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Linda Ronstadt

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Linda Maria Ronstadt (born July 15, 1946 in Tucson, Arizona) is an American popular vocalist and entertainer who has earned multiple Grammy Awards, an Emmy Award, numerous United States and internationally certified gold, platinum and multiplatinum albums, a Tony Award and Golden Globe nominations. A singer-songwriter and record producer, she is better known as a definitive interpreter of songs. Ronstadt has recorded over 30 studio albums, and has made guest appearances on over 100 other albums. More importantly, outside of the studio and record charts, and on par with her male counterparts of the day, Ronstadt became the first solo female rock and roll artist in music history to have highly anticipated tours - coinciding with a string of highly successful albums, thus making her able to command sell-out concerts.

Ronstadt has recorded studio albums in many genres outside of the rock and roll field and is known throughout the music industry as one of the most versatile, durable, and commercially successful female singers who has ever recorded popular music. Branching out, she has recorded Traditional Pop, mariachi, jazz, folk, Broadway and Opera. However, her most commercially successful period was the 1970s and 1980s. As she moved on to other genres in the 1980s she maintained her consistent commercial success, and remained one of the best-selling female album artists of the 1980s. Ronstadt has 27 top 100 albums, 10 of which have reached top 10, and three of those hit the top of the Billboard 200 pop album chart. She also has 21 Top 40 hits on the Billboard Hot 100, 10 of which have reached the top 10, three peaking at No. 2, and one No. 1 hit, You're No Good.

Career overview

Establishing her professional career in the mid-1960s at the forefront of California's emerging folk rock and country rock movements, genres which later defined post-sixties rock music, Linda Ronstadt became the lead singer of a successful folk rock group, The Stone Poneys. Later as a solo artist, she released Hand Sown ... Home Grown in 1969, considered the first alternative country record by a female recording artist. During these years as greater fame eluded her, Ronstadt actively toured with Jackson Browne, The Doors, Neil Young and others, made television show appearances, and began to contribute her voice to a variety of albums such as Carla Bley's jazz opera Escalator Over the Hill. However, in the mid 1970s, Ronstadt attained hit-making success with chart-topping albums such as Heart Like A Wheel, Simple Dreams, and Living In The USA. Coupled with her chart success, Ronstadt became the first female "arena class" rock star, setting records as one of the top-grossing concert artists of the decade, and the most successful female rock singer of her era. Labeled the First Lady of Rock, and one of The Queens of Rock, Ronstadt was voted the Top Female Pop Singer of the 1970's. Her rock and roll image was equally as famous as her music, landing six times on the cover of Rolling Stone magazine, Newsweek, and on the coveted cover of Time magazine. In the early 1980s Ronstadt went to Broadway where she teamed with composer Phillip Glass, recorded Traditional music, and collaborated with famed conductor Nelson Riddle, which at the time and era was viewed as an original and unorthodox turn by a rock and roll artist. This gamble paid off, and Ronstadt remained one of the best-selling vocalists throughout the 1980s with multi-platinum selling albums such as: What's New, Canciones de Mi Padre and Cry Like a Rainstorm, Howl Like the Wind. Ronstadt has continued to successfully tour, collaborate, and record albums such as: Winter Light, Hummin' to Myself and Adieu False Heart. Ronstadt's thirty-plus album catalog continue to be best-sellers, with a majority of them certified gold, platinum and multiplatinum. Selling in excess of one sixty million albums and setting records as one of the top-grossing concert performers for a decade, Linda Ronstadt is the most successful female rock singer of the 70’s and one of the most successful female pop singers in US History. A consummate American artist, Ronstadt opened many doors for women in rock and roll and in music by achieving success and being at the vanguard of many musical movements. Ronstadt is one of the top female vocalists in U.S. history and part of the list of best-selling music artists.

Private life

Early life

Linda Ronstadt was born in Tucson, Arizona in 1946 to Gilbert Ronstadt (1911-1995), a prosperous machinery merchant who ran the F. Ronstadt Co., and Ruthmary Copeman Ronstadt (1914-1982), a homemaker with a gift for science. She was raised along with her brothers Peter (served as Tucson's chief of police from 1981-1992) and Michael and her sister Gretchen (Suzy), on the family's 10-acre ranch. The family was featured in Family Circle Magazine in 1953.

Her father, Gilbert, came from a leading and pioneering Arizona ranching familybeing of Mexican-American, with some German and English ancestry. Her father's grandfather, Frederick Augustus Ronstadt (who used Federico augutso Ronstadt) immigrating to the West (then a part of Mexico) in the 1840s from Hanover, Germany and married a Mexican-citizen. The marriage resulted in several children, including Federico José María Ronstadt (Linda's grandfather) and eventually settling in Tucson.

The Ronstadt Family has made important contributions to arts and culture in the American Southwest. So great are their contributions to the state of Arizona that their history and influence, including wagon making, commerce, pharmacies and music, is chronicled in the library of the University of Arizona, her alma mater.

Her mother, Ruthmary, was the daughter of the prolific American inventor Lloyd Groff Copeman, raised in Michigan, was of Anglo-American descent with German, English and Dutch heritage. Lloyd, with nearly seven hundred patents in his name, invented an early form of the toaster, many refrigerator devices, the grease gun, the first electric stove and an early form of the microwave oven. His flexible rubber ice cube tray invention earned him millions of dollars in royalties. He once told his grandson that he could walk into any store or home and find one of his inventions.

Ronstadt's early life was filled with music and tradition, which influenced her musical choices. A product of the American radio of the 1950s and 1960s with its eclectic broadcasting. Growing up she listened to all types of music, and credits her mother for her music appreciation of Gilbert and Sullivan and the Traditional Pop music that she herself would in turn help reintroduce to an entire generation. Staying true to any musical tradition Ronstadt sticks to “what... the music demand(s)”.

Personal life

In the 1970s her private life became very public, most notably, as publicity surrounding her life was propelled in the late 1970s by a relationship with then-Governor Jerry Brown of California, a Democratic presidential candidate. They shared a Newsweek magazine cover in April 1979. Ronstadt and Brown also took a trip to Africa which became fodder for paparazzi and the press.

In the mid-1980s, Ronstadt was engaged ("ring on the finger and all") to Star Wars director George Lucas.

In the early '80s, Ronstadt was criticized by some (mainly rock critics) for playing two concerts in what was then apartheid South Africa, at a time when artist like Ray Charles, Frank Sinatra, Shirley Bassey, Stevie Wonder and Cher did so. Rolling Stone magazine covered the trip. The controversy eventually died out and apartheid ended.

Ronstadt is a major supporter and admirer of Salina, Kansas' sustainable agriculture pioneer Wes Jackson, saying in 2000 "the work he's doing right now is the most important work there is in the (United States)", and dedicating the rock anthem Desperado to him at an August, 2007 Kansas City, Kansas concert of hers.

