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Jan_Švankmajer

Jan Švankmajer

Jan Švankmajer (born 4 September 1934 in Prague) is a Czech surrealist artist. His work spans several media. He is known for his surreal animations and features, which have greatly influenced other artists such as Tim Burton, Terry Gilliam, The Brothers Quay and many others.

Švankmajer has gained a reputation over several decades for his distinctive use of stop-motion technique, and his ability to make surreal, nightmarish and yet somehow funny pictures. He is still making films in Prague at the time of writing.

Švankmajer's trademarks include very exaggerated sounds, often creating a very strange effect in all eating scenes. He often uses very sped-up sequences when people walk and interact. His movies often involve inanimate objects coming alive and being brought to life through stop-motion. Food is a favourite subject and medium. Stop-motion features in most of his work, though his feature films also include live action to varying degrees.

A lot of his movies, like the short film Down to the Cellar, are made from a child's perspective, while at the same time often having a truly disturbing and even aggressive nature. In 1972 the communist authorities banned him from making films, and many of his later films were banned. He was almost unknown in the West until the early 1980s.

Today he is one of the most celebrated animators in the world. His best known works are probably the feature films Alice (1988), Faust (1994), Conspirators of Pleasure (1996), Little Otik (2000) and Lunacy (2005), a surreal comic horror based on the work of Edgar Allan Poe and the Marquis de Sade. Also famous (and much imitated) is the short Dimensions of Dialogue (1982), selected by Terry Gilliam as one of the ten best animated films of all time. His films have been called "as emotionally haunting as Kafka's stories "

Biography

An early influence on his later artistic development was the puppet theatre Švankmajer was given for Christmas as a child. He studied at the College of Applied Arts in Prague and later in the Department of Puppetry at the Prague Academy of Performing Arts. In 1958 he contributed to Emil Radok's film Doktor Faust and then began working for Prague's Semafor Theatre where he founded the Theatre of Masks. He them moved on to the Laterna Magika multimedia theatre where he renewed his association with Radok. This theatrical experience is reflected in Švankmajer's first film The Last Trick which was released in 1964. Under the influence of theoretician Vratislav Effenberger Švankmajer moved from the mannerism of his early work to classic surrealism, first manifested in his film The Garden (1968), and joined the Czechoslovak Surrealist Group.

He was married to Eva Švankmajerová, an internationally known surrealist painter, ceramicist and writer until her death in October 2005. She collaborated on several of his movies including Faust, Otesánek and Alice. They had two children, Veronika (b. 1963) and Václav (b. 1975, an animator).

Filmography

Feature-length films

Short films

References

Literature

  • Peter Hames: Dark Alchemy: The Films of Jan Svankmajer, Praeger Paperback, 1995, ISBN 0275952991. Second updated edition published in 2007, ISBN 1905674457. Peter Hames is an expert on history of Central European cinema.

External links

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