James Ingram Merrill (March 3, 1926 – February 6, 1995) was a Pulitzer Prize winning American poet. His poetry falls into two distinct bodies of work: the polished and formalist (if deeply emotional) lyric poetry of his early career, and the epic narrative of occult communication with spirits and angels, titled The Changing Light at Sandover, which dominated his later career.
His parents separated when he was eleven, then divorced when he was thirteen years old. As a teenager, Merrill attended the Lawrenceville School, where he befriended future novelist Frederick Buechner. When Merrill was 16 years old, his father collected his short stories and poems and published them as a surprise under the name Jim's Book. Initially pleased, Merrill would later regard the precocious book as an embarrassment.
Merrill was drafted in 1944 into the United States Army and served for eight months. His studies interrupted by war and military service, Merrill returned to Amherst College in 1945 and graduated in 1947. The Black Swan, a collection of poems Merrill's Amherst professor (and lover) Kimon Friar published privately in Athens, Greece in 1946, was printed in just one hundred copies when Merrill was 20 years old. Merrill's first mature work, The Black Swan is Merrill's scarcest title and considered one of the 20th century's most collectible literary rarities. Merrill's first commercially published volume was First Poems, issued in 990 numbered copies by Alfred A. Knopf in 1951.
Merrill's partner of more than four decades was David Jackson, also a writer. Merrill and Jackson met in New York City after a performance of Merrill's "The Bait" in 1953. Together, they moved to Stonington, Connecticut in 1955. For two decades, the couple spent part of each year in Athens, Greece. Greek themes, locales, and characters occupy a prominent position in Merrill's writing. In 1979 Merrill and Jackson began spending part of each year at Jackson's home in Key West, Florida.
In his 1993 memoir A Different Person, Merrill revealed that he suffered writer's block early in his career and sought psychiatric help to overcome its effects. Merrill painted a candid portrait of gay life in the early 1950s, describing relationships with several men including writer Claude Fredericks, art dealer Robert Isaacson, David Jackson, and his last partner, actor Peter Hooten.
Despite great personal wealth derived from unbreakable trusts made early in his childhood, Merrill lived modestly. A philanthropist, he created the Ingram Merrill Foundation, the name of which united his divorced parents. The private foundation operated during the poet's lifetime and subsidized literature, the arts, and public television. Merrill was close to poet Elizabeth Bishop and filmmaker Maya Deren, giving critical financial assistance to both (while providing money to many other writers, often anonymously).
Beginning with the prestigious Glascock Prize, awarded for "The Black Swan" when he was an undergraduate, Merrill would go on to receive every major poetry award in the United States, including the 1977 Pulitzer Prize for Poetry for Divine Comedies. Merrill was honored in mid-career with the Bollingen Prize in 1973. He would receive the National Book Critics Circle Award in 1983 for his epic poem The Changing Light at Sandover (composed partly of supposedly supernatural messages received via the use of a Ouija board). In 1990, he received the first Bobbitt National Prize for Poetry awarded by the Library of Congress for The Inner Room. He was awarded the National Book Award for Nights and Days in 1967 and again in 1979 for Mirabell: Books of Number.
As Merrill matured, the polished and taut brilliance of his early work yielded to a more informal, relaxed voice. Already established in the 1970s among the finest poets of his generation, Merrill made a surprising detour when he began incorporating occult messages into his work. The result, a 560-page apocalyptic epic published as The Changing Light at Sandover (1982), documents two decades of messages dictated from otherworldly spirits during Ouija séances hosted by Merrill and his partner David Noyes Jackson. The Changing Light at Sandover is one of the longest epics in any language, and features the voices of recently deceased poet W. H. Auden, Merrill's late friends Maya Deren and Greek socialite Maria Mitsotáki, as well has heavenly beings including the Archangel Michael. Channeling voices through a Ouija board "made me think twice about the imagination," Merrill later explained. "If the spirits aren't external, how astonishing the mediums become! Victor Hugo said of his voices that they were like his own mental powers multiplied by five."
Following the publication of The Changing Light at Sandover, Merrill returned to writing shorter poetry which could be both whimsical and nostalgic: "Self-Portrait in TYVEK™ Windbreaker" (for example) is a conceit inspired by a windbreaker jacket Merrill purchased from "one of those vaguely imbecile / Emporia catering to the collective unconscious / Of our time and place." The Tyvek windbreaker — "DuPont contributed the seeming-frail, / Unrippable stuff first used for Priority Mail" — is "white with a world map." "A zipper's hiss, and the Atlantic Ocean closes / Over my blood-red T-shirt from the Gap."
Since his death, Merrill's work has been anthologized in three divisions: Collected Poems, Collected Prose, and Collected Novels and Plays. Accordingly, his work below is divided upon those same lines.