As an undergraduate, he waited tables and worked at the night copy desk of the Grand Forks Herald, and was active in the school's literary and dramatic societies. He obtained a B.A. in English Literature from the University of North Dakota in 1911. He became the principal of a high school in Minnewaukan, North Dakota, also teaching English there, but he was fired from this job in 1913 because he had made pacifist statements to his students. He then entered Stanford University, obtaining an M.A. in English Literature in 1914. He became a high school English teacher in San Francisco: after three years he became chairman of the English department at Whittier College in 1917. He was fired after a year for public statements supporting a student seeking conscientious objector status.
He next became a reporter for the San Francisco Chronicle and the San Francisco Bulletin, then moved to New York, where he wrote editorials for The New Republic, the New York Globe, and the New York World.
In 1921, he founded Measure, a magazine devoted to verse. He wrote his first play, White Desert, in 1923, which ran only twelve performances, but was well-reviewed by the book reviewer for the New York World, Laurence Stallings, who collaborated with him on his next play What Price Glory?, which was successfully produced in 1924 in New York City. Afterwords he resigned from the World, launching his career as a dramatist.
He wrote many well-known plays, of widely-varying styles, and was one of the few modern playwrights to make extensive use of blank verse. Some of these became movies, and Anderson wrote screen adaptations of other authors' plays and novels — Death Takes a Holiday, All Quiet on the Western Front — as well as books of poetry and essays. The only one of his plays that he himself adapted to the screen was Joan of Lorraine, which became the film Joan of Arc (1948) starring Ingrid Bergman, with a screenplay by Anderson and Andrew Solt. Anderson was awarded the Pulitzer Prize in 1933 for his political drama Both Your Houses, and twice received the New York Drama Critics Circle Award, for Winterset, and High Tor.
Anderson was, above all, a strong believer in the dignity of man (although humanism might be too strong of a word), and many of his plays focus on the concepts of liberty and justice. Anderson can probably be credited with popularizing the use of poetry in modern drama. He chose to write in solitude, preferring to write longhand in a wire-bound notebook, and refused to attend the opening nights of his plays.
He enjoyed great commercial success with a series of plays set during the reign of the Tudor family, who ruled England, Wales and Ireland from 1485 until 1603. One play in particular - Anne of the Thousand Days — the story of Henry VIII's brutal marriage to Anne Boleyn — was a hit on the stage in 1948, but did not reach movie screens for twenty-one years, perhaps due to censorship (there is much use of the word "bastards" in the play, and frank discussion of sexual relationships). It opened on Broadway starring Rex Harrison and Joyce Redman, and, in 1969 became an Oscar-winning movie with Richard Burton and Geneviève Bujold. (Margaret Furse won for her costume designs, but in a year that the costume drama might have been seen as old-fashioned, that was the only Oscar out of several nominations that the film actually won.) The play is still occasionally performed today. Another of his Tudor plays, Elizabeth the Queen, was adapted as The Private Lives of Elizabeth and Essex (1939), starring the legendary actress Bette Davis and Hollywood pin-up, Errol Flynn. Still another of his plays involving Elizabeth I, Mary of Scotland (1936), was turned into a film, albeit an unsuccessful one, in 1936, starring Katharine Hepburn as Mary, Queen of Scots, Fredric March as the Earl of Bothwell, and Florence Eldridge as Elizabeth. The play had been a hit on Broadway starring Helen Hayes in the title role.
He married Margaret Haskett, a fellow classmate, on 1 August 1911 in Bottineau, North Dakota. They had three sons, Quentin, Alan, and Terence. Margaret died of cancer on 22 February 1931. Anderson then resided with Gertrude "Mab" Higger starting in about October 1933. A daughter, Hesper, was born 2 August, 1934. Gertrude ("Mab") committed suicide on 21 March 1953. Her daughter Hesper (who was screenwriter for the movie Children of a Lesser God), wrote a book South Mountain Road: A Daughter's Journey of Discovery about her unearthing, only after the suicide, the fact that her parents had never married. Maxwell Anderson did marry once more, to Gilda Hazard, on 6 June 1954.
Honorary awards include the Gold Medal in Drama from the National Institute of Arts and Letters in 1954, an honorary Doctor of Literature degree from Columbia University in 1946, and an honorary Doctor of Humanities degree from the University of North Dakota in 1958.
Two of Anderson's other historical plays, Valley Forge (about George Washington's winter there with the Continental Army) , and Barefoot in Athens, about the trial of Socrates, were adapted for television, but not for the cinema. Indeed, Valley Forge was adapted for television three times — in 1950, 1951, and 1975.
Anderson wrote book and lyrics for two successful musicals with composer Kurt Weill. Knickerbocker Holiday was about the early Dutch settlers of New York, with Walter Huston as Peter Stuyvesant. The show's standout number, "September Song," became a popular standard. So did the title song of Anderson and Weill's Lost In The Stars, a story of South Africa based on the Alan Paton novel Cry, The Beloved Country.
His popular long-running 1927 comedy-drama about married life, Saturday's Children, in which Humphrey Bogart made an early appearance, was filmed three times - in 1929 as a part-talkie, in 1935 (in almost unrecognizable form) as a B-film entitled Maybe It's Love, and once again in 1940 under its original title, starring John Garfield in one of his few romantic comedies, along with Anne Shirley and Claude Rains. The play was also adapted for television in three condensed versions, in 1950, 1952, and 1962.
Anderson also adapted the William March novel The Bad Seed into a play, one of his last to reach Broadway. He was hired by Alfred Hitchcock to write the screenplay for Hitchcock's The Wrong Man (1957). Hitchcock also contracted with Anderson to write the screenplay for what became Vertigo (1958) but Hitchcock rejected Anderson's screenplay which bore the title Darkling I Listen.
'Lost' music is tops, but story falls flat; OPERA REVIEW: With a new name and a new theater, Skylark Opera presents a work based on a novel about apartheid that features the music of Kurt Weill.(NEWS)
Mar 27, 2007; Byline: Michael Anthony; Staff Writer The venerable North Star Opera started its season with a new name - Skylark Opera - and a...