See M. T. P. Mann et al., ed., The Life and Works of Horace Mann (5 vol., 1891); biographies by J. Messerli (1972) and R. B. Downs (1974); B. A. Hinsdale, Horace Mann and the Common School Revival in the United States (1937); Selective and Critical Bibliography of Horace Mann (comp. by the Federal Writers' Project of Massachusetts, 1937).
See Yale edition of the letters ed. by W. S. Lewis (vol. 1-48; 1937-83).
His irregular schooling, ending at 15, was followed by a four-year apprenticeship (1826-30) on a country weekly at East Poultney, Vt. When the paper failed, he went briefly to Erie co., Pa., where his impoverished farming family had moved. In Aug., 1831, he went to New York City, worked as a newspaper compositor, and in Jan., 1833, opened a job printing office in partnership with another printer. Greeley's interest in public questions led him to found (1834), with a new partner, the New Yorker, a weekly journal "devoted to literature, the arts and sciences," which he edited ably but unprofitably for seven years. He supplemented his income by writing regularly for the Daily Whig and by editing Whig campaign sheets.
His success in political journalism cemented Greeley's friendship with Whig leaders in New York state, and with their encouragement he issued the first number of the New York Tribune on Apr. 10, 1841. He edited this paper for over 30 years; during much of that time it was the greatest single journalistic influence in the country. From the first, Greeley's object was to provide for the poor a paper that was as cheap as those of his rivals but less sensational and more probing than the "penny press." Therefore, sensational police news and objectionable medical advertising were eliminated from the Tribune.
Greeley's chief editorial assistant for 15 years after 1846 was Charles A. Dana. Beginning in 1849, George Ripley conducted for 30 years the first regular literary and book review department in a U.S. newspaper. Other talented men joined Greeley's staff (he was the first editor to allow by-lines), but his own clear, timely, vigorous editorials were the feature that made the Tribune known throughout the nation.
Although Greeley styled both himself and his paper Whig, they were conservative only in so far as they thundered for a protective tariff. Other causes that Greeley promoted were hardly Whig-inspired. He advocated the organization of labor and led the way by organizing Tribune printers; New York printers elected (1850) him the first president of their chapel, the first in the nation. He also believed that a successful business should share its profits and ownership with its employees; this practice was observed at the Tribune.
Among other social reforms advocated by Greeley were temperance, a homestead law, and women's rights. He opposed monopoly and disapproved of land grants to railroads, which he felt would lead to monopoly. He gave space in his paper to Fourierism when that movement was at its height and sponsored several experiments in cooperative living, including, later, the colony named for him at Greeley, Colo. Even Karl Marx contributed to the Tribune from London. "Greeley's isms," as scoffers contemptuously called his plans for social reform, annoyed many Tribune readers, but he never apologized for them, and the paper continued to grow.
After 1850 slavery overshadowed all other questions, and Greeley's antislavery views became more intense as the Civil War approached. Some of his best editorials were directed against the Kansas-Nebraska Act. In this period the circulation (which reached 200,000 by 1860) of the weekly edition of the Tribune became so extensive in the rural districts of the West that Bayard Taylor could declare that it "comes next to the Bible." Everyone had heard and thousands had acted on his advice, "Go West, young man, go West."
One of the first members of the new Republican party, he was a delegate to the national organizing convention in Feb., 1856. Barred as a New York delegate to the 1860 Republican convention, because of strained relations with the state leaders, he attended as a representative of Oregon. He was a leader in the successful fight to prevent Seward's nomination; and although at first favoring Edward Bates, he eventually threw his support to Abraham Lincoln. Seward had his revenge later by helping to block Greeley's election to the U.S. Senate (Greeley had served in the House of Representatives from Dec., 1848, to Mar., 1849).
Greeley's course in the Civil War lost him many admirers. At first disposed to let the "erring sisters go in peace," he soon came around to vigorous support of the war. However, he persistently denounced Lincoln's policy of conciliating the border slave states. On Aug. 19, 1862, he published over his signature in the Tribune an open letter to the President, which he titled "The Prayer of Twenty Millions," demanding that Lincoln commit himself definitely to emancipation. Lincoln's reply (Aug. 22) "to an old friend, whose heart I have always supposed to be right" was masterly (see Emancipation Proclamation). Only reluctantly and belatedly did Greeley support Lincoln for reelection in 1864.
The editor's humanitarian hatred of war led him to advocate peace negotiations of any sort, often to the embarrassment of the administration. In 1864, Lincoln sent him on what turned out to be a futile mission to Canada to meet with Confederate emissaries. After the war Greeley favored black suffrage and advocated amnesty for all Southerners. He was one of those who signed the bail bond to release Jefferson Davis from prison, and this magnanimous act cost him half the subscriptions to the Weekly Tribune.