She has two adopted children, Mary and Carlos. Her daughter has made her a fan of musician Pink. Her son, who is into death metal, has introduced her to the music of Rob Zombie and she states "There's real power and energy (to his music)", and on AC/DC she says "I really love Back in Black. I appreciate it musically (and) how good the rhythm guitar player is."

Ronstadt is a big fan of J. K. Rowling's Harry Potter novels, and even persuaded friend and noted New York Times book critic Michiko Kakutani to start reading the Harry Potter novels.

Linda Ronstadt's favorite female vocalist is Maria Callas, saying "There's no one in her league. That's it. Period.". "I learn more...about singing rock n ­roll from listening to Maria Callas records than I ever would from listening to pop music for a month of Sundays." "She's the greatest chick singer ever". She admires Callas for her musicianship and her attempts to push 20th century singing, particularly opera, back into the Bel Canto "natural style of singing".

Ronstadt defines her voice as a coloratura soprano.

As of 2007, Linda Ronstadt resides in the San Francisco area while also maintaining her home in Tucson, Arizona. However, this same year, Ronstadt drew criticism and praise from some of her local Tucsonians by observing that the local city council's failings, developers' strip mall mentality, greed and growing dust problem has rendered the city unrecognizable and poorly developed.

In an August 14, 2007, interview she commented on all her well publicized outspoken views, in particular her, Aladdin Theatre for the Performing Arts incident (see Political controversy below), by noting, "If I had it to do over I would be much more gracious to everyone... you can be as outspoken as you want if you are very, very respectful. Show some grace".

On September 23, 2007, Ronstadt, was inducted into the the Arizona Music & Entertainment Hall of Fame, also included among the strong class of inductees were Stevie Nicks, Buck Owens and filmmaker Steven Spielberg.

Political controversy

Major criticism and praise involving Ronstadt's politics arose during a July 17, 2004 performance at the Aladdin Theatre for the Performing Arts in Las Vegas. Towards the end of her performance, as she had done in performances across the country, Ronstadt spoke to the audience, praising Michael Moore's documentary film Fahrenheit 9/11, a movie discussing the Iraq War, and dedicated the song "Desperado" to Michael Moore.

Accounts of the crowd's initial reaction was mixed, with "half the crowd heartily applauding her praise for Moore,(and) the other half booing". However, the situation escalated into what Tyri Squyres, director of public relations at the Aladdin, described as a "mob scene.... It's amazing how ugly it got," with people walking out, tearing down posters, throwing drinks and demanding a refund.

Following the concert, news accounts reported that Ronstadt was "evicted" from the hotel premises. Ronstadt claimed she wasn't physically taken off stage but was ordered by Aladdin staff to wait to speak with Aladdin President Bill Timmins. She claims to have refused to wait and to have left, and later remarked that while Aladdin staff attempted to detain her, she thought, "Or they were going to make me start writing on a chalkboard or read me my Miranda rights?" Later she said, "Apparently..(the Aladdin)... called up one of the people that was traveling with us and went, 'She's talking about Michael Moore, and this is a place for entertainment, not politics'."

Ronstadt's comments, as well as some audience members and the hotel reactions, became a topic of discussion nationwide, as Timmons and Michael Moore all made public statements on the controversy.

The "Aladdin Incident" subsequently drew international headlines and public discourse on an entertainer's right to express a political opinion from the stage. The Aladdin Incident made the editorial section of the New York Times.

Following the incident, many friends of Ronstadt's, including The Eagles, immediately cancelled their engagement at the Aladdin. Ronstadt also received immediate telegrams of support from her rock 'n' roll friends around the world, such as The Rolling Stones, The Eagles, and Elton John.

Despite reports of this public response, Ronstadt continued in her praise of Moore and his film throughout her 2004 and 2006 summer concerts across North America, which evidently continued to have a polarizing effect on the public. At a 2006 concert in Canada, Ronstadt told the Calgary Sun that she was "embarrassed George Bush (was) from the United States.... He’s an idiot.... He’s enormously incompetent on both the domestic and international scenes.... Now the fact that we were lied to about the reasons for entering into war against Iraq and thousands of people have died — it’s just as immoral as racism." This Canadian incident drew international headlines. Politician turned political pundit Joe Scarborough referenced Ronstadt's controversial comments on his MSNBC show. This was subsequently posted on You Tube and has garnered over 2.3 million hits or views and thousands of comments.

As Peter Asher noted, "Linda is an extremely determined woman, in every area".

Career biography

At age fourteen, she formed a folk trio with her brother Peter and her sister Suzy. They billed themselves as The New Union Ramblers or The Three Ronstadts, and the trio played around coffeehouses, fraternity houses, and small joints. Their repertoire included the music they grew up on - folk, country, bluegrass, and Mexican. But increasingly, Ronstadt wanted to make a union of folk music and rock 'n' roll, and in 1964, at 17, she decided to move on to Los Angeles.

The Stone Poneys

While Ronstadt was a student at Arizona State University, she met guitarist Bob Kimmel. Together they moved to Los Angeles. In 1964, guitarist-songwriter Kenny Edwards joined the pair, co-writing several folk-rock songs with Kimmel. They recorded "So Fine" for Curb Records. The record company wanted them to sing surf music, which the trio chose not to do. The trio was discovered and signed with Nick Venet and Capitol Records with Ronstadt as the lead singer. They became a leading attraction on California's folk circuit, recording their first album in the fall of 1966. The Stone Poneys acted as a supporting act for The Doors on tour; "The Lizard King" didn't exactly endear himself to Ronstadt, she remarked, "We thought they were a good band, but we didn't like the singer".

That same year, a second album followed, Evergreen, Volume 2, released in June. The album cover is notable for showing all three Stone Poney members on the cover. Evergreen was significant for the group's hit single "Different Drum", which reached #13 on the Billboard Hot 100. It was written by future Monkees member Michael Nesmith, along with notable songs, "Back on the Street Again" (Steve Gillette) and "One for One" (Al Silverman and Austin DeLone).

The beginning of the end for the Stone Poneys occurred when their then-manager came up to them at The Troubadour one night and said, Well, I can get your chick singer recorded, but I don't know about the rest of the group. And that was the end of it. Capitol Records released The Stone Poneys in January 1967; it failed to chart.

A third album, The Stone Poneys & Friends, Volume 3, was released in April 1968 and included the single "Up To My Neck In High Muddy Water," which stalled at No. 93; however, at this stage, the group had disbanded, and Ronstadt went solo.

Solo career

Still contractually obligated to Capitol Records, Ronstadt released her first solo album, Hand Sown ... Home Grown in 1969, considered the first alternative country record by a female recording artist.

Ronstadt also vocalized in some commercials. One notable one is the famous late 1960s commercial for Remington electric razors, with a multi-tracked Ronstadt and Frank Zappa saying that the electric razor "cleans you, thrills you... may even keep you from getting busted".

