Messiaen commissioned a Parisian instrument maker to construct one to his design, and he carried this instrument worldwide to early performances of the piece (which was given its first performance in New York). Messiaen's wife, Yvonne Loriod, commented that when she and the composer first collected the new instrument from the maker in her car it made a "splendid crescendo" whenever they went round a corner.
Messiaen also included the instrument in his only opera, Saint-François d'Assise, which was first performed in Paris 1983. Other works that use the geophone include Asyla by Thomas Adès, …towards a Pure Land by Jonathan Harvey, and the opera The Sacrifice by James MacMillan.