In silk manufacture, the first operation is reeling. The cocoons, having been sorted for color and texture, are steamed or placed in warm water to soften the natural gum. They are then unwound; each cocoon may give from 2,000 to 3,000 ft (610-915 m) of filament, from 4 to 18 strands of which are reeled or twisted together to make an even thread strong enough to handle. This is called raw silk. Formerly a hand process, this work is now done in Europe and in some parts of the Orient in factories on simple machines called filatures.
The next step, called throwing, is preparing the raw silk for the loom by twisting and doubling it to the required strength and thickness. This process also is now mostly done in large mills with specialized machinery. Silk, after throwing, has three forms—singles, which are untwisted, used for the warp of very delicate fabrics; tram, two or more singles, twisted and doubled, used for the weft of various fabrics; and organzine, made of singles twisted one way, then doubled and twisted in the opposite direction, used for the warp of heavy fabrics. For sewing and embroidery thread, more doubles and smoother twists are made. In modern factories spinning frames complete the preparation for the loom.
The silk is boiled off in soapsuds to remove gum and prepare it for dyeing. For white and pale tints it must be bleached. Scouring or boiling causes loss of weight, sometimes made up by loading with metallic salts, as tin, which has an affinity for silk and can be absorbed to excess, causing weakening of the fiber. Dyeing may be done in the yarn or in the piece. Finishing processes are varying and important, as in making moires. Weaving is done as with other textiles, but on more delicate and specialized looms.
Fabrics made are plain weaves (taffeta, pongee), cords (faille, poplin), gauzes (net malines), pile fabrics (plush, velvet), crepes, satins, damask, ribbons, and brocade. Some of these weaves are ancient, developed on the shuttle looms of China and the handlooms of India, Greece, and Europe. In Europe and Asia the handloom is still used for the finest fabrics. Japan and China lead in the production of raw silk, with India, Italy, and France following. The United States is the largest importer.
Sericulture (the culture of the silkworm) and the weaving of silk have been practiced in China from a remote period. Legend dates this back to 2640 B.C., to Empress Si Ling-chi, who not only encouraged the culture of the silkworm but also developed the process of reeling from the cocoon. This was a closely guarded secret for some 3,000 years. Silk seems to have been woven very early on the island of Kós, which Aristotle mentions, in a vague description of the silkworm, as the place where silk was "first spun," In the 1st and 2d cent. A.D. silk fabrics imported to Greece and Rome were sold for fabulous prices.
Up to the 6th cent. raw silk was brought from China, but death was the penalty for exporting silkworm eggs. About A.D. 550 two former missionaries to China, incited by Emperor Justinian, succeeded (says Procopius) in smuggling to Constantinople, in a hollow staff, both the eggs of the silkworm and the seeds of the mulberry tree. Byzantium became famous for splendid silken textiles and embroideries, used throughout medieval Europe for royal and ecclesiastical costumes and furnishings. In the 8th cent. the Moors began to carry the arts of silk culture and weaving across the northern coast of Africa and to Spain and Sicily, and in the 12th cent. Spain and Sicily were weaving silks of exquisite texture and design.
Other areas of Europe subsequently became great weaving centers. Lucca, in N Italy, had established looms by the 13th cent., and in the 14th cent. the city became famous for its materials and designs. Florence and Venice followed and wove sumptuous fabrics and velvets enriched with gold thread. Genoa's velvets became well known. France established looms, and under Louis XIV's minister Jean Baptiste Colbert it set the fashion with its beautiful silks. Lyons in S France became an important weaving center. Early attempts were made in England under Henry VI to establish the silk industry, but it was not until the revocation of the Edict of Nantes, when many French refugee weavers fled to England, that the industry received a real impetus. The French settled in Canterbury, Norwich, and other places; but it was in Spitalfields, London, that the industry became important.
Many attempts were made to establish sericulture in the American colonies: inducements such as land grants and bounties were offered, and many mulberry trees were planted. In 1759 Georgia sold more than 10,000 lb (4,535 kg) of cocoons in London. Pennsylvania had a silk industry, fostered by Benjamin Franklin, until the Revolution. The high cost of labor seems to have been the main deterrent to the success of sericulture in America.
See L. Boulnois, The Silk Road (tr. 1966).
Animal fibre produced by certain insects as building material for cocoons and webs. In commercial use it refers almost entirely to filament from cocoons produced by the caterpillars of several moth species of the genus Bombyx, commonly called silkworms. Silk is a continuous filament around each cocoon. It is freed by softening the cocoon in water and then locating the filament end; the filaments from several cocoons are unwound at the same time, sometimes with a slight twist, to form a single strand. In the process called throwing, several very thin strands are twisted together to make thicker, stronger yarn. Silk was discovered in China sometime before 2700 BC, and the secret of its production was closely guarded for millennia. Along with jade and spices, silk was the primary commodity traded along the Silk Road beginning about 100 BC. Since World War II, nylon and other synthetic fibres have replaced silk in many applications (e.g., parachutes, hosiery, dental floss), but silk remains an important luxury material for clothing and home furnishings. More than 50percnt of the world's silk is still produced in China.