Ronstadt released her second solo album titled Silk Purse in March 1970. It was the only one of her studio discs that was recorded entirely in Nashville. Ronstadt hired Elliot Mazer to produce the album. Mazer had been recommended to Ronstadt by her friend Janis Joplin, who had worked with him on her Cheap Thrills album. The Silk Purse album cover was the first to establish a trend in many other Ronstadt album covers - bold, colorful and memorable. This album cover showed Ronstadt in a muddy pig pen with the back and inside cover showing Ronstadt in bold red and on stage. Ronstadt has stated that she wasn't pleased with this album although it provided her with her first solo hit, the multi-format single, "Long Long Time". Also Silk Purse is notable for earning Ronstadt a Grammy Award nomination for Best Contemporary Vocal Performance - Female, the first of her 27 Grammy nominations.

Ronstadt began incorporating new sounds into her stage gigs, with the help of various backing bands. However, Ronstadt noted in a 1969 interview for Fusion Magazine, that it was difficult being a single chick singer with a decidedly all-male backup band. According to her, it was really hard for a single girl to get a band of backing musicians, because there's all that ego problem of being labeled a sideman for a girl singer. For example, the guitar player would hurry to the microphone and say 'Thank You' before she could even get to the mic after their set. Or she'd find that musicians felt their masculinity was threatened being sidemen to a girl singer.

Soon after she went solo in the late 1960s, one of her first backing bands was the pioneering country-rock band Swampwater, famous for incorporating cajun and swamp-rock elements into their music. Its members included cajun fiddler Gib Guilbeau, John Beland, before either of them would join The Flying Burrito Brothers. Stan Pratt, Thad Maxwell and Eric White (Clarence White of The Byrds' brother). Swampwater would go on to back Ronstadt on TV's The Johnny Cash Show, The Mike Douglas Show and The Big Sur Folk Festival. Another backing band featured players Don Henley, Glenn Frey, Bernie Leadon and Randy Meisner who later formed The Eagles, who would go on to become the best-selling American group ever in the US. They toured with her for a short period in 1971, and were her studio band for her third solo album, the self-titled Linda Ronstadt album.

In 1973, Ronstadt hired producer Peter Asher, then producer for James Taylor. Asher at first was hesitant because Ronstadt had a reputation throughout the music business of being a "woman of strong opinions and knew what she wanted to do (with her career)" and Asher did not like being pushed around, likewise, in this time and era these opinionated qualities in a woman were considered a "negative, whereas in a man they were perceived as being masterful and bold" but Asher, of course, ended up agreeing to manage Linda Ronstadt. This relationship with Asher, as producer of her albums, continued through the late 1980s. Asher, who has gone on to produce numerous other artist and winning two Grammy Awards for Producer of the Year, recently remarked that Linda Ronstadt remains his "favorite female singer of all time. Her voice is just astounding and ... (with) very clear ideas herself about what she (wants) to do, but also she could just sing the shit out of anything".

She also released her fourth solo album in 1973, Don't Cry Now. It was the first of her studio releases for Asylum Records. The album followed the theme of Ronstadt album covers, again, bold, colorful and memorable. It featured her first 'Country' hit with "Silver Threads and Golden Needles," which she had first recorded on her 1969 Hand Sewn... Home Grown album, which this time hit the Top 20.

In 1973, Ronstadt began touring as the opening act for Neil Young's Time Fades Away tour. This tour was notable for the fact that she was introduced to Emmylou Harris. Backstage at a concert in Texas, Chris Hillman put the newcomer Harris together with Ronstadt, telling them, "You two could be good friends".

In the 1974 book Rock'n'Roll Woman, author Katherine Orloff interviewed Ronstadt stating, "her own musical preferences run strongly to rhythm and blues, the type of music she most frequently chooses to listen to... (and) her goal is to... be soulful too. With this in mind, Ronstadt fuses country and rock into a special union".

By this stage of her career Ronstadt had established her niche in the field of Country-rock. She, along with other notable musicians such as The Flying Burrito Brothers, Emmylou Harris, Gram Parsons, Swampwater, Neil Young, and The Eagles, helped free country music from stereotypes and showed rockers that country was OK. However, she stated that she was being pushed hard, into singing more rock n roll.

Most successful female rock singer of her era

Author, Andrew Greeley in his book God in Popular Culture, described Ronstadt as "the most successful and certainly the most durable and most gifted woman Rock singer of her era". Author Gerri Hirshey explains in her book We Gotta Get Out of This Place: The True, Tough Story of Women in Rock, Linda Ronstadt became the first "arena-class rock diva", with "hugely anticipated tours", signaling her wide popularity as a concert artist, outside of the singles charts and the recording studio. Dirty Linen magazine describes her as the "first true woman rock 'n' roll superstar.....(selling) out stadiums with a string of mega-successful albums". Amazon.com, defines her as the American female rock superstar of the decade. By the end of the 1970's, Cashbox gave Ronstadt a Special Decade Award, as the top female pop singer of the decade. Coupled with the fact that her album covers, posters, magazine covers - basically her entire rock n roll image conveyed - was just as famous as her music. By the end of the decade, Redbook defined her as, "the most successful female rock star in the world... (who) has survived in the mostly male world of rock".

Having been a cult favorite on the music scene for several years, 1975 was "remembered in the music biz as the year when 29 year old Linda Ronstadt belatedly happened". With the release of Heart Like A Wheel, Ronstadt reached No. 1 on the Billboard Album Chart (it was also the first of four No. 1 Country Albums for Ronstadt) and the disc was certified Double-Platinum (over 2 million copies sold). The album's first single release was "You're No Good," which climbed to No. 1 on the Pop singles chart. The album's second single release was "When Will I Be Loved," which climbed to the No. 2 on the Pop singles chart and the No. 1 slot on the Country singles chart

The album was highly notable not only for showing a physically attractive Ronstadt on the cover but also, more importantly, its critical and commercial success was due to a fine presentation of country and rock with Heart Like A Wheel her first of many major commercial successes that would put her on the path as one of the best-selling female artists of all time. Ronstadt won her first Grammy Award for Best Country Vocal Performance/Female for "I Can't Help It (If I'm Still In Love With You)" which had peaked at No. 2 on the Country charts. The album was nominated for Album of the Year.

Immediately, Rolling Stone magazine put her on its cover in March 1975, for the first time. The cover was the first of six Rolling Stone magazine covers and photographed by famed photographer Annie Leibovitz. It also included her as featured artist with a full photo layout and an article by Ben Fong-Torres, discussing her many struggling years in rock n roll, home life and what it meant to be a women on tour in a decidedly all-male environment.

Later this same year, 1975, her album Prisoner in Disguise was released. It climbed to No. 4 on the Billboard Album Chart and sold over a million copies. It became her second in a row to go platinum, "a grand slam" in the same year (Ronstadt would eventually be the first female artist in popular music history to have three consecutive platinum albums and would go on to have eight consecutive platinum albums and then another seven between 1983 and 1990). The disc's first single release was "Love Is A Rose". It was climbing the Pop and Country charts but Heat Wave, a rockified version of the 1963 hit by Martha and the Vandellas, was receiving considerable airplay. Asylum pulled the "Love Is A Rose" single and issued "Heat Wave" with "Love Is A Rose" on the B-side. "Heat Wave" hit the Top Five on Billboard's Hot 100 while "Love Is A Rose" hit the Top Five on Billboard's Country chart.

