Following graduation, Goldin moved to New York City. She began documenting the post-punk new-wave music scene, along with the city's vibrant, post-Stonewall gay subculture of the late 1970s and early 1980s. She was drawn especially to the Bowery's hard-drug subculture; these photographs, taken between 1979 and 1986, form her famous work The Ballad of Sexual Dependency — a title taken from a song in Bertolt Brecht's Threepenny Opera.These snapshot aesthetic images depict drug use, violent, aggressive couples and autobiographical moments. Most of her Ballad subjects were dead by the 1990s, lost either to drug overdose or AIDS; this tally included close friends and often-photographed subjects Greer Lankton and Cookie Mueller. In 2003, The New York Times nodded to the work's impact, explaining Goldin had "forged a genre, with photography as influential as any in the last twenty years.In addition to Ballad, she combined her Bowery pictures in two other series: "I'll Be Your Mirror" (from a song on The Velvet Underground's The Velvet Underground and Nico album) and "All By Myself."
Goldin's work is most often presented in the form of a slideshow, and has been shown at film festivals. Most famous is a 45 minute show in which 800 pictures are displayed. The main themes of her early pictures are love, gender, domesticity, and sexuality; these frames are usually shot with available light. She has affectionately documented women looking in mirrors, girls in bathrooms and barrooms, drag queens, sexual acts, and the culture of obsession and dependency. The images are viewed like a private journal made public.
Goldin's work since 1995 has included a wide array of subject matter: collaborative book projects with famed Japanese photographer Nobuyoshi Araki; New York City skylines; uncanny landscapes (notably of people in water); her lover, Siobhan; and babies, parenthood and family life.
Goldin lives in New York and Paris—one reason the French Pompidou Centre mounted a major retrospective of her work in 2002. Her hand was injured in a fall in 2002, and she currently retains less ability to turn it than in the past.
In 2006, her exhibition, Chasing a Ghost, opened New York. It was the first installation by her to include moving pictures, a fully narrative score, and voiceover, and included the disturbing three-screen slide and video presentation Sisters, Saints, & Sybils. The work involved her sister Barbara's suicide and how she coped through a numerous amount of images and narratives. Her works are developing more and more into cinemaesque features, exemplifying her graviation towards working with films.
She was the recipient of the 2007 Hasselblad Award.
LANDMARKS IN THE ASCENT OF NAN ; Nan Goldin Was Creating Startlingly Candid Confessional Art Long before It Was Fashionable to Do So. Now, Reports Michael Bracewell, She's Belatedly Having Her First Solo British Show
Nov 14, 1999; THE AMERICAN photographer Nan Goldin first came to prominence in the middle of the Eighties, with a remarkable slide-show of 700...
ArtsEtc: Visual Art - It's Hard to Work Yourself Up over Nothing, or Next to Nothing ; Nan Goldin: Devil's Playground Whitechapel Art Gallery LONDON
Feb 03, 2002; There's something worse than hating an exhibition, and that is disliking it. Rage is kind of fun. Irritation - which is the best...