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Silk is a natural protein fiber, some forms of which can be woven into textiles. The best-known type of silk is obtained from cocoons made by the larvae of the mulberry silkworm Bombyx mori reared in captivity (sericulture). The shimmering appearance for which silk is prized comes from the fibers' triangular prism-like structure which allows silk cloth to refract incoming light at different angles.
"Wild silks" are produced by caterpillars other than the mulberry silkworm and cannot be artificially cultivated. A variety of wild silks have been known and used in China, South Asia, and Europe since early times, but the scale of production was always far smaller than that of cultivated silks. They differ from the domesticated varieties in color and texture, and cocoons gathered in the wild usually have been damaged by the emerging moth before the cocoons are gathered, so the silk thread that makes up the cocoon has been torn into shorter lengths. Commercially reared silkworm pupae are killed by dipping them in boiling water before the adult moths emerge, or by piercing them with a needle, allowing the whole cocoon to be unraveled as one continuous thread. This permits a much stronger cloth to be woven from the silk. Wild silks also tend to be more difficult to dye than silk from the cultivated silkworm.
There is some evidence that small quantities of wild silk were already being produced in the Mediterranean area and the Middle East by the time the stronger, cultivated silk from China began to be imported .
Silks are produced by several other insects, but only the silk of moth caterpillars has been used for textile manufacture. There has been some research into other silks, which differ at the molecular level. Silks are mainly produced by the larvae of insects that complete metamorphosis, but also by some adult insects such as webspinners. Silk production is especially common in the Hymenoptera (bees, wasps, and ants), and is sometimes used in nest construction. Other types of arthropod produce silk, most notably various arachnids such as spiders (see spider silk).
Silk fabric was first developed in ancient China, possibly as early as 6000 BC and definitely by 3000 BC. Legend gives credit to a Chinese empress, Xi Ling-Shi (Hsi-Ling-Shih, Lei-tzu). Silks were originally reserved for the Kings of China for their own use and gifts to others, but spread gradually through Chinese culture both geographically and socially, and then to many regions of Asia. Silk rapidly became a popular luxury fabric in the many areas accessible to Chinese merchants because of its texture and luster. Silk was in great demand, and became a staple of pre-industrial international trade. In July 2007, archeologists discovered intricately woven and dyed silk textiles in a tomb in Jiangxi province, are dated to the Eastern Zhou Dynasty, roughly 2,500 years ago. Although historians have suspected a long history of a formative textile industry in ancient China, this find of silk textiles employing "complicated techniques" of weaving and dyeing provides direct and concrete evidence for silks dating before the Mawangdui-discovery and other silks dating to the Han Dynasty (202 BC-220 AD).
The first evidence of the silk trade is the finding of silk in the hair of an Egyptian mummy of the 21st dynasty, c.1070 BC
Ultimately the silk trade reached as far as the Indian subcontinent, the Middle East, Europe, and North Africa. This trade was so extensive that the major set of trade routes between Europe and Asia has become known as the Silk Road.
The Emperors of China strove to keep knowledge of sericulture secret to maintain the Chinese monopoly. Nonetheless sericulture reached Korea around 200 BC, about the first half of the 1st century AD had reached ancient Khotan, and by AD 300 the practice had been established in India.
In the Odyssey, 19.233, it is mentioned that Odysseus wore a shirt "gleaming like the skin of a dried onion" (varies with translations, literal translation here). Some researchers proposed that the shirt was made of silk. The Roman Empire knew of and traded in silk. During the reign of emperor Tiberius, sumptuary laws were passed that forbade men from wearing silk garments, but these proved ineffectual. Despite the popularity of silk, the secret of silk-making only reached Europe around AD 550, via the Byzantine Empire. Legend has it that monks working for the emperor Justinian I smuggled silkworm eggs to Constantinople in hollow canes from China. While they were there, they also observed the secret techniques of silk making from the Chinese. The Byzantines were as secretive as the Chinese, and for many centuries the weaving and trading of silk fabric was a strict imperial monopoly; all top-quality looms and weavers were located inside the Palace complex in Constantinople and the cloth produced was used in imperial robes or in diplomacy, as gifts to foreign dignitaries. The remainder was sold at very high prices.