In 1976 Ronstadt reached the Top 3 of Billboard's Album Chart and won her second career Grammy Award for Best Pop Vocal Performance, Female for her third consecutive platinum album Hasten Down the Wind. The album showcased Ronstadt the singer-songwriter, composing two songs, "Try Me Again" and "Lo Siento, Mi Vida". It also included interpretation of Willie Nelson's classic "Crazy", which became a Top 10 Country hit for Ronstadt in early 1977.

In late 1977 Ronstadt surpassed the success of Heart Like A Wheel with her album Simple Dreams, which held the No. 1 position for five consecutive weeks on the Billboard Album Chart. The album was released in September and by April of the following year had sold over 3 million copies - 3x platinum - in the US alone. Simple Dreams had already been holding at No. 2 for two months behind Fleetwood Mac's long running No. 1 album Rumours before eventually claiming the top spot. Simple Dreams included the RIAA platinum-certified single "Blue Bayou" as well as "It's So Easy" and "Poor Poor Pitiful Me". Simple Dreams was the highest selling album in the U.S. by any solo artist in 1977. It also garnered several Grammy Award nominations - including Record Of The Year and Best Pop Vocal Performance, Female for "Blue Bayou" - and won its art director, Kosh a Grammy Award for Best Album Cover, the first of three Grammy Awards he would win for designing Ronstadt album covers.

Simple Dreams became one of the singers most successful international selling albums as well, reaching No. 1 on the Australian and Canadian pop and country album charts. Simple Dreams also made Ronstadt one of the most successful international solo female touring artist as well. The same year, she completed a highly successful concert tour around Europe.

Also in 1977, she was asked by the L.A. Dodgers to sing the U.S. National Anthem at game three of the World Series against the New York Yankees.

Time Magazine and Image

Ronstadt has remarked that she felt as though she was "artificially encouraged to kinda cop a really tough attitude (and be tough) because rock n roll is kind of a tough (business)" which she felt wasn't worn quite authentically. Female rock artists like her and Janis Joplin, whom she described as lovely, shy and very literate in real life and the antithesis of the "red hot mamma" routine she was artificially encouraged to project, went through a identity crisis. Ironic, as Ronstadt noted in the 1974 interview with publicist Katherine Orloff, was that "women in rock and roll... have to compete with the boys... (which is) to talk as dirty and (to) have just as callous an attitude," even as a kid hunting with her father and brother she "wanted to (be tough) and just like my brother, carry my .22, which was bigger than I was".

Eventually, Ronstadt's rock n roll image became just as famous as her music in mid 1970s. The 1977 appearance on the cover of Time magazine under the banner "Torchy Rock" , especially for the most famous woman singer of the 1970s, was notable and controversial for Ronstadt, considering what the image appeared to project about the most famous woman in rock. At a time in the industry when men still told women what to sing and what to wear, Ronstadt hated the image of her that was projected to the world, on the cover of Time magazine no less, and she noted recently how the photographer kept forcing her to wear a dress, which was an image she did not want to project, (although she wore a rather revealing dress for the cover of Hasten Down the Wind which projected an image of her not all that different from the Time magazine cover). In 2004, she was interviewed for CBS This Morning and stated that this image was not her because she didn't sit like that. The Time magazine cover did not deter critics and they regarded it as affirming their claim that Ronstadt was her producer's puppet. It also encouraged them to belittle her music along with her image. Asher noted this irony, "anyone who's met Linda for 10 seconds will know that I couldn't possibly have been her Svengali. She's an extremely determined woman, in every area. To me, she was everything that feminism's about." Qualities, which Asher has stated, were considered a "negative (in a woman), whereas in a man they were perceived as being masterful and bold". As noted, since her solo career began, Ronstadt has fought hard to be recognized as a solo female singer in the world of rock, and her portrayal on the Time cover didn't appear to help the situation. As evidence of how troublesome this cover was to her, Ronstadt later refused to acknowledge that she was reclining and insisted that she was "sitting down... looking stupid" .

Later in 1977, Rolling Stone published for its cover, an alluring collection of photographs taken by Annie Leibovitz, which helped to further the image that Ronstadt later said she wasn't pleased with. Ronstadt and Asher claim to have viewed the photos prior to publication and, when asked that they be removed and the request was denied, they unceremoniously threw Leibovitz out of the house.

In 1978, Rolling Stone magazine declared Ronstadt, "by far America's best-known female rock singer". She had a third No. 1 album on the Billboard Album Chart, with Living In The USA and a major hit single with "Ooh Baby Baby", which hit all four major singles charts (Pop, AC, Country and R&B). Another notable song is Warren Zevon's, "Mohammed's Radio," in which Godot turns out to be rock & roll and Mohammed's radio is the grail. Living In The USA was the first album by any recording act, in music history, to ship double platinum (over 2 million advanced copies). The album was certified 2x Platinum (over 2 million copies sold).

Billboard Magazine crowned Linda Ronstadt with Four No.1 Awards for the Year: No.1 Pop Female Singles Artist of the Year; No.1 Pop Female Album Artist of the Year; No.1 Female Record Artist of the Year; and the No.1 Female Vocalist of the Year.

Living In The USA showed the singer on roller skates with a newly short haircut on the album cover. Ronstadt continued this theme on concert tour promotional posters with photos of her on roller skates in a dramatic pose with a large American flag in the background. By this stage of her career, she was promoting every album released, with posters and concerts - which at the time were recorded live on radio and/or TV. Ronstadt was also featured in the 1978 film FM, where the plot involved disc jockeys attempting to illegally record and broadcast live, a Linda Ronstadt concert. The movie also showed Ronstadt in concert singing the hit song Tumbling Dice.

Keeping with this theme, Ronstadt conducted successful disc promotional tours and concerts. One notable concert in 1978 is Ronstadt's guest appearance onstage with The Rolling Stones at the Tucson Community Center on July 21, 1978 in her hometown of Tucson, where Ronstadt and Mick Jagger vocalized on "Tumbling Dice".

Highest paid woman in rock

By the end of 1978, Ronstadt had solidified her role as one of rock and pops most successful solo female acts, and due to her commercial success and her ability to command sell out concerts, a feat for a female solo artist at the time, Ronstadt became the "highest paid woman in rock", and the first-ever woman able to command sell-out concerts in arenas and stadiums hosting tens of thousands of fans. She had three No. 1 Pop albums, six platinum certified albums and numerous charted Pop singles. In 1978 alone, she made over $12 million (equivalent to $38,000,000 today), and in the same year her albums sales were reported at being 17 million in sales - worth $60 million".

