD CITY: New Literary Los Angeles, Dana Gioia and Scott Timberg, Editors, Red Hen Press, 2003.
- "What Saves Us" interview of Coleman by Priscilla Ann Brown, Callaloo Vol. 26, No.3, Dept. of English, Texas A & M University, 2003.
- "Wanda Coleman" biographical essay, A-Z of African American Writers, Philip Bader, Editor, Facts-on-File, NY, 2004.
- "Wanda Coleman," cover and interview by Jeff Jansen, Chiron Review, Issue 79, Summer 2005.
- "Wanda Coleman," featured poet in Quercus Review #6, Sam Pierstorff, Editor, Dept. of English, Modesto Junior College, California, 2006.
—While critically acclaimed for her creative writing, Coleman's greatest notoriety came as a result of an unfavorable review she wrote in the April 14, 2002 edition of The Los Angeles Times Book Review of Maya Angelou's book, A Song Flung Up to Heaven. Coleman found the book to be "small and inauthentic, without ideas wisdom or vision". There was a huge outpouring some positive and much negative, which resulted in Coleman's invitation to certain events being cancelled. Her account of this incident appeared as an essay in the August 29, 2002 edition of The Nation.