James I attempted to establish silk production in England, purchasing and planting 100,000 mulberry trees, some on land adjacent to Hampton Court Palace, but they were of a species unsuited to the silk worms, and the attempt failed. British enterprise also established silk filature in Cyprus in 1928. In England in the mid 20th Century, silk was produced at Lullingstone Castle in Kent. Silkworms were raised and reeled under the direction of Zoe Lady Hart Dyke. Production started elsewhere later. In Italy, the Stazione Bacologica Sperimentale was founded in Padua in 1871 to research sericulture. In the late 19th century, China, Japan, and Italy were the major producers of silk. The most important cities for silk production in Italy were Como and Meldola (Forlì). In medieval times, it was common for silk to be used to make elaborate casings for bananas and other fruits.
Silk was expensive in Medieval Europe and used only by the rich. Italian merchants like Giovanni Arnolfini became hugely wealthy trading it to the Courts of Northern Europe.
World War II interrupted the silk trade from Japan. Silk prices increased dramatically, and US industry began to look for substitutes, which led to the use of synthetics such as nylon. Synthetic silks have also been made from lyocell, a type of cellulose fiber, and are often difficult to distinguish from real silk (see spider silk for more on synthetic silks).
Silk is one of the strongest natural fibers but loses up to 20% of its strength when wet. It has a good moisture regain of 11%. Its elasticity is moderate to poor: if elongated even a small amount it remains stretched. It can be weakened if exposed to too much sunlight. It may also be attacked by insects, especially if left dirty.
Silk is a poor conductor of electricity and thus susceptible to static cling.
Unwashed silk chiffon may shrink up to 8% due to a relaxation of the fiber macrostructure. So silk should either be pre-washed prior to garment construction, or dry cleaned. Dry cleaning may still shrink the chiffon up to 4%. Occasionally, this shrinkage can be reversed by a gentle steaming with a press cloth. There is almost no gradual shrinkage or shrinkage due to molecular-level deformation.
The high proportion (50%) of glycine, which is small, allows tight packing and the fibers are strong and resistant to stretching. The tensile strength is due to covalent peptide bonds. Since the protein forms a Beta sheet, when stretched the force is applied to these strong bonds and they do not break.
Silk is resistant to most mineral acids but will dissolve in sulfuric acid. It is yellowed by perspiration.
Silk's good absorbency makes it comfortable to wear in warm weather and while active. Its low conductivity keeps warm air close to the skin during cold weather. It is often used for clothing such as shirts, blouses, formal dresses, high fashion clothes, negligees, pyjamas, robes, skirtsuits, sun dresses and underwear.
Silk's elegant, soft luster and beautiful drape makes it perfect for many furnishing applications. It is used for upholstery, wall coverings, window treatments (if blended with another fiber), rugs, bedding and wall hangings.
While on the decline now, due to artificial fibers, silk has had many uses; parachutes, bicycle tires, comforter filling and artillery gunpowder bags. From the blackpowder era, until roughly World War I, early bulletproof vests were made from silk. A special manufacturing process makes it suitable as non-absorbable surgical sutures. Chinese doctors have used it to make prosthetic arteries. Silk cloth is also used as a material on which to write.
| Top Ten Cocoons(Reelable) Producers — 2005 | ||||
|---|---|---|---|---|
| Country | Production (Int $1000) | Footnote | Production (MT) | Footnote |
| 978,013 | C | 290,003 | F | |
| 259,679 | C | 77,000 | F | |
| 57,332 | C | 17,000 | F | |
| 37,097 | C | 11,000 | F | |
| 20,235 | C | 6,000 | F | |
| 16,862 | C | 5,000 | F | |
| 10,117 | C | 3,000 | F | |
| 5,059 | C | 1,500 | F | |
| 3,372 | C | 1,000 | F | |
| 2,023 | C | 600 | F | |
| No symbol = official figure,F = FAO estimate, * = Unofficial figure, C = Calculated figure; Production in Int $1000 have been calculated based on 1999-2001 international prices Source: Food And Agricultural Organization of United Nations: Economic And Social Department: The Statistical Devision | ||||
Silk moths lay eggs on specially prepared paper. The eggs hatch and the caterpillars (silkworms) are fed fresh mulberry leaves. After about 35 days and 4 moltings, the caterpillars are 10,000 times heavier than when hatched, and are ready to begin spinning a cocoon. A straw frame is placed over the tray of caterpillars, and each caterpillar begins spinning a cocoon by moving its head in a "figure 8" pattern. Two glands produce liquid silk and force it through openings in the head called spinnerets. Liquid silk is coated in sericin, a water-soluble protective gum, and solidifies on contact with the air. Within 2-3 days, the caterpillar spins about 1 mile of filament and is completely encased in a cocoon. Most caterpillars are then killed by heat and some are allowed to metamorphose into moths to breed the next generation of caterpillars.
