Tang was a native of Linchuan, Jiangxi and his career as an official consisted principally of low-level positions. He successfully participated in the Provincial examinations at the age of 21 and at the imperial examinations at the age of 34. He held official positions in Nanjing, Zhejiang province, Guangdong province etc.. He retired in 1598 and returned to his hometown where he focused on writing.
His major plays are collectively called the Four Dreams, because of the decisive role dreams play in the plot of each one. All of them are still performed (in scenes, or in adapted full versions) on the Chinese Kun opera (kunqu) stage. Generally considered his masterpiece, the Mudan Ting is one of two of his works available in print in English, the other being Nanke Ji.
Arts: A Long Meditation about Love Double Take: Paul Taylor and Nick Kimberley on Peter Sellars's Production of Peony Pavilion
Sep 12, 1998; WHOSE SHOW is it anyway? Peony Pavilion presents scenes from a 16th-century Shanghai opera by Tang Xianzu, in Cyril Birch's...