Hypnerotomachia Poliphili (in English Poliphilo's Strife of Love in a Dream, from Greek hypnos, ‘sleep’, eros, ‘love’, and mache, ‘fight’), first published in Venice, 1499, is a famous example of early printing, the most famous illustrated book among incunabula. Presented in elegantly-designed page layout (compare the Gutenberg canon), with refined woodcut illustrations in an Early Renaissance style, Hypnerotomachia Poliphili presents a mysterious arcane allegory in which Poliphilo pursues an erotic fantasy through a dreamlike landscape, and is at last reconciled with his love by the Fountain of Venus.
The text of the book is written in a bizarre Latinate Italian, full of words coined based on Latin and Greek roots without explanation. The book, however, also includes words from the Italian language, as well as illustrations including Arabic and Hebrew words; Colonna also invented new languages when the ones available to him were inaccurate. (It also contains some uses of Egyptian hieroglyphs, but they are not authentic.) Its story, which is set in 1467, consists of precious and elaborate descriptions of scenes involving the title character, Poliphilo ("Lover of Many Things", from Greek Polú "Many" + Philos "Beloved"), as he wanders a sort of bucolic-classical dreamland in search of his love Polia ("Many Things"). The author's style is elaborately descriptive and unsparing in its use of superlatives.
The book has long been sought after as one of the most beautiful incunabula ever printed. The typography is famous for its quality and clarity, in a roman typeface cut by Francesco Griffo, which Aldus had first used in February 1495 for De Aetna of Pietro Bembo, for which reason the typeface was named Bembo when it was revived in 1929 by Stanley Morison.
The book is illustrated with 168 exquisite woodcuts showing the scenery, architectural settings, and some of the characters Poliphilo encounters in his dreams. The illustrations are perhaps the best part of the book; delicate and evocative, they depict scenes from Poliphilo's adventures, or the architectural features over which the text rhapsodizes, in a simultaneously stark and ornate line art style which perfectly integrates with the type. These images are also interesting because they shed light on what people in the Renaissance fancied about the alleged æsthetic qualities of Greek and Roman antiquities.
The psychologist Carl Jung admired the book, believing the dream images presaged his theory of archetypes. The style of the woodcut illustrations had a great influence on late-19th century English illustrators, such as Aubrey Beardsley, Walter Crane and Robert Anning Bell.
Hypnerotomachia Poliphili was partially translated into English in a London edition of 1592 by "R. D.", believed to be Robert Dallington, who gave it the title by which it is best known in English, The Strife of Love in a Dream. A facsimile of this edition can be seen online at the Internet Archive
The first complete English version was published by Thames & Hudson in 1999, five hundred years after the original. Hypnerotomachia Poliphili, the Strife of Love in a Dream was translated by musicologist Joscelyn Godwin and typeset in Monotype Corporation's typeface "Poliphilus", a re-creation of Griffo's original. A smaller format paperback edition was published in February 2005. However, probably due to the difficulty of the original, the translation is recreated in standard, modern language, rather than following the original's pattern of coining and borrowing words.
For the first time, eight different monuments described in the Hypnerotomachia have been brought to life through architectural reconstructions, by using computer generated mediums. After 10 years of research and development, this resource of more than 50 original artist reconstructions was finally published in December 2006. The author, Esteban A. Cruz, presents this work with the objective of illustrating the aesthetic and antiquarian qualities of Poliphilus' visions. This was accomplished by using graphical and architectural forms of critical analysis, and by overcoming the challenges of correctly interpreting the encyclopaedic amount of archeological and philological references.
The book begins with Poliphilo, who has spent a restless night because his beloved, Polia (literally "Many Things"), shunned him. Poliphilo is transported into a wild forest, where he gets lost, encounters dragons, wolves and maidens and a large variety of architecture, escapes, and falls asleep once more. He then awakens in a second dream, dreamed within the first. In the dream, he is taken by some nymphs to meet their queen, and there he is asked to declare his love for Polia, which he does. He is then directed by two nymphs to three gates. He chooses the third, and there he discovers his beloved. They are taken by some more nymphs to a temple to be engaged. Along the way they come across five triumphal processions celebrating the union of the lovers. Then they are taken to the island of Cythera by barge, with Cupid as the boatswain; there they see another triumphal procession celebrating their union. The narrative is uninterrupted, and a second voice takes over, as Polia describes his erotomachia from her own point of view.
Poliphilo resumes his narrative after one-fifth of the book. Polia rejects Poliphilo, but Cupid appears to her in a vision and compels her to return and kiss Poliphilo, who has fallen into a deathlike swoon at her feet, back to life. Venus blesses their love, and the lovers are united at last. As Poliphilo is about to take Polia into his arms, Polia vanishes into thin air and Poliphilo wakes up.
In 1999 Roman Polanski made a film based on Arturo Pérez-Reverte's "The Club Dumas" starring Johnny Depp. The film is about a conjuring the devil through the use of a book. During a scene where Depp is trying to scam some antique books from a collector's family, he mentions that the family "might want to hold on to" their copy of the Hypnerotomachia Poliphili amongst other super rare books.
The text makes frequent references to classical geography and mythology, mostly by way of comparison.