As Rolling Stone magazine dubbed her "Rock's Venus", her record sales continued to multiply and setting records themselves. By the end of the 1970s, Ronstadt had collected eight gold, six platinum and four multi-platinum certifications for her albums, an unprecedented feat at the time. Her 1976 Greatest Hits album would sell consistently for the next 25 years and in 2001 was certified by the RIAA for 7 times platinum (over 7 million US copies sold). In 1980 Greatest Hits Volume II was released and certified platinum) (over 1 million copies sold).

In 1979 , Ronstadt went on a successful international tour, playing in arenas across Australia to Japan, including the Olympic Park Stadium in Melbourne, Australia and the Budokan in Tokyo, Japan. She also participated in benefit concert for her friend Lowell George, held at the The Forum, in Los Angeles, California.

By the end of the decade, Ronstadt had outsold her female competition, no other female artist to date had five straight platinum LPs: Hasten Down the Wind, and Heart Like a Wheel among them. US Magazine reported in 1978, that Linda Ronstadt, Stevie Nicks, Carly Simon and Joni Mitchell had become "The Queens of Rock" and 'Rock is no longer exclusively male. There is a new royalty ruling today's record charts'.

From rock to Broadway

In 1980, Ronstadt recorded Mad Love, her seventh consecutive platinum selling album. Mad Love is a straightforward rock n roll album with strong post-punk, new wave influences, including tracks by songwriters such as Elvis Costello, The Cretones, and musician Mark Goldenberg who played on the record himself. This same year she also made the cover of Rolling Stone Magazine for a record-setting sixth time. Mad Love entered the Billboard Album Chart in the Top Five its first week (a record at that time) and climbed to the No. 3 position on the Billboard Album Chart. In 1980, she continued her streak of Top 10 hits with "How Do I Make You?", "Hurt So Bad" and the Top 40 hit "I Can't Let Go". The album earned Ronstadt the 1980 Grammy nomination for Best Rock Vocal Performance, Female (but she lost to Pat Benatar for "Crimes of Passion"). However, this same year Benatar praised Linda Ronstadt by stating, How can I be the best (female) rock singer, Ronstadt is still alive!.

In the summer of 1980, Ronstadt began rehearsals for the first of several leads in Broadway musicals. Joseph Papp cast her as the lead in the New York Shakespeare Festival production of Gilbert and Sullivan's The Pirates of Penzance, alongside Kevin Kline. However, this endeavor wasn't, to Ronstadt, as far a left field endeavor as it might have appeared to Ronstadt's popular music audience. She recounts that singing Gilbert and Sullivan was a natural choice for her, since Grandfather Fred Ronstadt is credited with creating Tucson’s first orchestra, the Club Filarmonico Tucsonense and had once created an arrangement of Pirates of Penzance, likewise, her mother, Ruthmary Copeman Ronstadt, owned a large Gilbert and Sullivan collection.

The Pirates of Penzance revival turned out to be a major hit on Broadway. The musical opened for a limited engagement in New York City's Central Park and moved its production to Broadway where it ran from January 8, 1981 to November 28, 1982. Newsweek was effusive in its praise: "...she has not dodged the coloratura demands of her role (and Mabel is one of the most demanding parts in the G&S canon): from her entrance trilling 'Poor Wand'ring One,' it is clear that she is prepared to scale whatever soprano peaks stand in her way".

A DVD of the Central Park production was released in October 2002, but there is no recording of the Broadway run which followed. The "Central Park" disc is notable for its somewhat mediocre videotaping and sound quality, both a result of the outdoor location. Ronstadt also co-starred with Kline and Angela Lansbury in the 1983 motion picture version of the Gilbert and Sullivan operetta. Ronstadt received a Golden Globe nomination for the role in the movie version. The two versions (stage and for-film) are distinguishable by cover art.

For her effort on Broadway, she garnered a Tony Award nomination for Best Performance by a Leading Actress in a Musical and The Pirates of Penzance won several Tony Awards, including a Tony Award for Best Revival.

In 1984, Ronstadt had discovered La Boheme through the silent movie with Lillian Gish and was determined to play the part of Mimi. When she mentioned it to her friend, opera superstar Beverly Sills, she was told, "My dear...every soprano in the world wants to play Mimi!" Ronstadt was later cast in the role of Mimi at Joseph Papp's Public Theatre.

In 1988, Ronstadt returned to Broadway, for a limited run engagement in the musical show adaptation of her 1988 album of Mexican folk songs, Canciones de Mi Padre - "My Father's Songs".

After her stint on Broadway, Ronstadt went back to the studio to record more rock 'n' roll music. In 1982, Ronstadt released Get Closer a primarily rock album with some country and pop music as well. The album is notable as it's her only album from 1974 (Heart Like A Wheel) to 1990 (Cry Like A Rainstorm, Howl Like The Wind). It peaked at No. 31 on the Billboard Album Chart. In 1982, she continued her streak of Top 40 hits with "Get Closer", and "I Knew You When", and the notable Jimmy Webb song "Easy For You To Say" which was a Top 10 AC hit. The album earned Ronstadt two Grammy Award nominations for Best Rock Vocal Performance, Female as well as Best Pop Vocal Performance, Female. The album won its art director, Kosh his second Grammy Award for Best Album Package.

Along with the release of her Get Closer album, Ronstadt also embarked on a very successful North American tour, remaining one of the top rock concert draws that summer and fall. One notable and famous concert being her November 25, 1982 Happy Thanksgiving Day concert held at Dallas, Texas's Reunion Arena and broadcast live via satellite on radio stations across the United States.

Branching out

Ronstadt has remarked that in the beginning of her career "(she)..was so focused on folk, rock and country that..(she) got a bit bored and started to branch out, and..(has) been doing that ever since". By this stage of her career, Linda Ronstadt was reportedly worth over $40 million (equivalent to $81,000,000 today), mostly from successful rock n roll records and concerts.

Ronstadt eventually became tired of playing arenas. She didn't feel that arenas, where people milled around lighting joints and buying beer, were "approriate places for music". She wanted "angels in the architecture" - a reference to a lyric in the Paul Simon song You Can Call Me Al. Likewise, she has noted that she wanted to sing in places similar to the Theatre of ancient Greece, where the attention is focused on the stage and performer.

What's New

In 1983, a then 37-year old Ronstadt embarked on an unorthodox and original approach in rehabilitating the Great American Songbook when she recorded the first of what would be a trilogy of highly successful traditional pop albums alongside, the then 62-year-old grand master of pop orchestration, conductor Nelson Riddle: What's New (1983); Lush Life (1985); and For Sentimental Reasons (1986). The three have a combined sales of over 8 million copies sold in the U.S. alone.

The album design for What's New by designer Kosh was unlike any of her previous disc covers. But in keeping with the themes of her other discs it was bold, colorful and memorable. The cover seemed to playfully suggest what's new? It showed Ronstadt in a vintage dress lying on shimmering satin sheets with a Walkman headset. At the time, Ronstadt received a lot of ridicule for both the album cover and her venture into what was then considered "elevator music" by cynics. In a 1984 Saturday Night Live skit, comedienne Julia Louis-Dreyfus parodied Ronstadt by dressing and posing in a copy of the What's New cover while the title track played in the background. Louis-Dreyfus sang things like "I sing old songs for you, ‘Cause I can’t do what’s new!", referring to the fact that these 1920's and 30's written songs that Ronstadt chose and elected to perform were too old to cover, un-hip, not rock 'n' roll and therefore, unmarketable.

