Moscow Premiere
Original Interpreters
| Russian | Voice | St. Petersburg 1875 | Moscow 1879 |
|---|---|---|---|
| Prince Gudal | bass | Osip Petrov | Anton Bartsal |
| Tamara | soprano | Wilhelmina Raab | Yelena Verni |
| Nurse | contralto | ||
| Sinodal | tenor | Fyodor Komissarzhevsky | |
| Sinodal's servant | bass | ||
| Courier | tenor | ||
| Demon | baritone | Ivan Melnikov | Bogomir Korsov |
| Angel | contralto | Aleksandra Krutikova | |
The opera received 100 performances in the first decade since its premiere. Its first performance in Paris was in May 1911, where the critics considered the opera to be old-fashioned.
Publication history
Rubinstein invited several musicians of the group known as The Five, including César Cui, Modest Mussorgsky and Nikolai Rimsky-Korsakov, as well as the critic Vladimir Stasov to a private hearing of the opera in September 1871, where the guests did not regard the work favourably. However, melodic motifs from The Demon inspired comparable motifs in Mussorgsky's Khovanshchina and Tchaikovsky's Eugene Onegin.
| Russian | English | Voice |
|---|---|---|
| Князь Гудал | Prince Gudal | bass |
| Тамара, его дочь | Tamara, his daughter | soprano |
| Няня Тамары | Tamara's nurse | contralto |
| Князь Синодал, жених Тамары | Prince Sinodal, Tamara's betrothed | tenor |
| Старый слуга князя Синодала | Prince Sinodal's old servant | bass |
| Гонец | Courier | tenor |
| Демон | Demon | baritone |
| Ангел | Angel | contralto |
| Хоры злых и добрых духов, грузин и грузинок, гостей, татар, слуг, монахинь | Evil and good spirits, Georgians, guests, Tatars, servants, nuns | chorus, silent roles |
Act 1
Act 2
Act 3