Ronstadt faced considerable pressure not to record What's New or record with Riddle. According to jazz historian Peter Levinson, author of the book September In The Rain - a Biography on Nelson Riddle, Joe Smith, president of Elektra Records, was terrified that the Nelson Riddle album would turn off Ronstadt's rock audience. Nonetheless, Ronstadt remained determined to record with Riddle. What's New was released in September of 1983, it spent 81 weeks on the Billboard Album Chart and climbed to the No. 3 position (held out of the top spot by Michael Jackson's 'Thriller' and Lionel Richie's 'Can't Slow Down') and the RIAA certified it triple platinum (over 3 million US copies sold). The album earned Ronstadt another Grammy nomination for Best Pop Vocal Performance, Female and critical raves, with Time Magazine calling it "one of the gutsiest, most unorthodox and unexpected albums of the year".

What's New brought Nelson Riddle to a younger audience. According to Levinson "the younger audience hated what Riddle had done with Frank Sinatra, which in 1983 was considered "Vintage Pop". Working with Ronstadt, Riddle brought his career back into focus in the last three years of his life. Stephen Holden of the New York Times wrote, What's New "isn't the first album by a rock singer to pay tribute to the golden age of the pop, but is . . the best and most serious attempt to rehabilitate an idea of pop that Beatlemania and the mass marketing of rock LPs for teen-agers undid in the mid-60s . . . In the decade prior to Beatlemania, most of the great band singers and crooners of the 40s and 50s codified a half-century of American pop standards on dozens of albums . . . many of them now long out-of-print". What's New is notable for being the first album by a rock singer to have major commercial success in rehabilitating the Great American Songbook.

In 2004, Ronstadt released Hummin' to Myself, her first album for Verve Records. It was her first foray into traditional jazz since her records with the Nelson Riddle Orchestra, but this time with a smaller jazz combo. The album was a quieter affair for Ronstadt, receiving few interviews and only one television performance as promotion. The album debuted at No. 2 on the Billboard Top Jazz Albums Chart, and not having the mass distribution Warner Music gave her, Hummin' To Myself sold over 75,000 copies in the US alone within the first 6 months of its release, quite successful for a small record label like Verve Records and it did achieve notable critical acclaim from the jazz cognoscenti.

The Trio recordings

In 1978, Ronstad, with Dolly Parton and Emmylou Harris, began recording a Trio album. The attempt was not successful. Ronstadt later remarked that not too many people were focused at the time and everyone was too involved with their own careers. This concept album was put on the back burner for almost ten years.

In 1987, the three eventually did make their way into the recording studio and released the album Trio, which they first had conceived of ten years earlier. It was a considerable hit, holding the No. 1 position on Billboard's Country Albums chart for five weeks running and hitting the Top 10 on the Pop side also. Selling two million copies and winning them a Grammy Award for Best Country Performance by a Duo or Group with Vocal, it produced four top-ten country singles including "To Know Him Is To Love Him" which hit No. 1. The album was also a nominee for overall Album of the Year, in the company of Michael Jackson, U2, Prince, and Whitney Houston.

In 1999, Ronstadt reunited with Parton and Harris for the Trio 2 album, the long-anticipated follow up to their 1987 Trio album. It included "After The Gold Rush" which became a popular music video. The effort was certified Gold (over 500,000 copies sold) and won them a Grammy Award for Best Country Collaboration with Vocals for the track. Ronstadt co-produced the album with George Massenburg.

Canciones - songs of her family

At the end of 1987, Ronstadt released an album of traditional Mexican folk songs, or what she describes as "world class songs", titled Canciones de Mi Padre - "My Father's Songs". Keeping with the Ronstadt theme, her cover art was dramatic, bold, and colorful. For Canciones De Mi Padre Ronstadt was in full Mexican regalia and her musical arranger was famed Mariachi musician Rubén Fuentes.

These canciones were a big part of Ronstadt's family tradition and musical roots. For example, the history of this album goes back half a century. In January, 1946, the University of Arizona published a booklet by Luisa Espinel entitled Canciones de mi Padre. Luisa Espinel was Linda Ronstadt's aunt and an international singer in the 1920s. Ms. Espinel's father was Fred Ronstadt (Linda Ronstadt's grandfather), and the songs she had learned, transcribed and published were some of the ones he had brought with him from Sonora. Ronstadt researched and extracted from the favorites she had learned from her father Gilbert and she called her album by the same name as her aunt's booklet and as a tribute to her father and his family. Though not fully bilingual, she has a fairly good command of the Spanish language, allowing her to sing Latin American songs without any accent; Ronstadt has often identified herself as Mexican-American. Her formative years were spent with her father's side of the family. Also, Ronstadt has credited Mexican singer Lola Beltran as an influence in her own singing style, and she recalls how a frequent guest to the Ronstadt home, Eduardo “Lalo” Guerrero, father of Chicano music, would often serenade her as a child.

This album won Ronstadt a Grammy Award for Best Mexican-American Performance. The real achievement however is the disc's RIAA double-platinum (over 2 million US copies sold) certification - making it at that time, the biggest-selling non-English language album in U.S. music history.

Ronstadt produced and performed a theatrical stage show in concert halls across the United States and Latin America to both Hispanic and non-Hispanic audiences, including on the Great White Way. She called the stage show by the same name Canciones de mi Padre. These performances were released on DVD. Ronstadt elected to return to the Broadway stage, 4 years after she performed La Boheme, for a limited run engagement. PBS Great Performances aired the celebrated stage show during its annual fund drives and the show was a hit with audiences, earning Ronstadt an Emmy Award for Individual Performance In A Variety Or Music Program.

She recorded two additional discs of Latin music in the early 1990's. Although their promotion, like all her albums in the 1990's, was a quieter affair for Ronstadt, where she appeared to do the "bare minimum" to promote. They were not as successful in terms of sales as Canciones De Mi Padre, but were critically acclaimed. The first one she recorded was Mas Canciones, a follow up to the first Canciones. For this effort she won a Grammy award for Best Mexican/Mexican-American Album. The same year she stepped outside of Mariachi genre and decided to record well known "afro-Cuban" songs. This disc was titled Frenesi. Like her second Latin recording venture, this third Latin album won Ronstadt another Grammy award, this time for Best Traditional Tropical Latin Album.

In 1991, Ronstadt participated in La Pastorela, a musical filmed at San Juan Bautista. It was written and directed by Luis Valdez. from Canciones de Mi Padre fame, and like Canciones, the production was part of the PBS "Great Performances" series. It currently exists on VHS format but has not been released on DVD.

A Return to the Top of the Pop/Rock Charts

Ronstadt made a close return to the top of Billboard Hot 100 chart in 1987 with "Somewhere Out There", which peaked at No. 2 on 14 March 1987 - being a sentimental duet with James Ingram and featured in the animated film An American Tail. The song was nominated for several Grammy Awards, eventually winning the Song Of The Year category. It also received an Academy Award for Motion Picture song and achieved high sales, earning a million-selling Gold single in the US - one of the last 45s ever to do so. On the heels of this success, Steven Spielberg asked Ronstadt again to record the title song, for the sequel to An Americal Tail, titled An American Tail: Fievel Goes West. The song she recorded was "Dreams To Dream". Although it failed to achieve the same success as its predecessor, the song did give Ronstadt an Adult Contemporary hit in 1991.

Ronstadt made a full return to the mainstream pop charts in 1989, releasing both an album and several popular singles. This effort titled Cry Like a Rainstorm, Howl Like the Wind became one of the singers all-time biggest albums, in terms of production, arrangements, chart sales, and critical acclaim. The album returned Ronstadt, as a solo artist, back to the Top 10 of the Billboard Album Chart, reaching the #7 position and being certified triple-platinum (over 3 million US copies sold). The album also received critical acclaim, being nominated for numerous Grammy awards. She even featured American soul singer Aaron Neville on four of the twelve disc cuts.

Ronstadt incorporated the sounds of the Oakland Interfaith Gospel Choir, Tower of Power horns, the Skywalker Symphony and numerous musicians. It had duets including "Don't Know Much" (Billboard Hot 100 No. 2 hit - Christmas 1989) and "All My Life" (Billboard Hot 100 #11 hit), both long-running No. 1 Adult Contemporary hits. These duets with singer Aaron Neville received much critical acclaim, garnering several Grammy nominations and won both 1989's and 1990's Best Pop Vocal Performance by a Duo or Group with Vocal award - she shared the honor with Aaron Neville.

Her Grammy appearance in February 1990, was notable because this was Ronstadt's last live Grammy Award appearance, even though she has won five additional Grammy Awards since then. She hasn't even watched the Grammys since then. Their appearance was the first time they had performed the song for the public since the song had become a hit the previous year in December, 1989.

In December 1990, Linda Ronstadt participated in a concert to commemorate John Lennon's 50th birthday, and to raise awareness of environmental issues, held in Tokyo at the Tokyo Dome. Other participants included Miles Davis, Lenny Kravitz, Hall & Oates, Natalie Cole, notable Japanese artists, Yoko Ono and Sean Lennon. A CD resulted, titled Happy Birthday, John.

Ronstadt continues to be original and explore different manners in which to introduce classic music, in a new and unorthodox fashion. For example, in 1996, Ronstadt produced Dedicated to the One I Love, an album of rock 'n roll songs reinvented as children's music. This effort won her and longtime collaborator, recording engineer George Massenburg, Grammys for Best Album for Children.

On November 16, 1999 Elektra/Wea released The Linda Ronstadt Box Set. The Box Set includes a total of four discs arranged thematically rather than chronologically with five hours of eighty-six songs that highlight Ronstadt’s eclectic career. There are two CDs that essentially serve as best-of sets. Disc three consists of duets with the likes of Emmylou Harris, Dolly Parton, Aaron Neville, and Frank Sinatra. Disc four offers rarities, including her contributions to Randy Newman's Faust and a contribution to Carla Bley's jazz opera Escalator Over the Hill and songs off 1978's Living in the USA and 1980's Mad Love period that didn’t make it onto the albums. In addition, some live contributions including "All I Have To Do Is Dream" with Kermit the Frog.

In 2000, Linda Ronstadt completed her long contractual relationship with Elektra/Asylum which had now become part of the Warner Music Group. The fulfillment of this contract was the release of A Merry Little Christmas, her first holiday collection, which included rare choral works, the song "River" by Joni Mitchell, and a rare recorded duet with Rosemary Clooney on her signature song, White Christmas. Since leaving Warner Music, Ronstadt has gone on to work under the Verve and Vanguard Record labels.

A return to roots music

One of the world's leading magazines for commercial and project studio recording, MIX Magazine, stated that "Ronstadt (has) left her mark on more than the record business; her devotion to the craft of singing influenced many audio professionals.... (and is) intensely knowledgeable about the mechanics of singing and the cultural contexts of every genre she passes". In 2004 Ronstadt wrote the Forward Introduction to the book titled The NPR Curious Listener's Guide To American folk music, and in 2005 she wrote the Introduction to the book titled Classic Ferrington Guitars, about guitar-maker and luthier Danny Ferrington and his custom guitars that have been created for various musicians from Ronstadt, Elvis Costello, and Ry Cooder to Kurt Cobain. On August 3, 2007, Ronstadt headlined the Newport Folk Festival, making her debut at this prestigious event, where she incorporated jazz, rock and folk music into her repertoire.

Continuing with her crafted approach to more mainstream-oriented material, Ronstadt released the highly acclaimed Winter Light album at the end of 1993. It included New Age arrangements such as the lead single "Heartbeats Accelerating" as well as the self-penned title track and featured the unique glass armonica instrument. 1995's Feels Like Home was Ronstadt's much heralded return to Country-Rock and included her version of Tom Petty's classic hit "The Waiting". The following year saw the release of Dedicated To The One I Love, an ethereal disc of children's lullabies which earned Ronstadt her ninth Grammy Award. Recent Ronstadt albums have been much quieter promotional affairs for Ronstadt, receiving few interviews - mostly print interviews, and only one or two television performances on selective shows as promotion. During this period, Ronstadt raised her two children, and she only agreed to do the "bare minimum" to promote her albums.

In 1998 Ronstadt recorded We Ran. The disc cover is notable for its non-dramatic photo, unlike previous covers that over the years had won three Grammy Awards for artist Kosh. Although inside the disc, the music harkens back to Ronstadt's country-rock and folk-rock heyday. She returned to her rock 'n' roll roots with vivid interpretations of songs by Bruce Springsteen, Doc Pomus, Bob Dylan and John Hiatt. The disc was produced by notable rock producer, Glyn Johns. The album is notable for being one of Ronstadt's few albums to not hit the Top 100 on the Billboard album chart. We Ran also did not chart any hit singles on either the Pop or Adult Contemporary charts. The album however was well received by critics. Her vocal performance on the track "Cry 'till My Tears Run Dry" is particularly worthy of note, and demonstrated how much her voice had grown, since her early, somewhat raw, country music performances.

Despite the limited success of We Ran, Ronstadt kept towards this adult rock exploration. She released Western Wall — The Tucson Sessions (1999), a folk-rock oriented project with EmmyLou Harris. It earned a Grammy nomination for Best Contemporary Folk Album, and made the Top 10 of Billboard's Country Albums chart and the Top 100 of the Billboard album charts, debuting at No. 73. They had a modest alternative rock hit with Sweet Spot, a song that was written with and recorded with Jill Cunniff of Lucious Jackson.

Also in 1999, Ronstadt went back to her concert roots, when she performed with The Eagles and Jackson Browne at Staples Center's 1999 New Year's Eve celebration kicking off the December 31 end-of-the-millennium festivities. As Staples Center Senior Vice President and General Manager Bobby Goldwater said, "It was our goal to present a spectacular event as a sendoff to the 20th century", and "The Eagles, Jackson Browne, and Linda Ronstadt are three of the most popular acts of the century. Their performances will constitute a singular and historic night of entertainment for New Year's Eve in Los Angeles.

In 2006, recording as the ZoZo Sisters, Ronstadt teamed with longtime friend, musician and musical scholar Ann Savoy to record Adieu False Heart, an album of roots music incorporating pop, cajun, and early 20th century music on the Vanguard Records label. The album was released to an international market, and notable for having different covers, one showing artistic farm art and the other prominently showing Ronstadt and Savoy (international cover) - primarily in Australia and Japan.

Adieu False Heart, recorded in Louisiana, features a cast of local musicians, including Chas Justus, Eric Frey and Kevin Wimmer of the Red Stick Ramblers, Sam Broussard of The Mamou Playboys, Dirk Powell and Joel Savoy, as well as an array of Nashville musicians: fiddler Stuart Duncan, mandolinist Sam Bush and guitarist Bryan Sutton. The recording earned two Grammy nominations: Best Traditional Folk Album and Best Engineered Album, Non-Classical. On the heels of Adieu False Hearts critical success, commencing 2007, Ronstadt has been in the studio with Ann Savoy recording a follow-up album.

In 2007 a UK compilation album was released, combining Linda Ronstadt Greatest Hits I & II on one disc. And in June 2007, Ronstadt could be heard on the compilation LP "We All Love Ella: Celebrating The First Lady Of Song" on the track "Miss Otis Regrets.

Career achievements

Ronstadt´s actual record sales vs. RIAA-certifications

Ronstadt's physical sales within the US are higher than certifications awarded:

  • The certified title’s record company must first authorize plaque orders before they can be manufactured.
    The RIAA® is unable to fully authenticate any existing award, but can verify whether or not a title is certified.

  • Ronstadt has been involved in over 100 album projects, with most not reaching certification levels.

Examples of discrepancies between Ronstadt´s estimated record sales and the RIAA-certifications list are as following:

  • Living In The USA, certified double platinum (2 million shipped), had estimated sales in excess of 4 million copies in the United States.

  • Get Closer, certified Gold by the RIAA for 500,000 records shipped in the United States, but had estimated total sales in excess of 900,000 copies.

  • The first Trio - Album by Ronstadt, Harris & Parton, was certified platinum (1 million shipped) by the RIAA, had estimated sales in excess of 2 million copies.

  • Simple Dreams, certified triple platinum (3 million shipped), had estimate sales in excess of 5 million copies.

Awards

Grammy Awards

  • 1975 - Best Country Vocal Performance, Female, "I Can't Help It (If I'm Still In Love With You)" from Heart Like a Wheel
  • 1976 - Best Pop Vocal Performance, Female, Hasten Down the Wind
  • 1980 - Best Musical Album for Children, In Harmony: A Sesame Street Record (multiple artist compilation w/ Linda Ronstadt)1
  • 1987 - Best Country Performance by a Duo or Group with Vocal, Trio (with Dolly Parton and Emmylou Harris)
  • 1988 - Best Mexican-American Performance, Canciones de Mi Padre
  • 1989 - Best Pop Vocal Performance by a Duo or Group with Vocal, "Don't Know Much" from Cry Like a Rainstorm, Howl Like the Wind with Aaron Neville
  • 1990 - Best Pop Vocal Performance by a Duo or Group with Vocal, "All My Life" from Cry Like a Rainstorm, Howl Like the Wind with Aaron Neville
  • 1992 - Best Mexican-American Album, Mas Canciones
  • 1992 - Best Tropical Latin Album, Frenesi
  • 1996 - Best Musical Album for Children, Dedicated to the One I Love
  • 1999 - Best Country Collaboration with Vocals, "After the Gold Rush" from Trio II with Dolly Parton and Emmylou Harris

1 "Best Musical Album for Children" Grammy - Linda Ronstadt is not recognised by the Grammy Awards as being a recipient of this particular Grammy, although she participated in the production. Therefore, the Grammy Award site shows Ronstadt the recipient of only 10 Awards, and 17 nominations. However, The official Grammy Awards site also shows Ronstadt as a recipient for the Grammy winning Musical Album for Children.

Grammy Award nominations

  • 1970 - Best Contemporary Vocal Performance, Female, "Long, Long Time" from Silk Purse
  • 1975 - Album of the Year, Heart Like a Wheel
  • 1975 - Best Pop Vocal Performance, Female, ''Heart Like a Wheel
  • 1977 - Record of the Year, "Blue Bayou" from Simple Dreams
  • 1977 - Best Pop Vocal Performance, Female, "Blue Bayou" from Simple Dreams
  • 1980 - Best Rock Vocal Performance, Female, "How Do I Make You" from Mad Love
  • 1982 - Best Pop Vocal Performance, Female, "Get Closer" from the album Get Closer
  • 1982 - Best Rock Vocal Performance, Female, "Get Closer" from the album Get Closer
  • 1983 - Best Pop Vocal Performance, Female, What's New
  • 1985 - Best Pop Vocal Performance, Female, Lush Life
  • 1987 - Album of the Year, Trio with Dolly Parton and Emmylou Harris
  • 1987 - Best Pop Vocal Performance by a Duo or Group with Vocal, "Somewhere Out There" from the soundtrack to An American Tail with James Ingram
  • 1989 - Best Pop Vocal Performance, Female, Cry Like a Rainstorm, Howl Like the Wind
  • 1999 - Best Country Album, Trio II with Dolly Parton and Emmylou Harris
  • 1999 - Best Contemporary Folk Album, Western Wall: The Tucson Sessions with Emmylou Harris
  • 2002 - Best Traditional Folk Album, Evangeline Made: A Tribute to Cajun Music, multiple artist compilation, with vocalist Ann Savoy
  • 2006 - Best Traditional Folk Album, Adieu False Heart with Ann Savoy

ACM Music Award

  • 1974 - Best New Female Artist
  • 1987 - Best Album / 'TRIO' - Dolly Parton, Linda Ronstadt and Emmylou Harris

Emmy Award

  • 1989 - Outstanding Individual Performance in a Variety or Music Program, Linda Ronstadt, Great Performances: Canciones de Mi Padre

Tony Award nomination

  • 1981 - Tony Award for Best Performance by a Leading Actress in a Musical, Linda Ronstadt in The Pirates of Penzance as "Mabel"

Golden Globe Award nomination

  • 1983 - Best Performance by a Leading Actress in a Musical or Comedy, Linda Ronstadt in The Pirates of Penzance

Discography

References

Articles and Interviews