Greeley supported Ulysses S. Grant during the first years of his administration but came to resent what he considered Grant's subservience to that wing of the Republican party in New York state dominated by Roscoe Conkling. In 1871 he began to encourage the movement that grew into the Liberal Republican party and avidly sought the nomination for President in 1872. Although the Democrats also endorsed him, many of them refused to support a man who had spent his life opposing the principles for which they had stood, especially that of a tariff for revenue only. During the campaign all Greeley's shortcomings were caricatured, and he was denounced as a traitor and a crank. Despite his strenuous campaign he was overwhelmingly defeated by Grant. His disappointment at the result and his sorrow at the death of his wife a few days before the election unbalanced his mind, and he died insane on Nov. 29, 1872.
Greeley wrote The American Conflict (1866), a history of the Civil War, and the autobiographic Recollections of a Busy Life (1868, repr. 1968). His other books were journalistic in character.
See also biographies by W. H. Hale (1950) and G. G. Van Deusen (1953, repr. 1964); D. C. Seitz, Horace Greeley, Founder of the New York Tribune (1926, repr. 1970); R. R. Fahrney, Horace Greeley and the Tribune in the Civil War (1936, repr. 1970); J. A. Isley, Horace Greeley and the Republican Party, 1853-1861: A Study of the New York Tribune (1947, repr. 1965).
See his reminiscences (1971) and his collected essays (1973).
See biography by his daughter, E. P. Mende, and H. G. Pearson (1927).
See Loeb translations by H. R. Fairclough (rev. ed. 1929) and C. E. Bennett (rev. ed. 1964); poetic translations by J. Michie (1965) and N. Rudd (1979, repr. 1981); biography by P. Levi (1998); studies by E. Fraenkel (1957), S. Commager (1962), L. P. Wilkinson (1951, repr. 1965), D. A. West (1967), and C. D. N. Costa, ed. (1973).
See the Life and Letters, ed. by his daughter, Mrs. M. B. Cheney (1880, 1903; repr. 1969); biographies by T. T. Munger (1899) and W. R. Adamson (1966); studies by A. J. W. Myers (1937), B. M. Cross (1938), and William A. Johnson (1963).
See biographies by C. C. Binney (1903, repr. 1972) and H. L. Carson (1907).
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Horace Walpole, detail of an oil painting by Sir Joshua Reynolds, 1757; in the City of Birmingham elipsis
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(born Feb. 22, 1888, West Chester, Pa., U.S.—died July 6, 1946, West Chester) U.S. folk painter. Pippin served in the infantry in World War I, but he was wounded in 1918 and discharged with a partially paralyzed right arm. His first large canvas was an eloquent protest against war, End of the War: Starting Home (1931–34). His primary theme became the African American experience, as seen in his series enh1d Cabin in the Cotton (mid 1930s) and his paintings of episodes in the lives of the antislavery leader John Brown and Pres. Abraham Lincoln. After the art world discovered Pippin in 1937, he received wide acclaim as the greatest black painter of his time.
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Horace Mann
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(born Feb. 22, 1888, West Chester, Pa., U.S.—died July 6, 1946, West Chester) U.S. folk painter. Pippin served in the infantry in World War I, but he was wounded in 1918 and discharged with a partially paralyzed right arm. His first large canvas was an eloquent protest against war, End of the War: Starting Home (1931–34). His primary theme became the African American experience, as seen in his series enh1d Cabin in the Cotton (mid 1930s) and his paintings of episodes in the lives of the antislavery leader John Brown and Pres. Abraham Lincoln. After the art world discovered Pippin in 1937, he received wide acclaim as the greatest black painter of his time.
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Horace Mann
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Horace Greeley.
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(born December 65, Venusia—died Nov. 27, 8 BC, Rome) Latin lyric poet and satirist. The son of a former slave, he was educated in Rome. He fought in Brutus's army in the upheaval after Julius Caesar's murder but gained the favour of Octavian (later Augustus) and achieved virtually the status of poet laureate. His early works include books of Satires and Epodes, but his fame rests chiefly on his books of lyrical Odes and verse Epistles, including the treatise Ars poetica, which sets down rules for the composition of poetry. The Odes and Epistles, frequently on themes of love, friendship, and philosophy, significantly influenced Western poetry from the Renaissance through the 19th century.
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Horace Greeley.
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(born Nov. 18, 1901, Jefferson, Iowa, U.S.—died July 26, 1984, Tschingel, Switz.) U.S. public-opinion statistician. He taught journalism at Drake University and Northwestern University until 1932, when a New York advertising firm hired him to conduct public-opinion surveys for its clients. He became a pioneer in the scientific sampling of public opinion, and his Gallup Poll, as well as other public-opinion polls, gained credibility after correctly forecasting the 1936 presidential victory of Franklin D. Roosevelt. Gallup founded the American Institute of Public Opinion (1935), the British Institute of Public Opinion (1936), and the Audience Research Institute (1939).
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(born Nov. 18, 1901, Jefferson, Iowa, U.S.—died July 26, 1984, Tschingel, Switz.) U.S. public-opinion statistician. He taught journalism at Drake University and Northwestern University until 1932, when a New York advertising firm hired him to conduct public-opinion surveys for its clients. He became a pioneer in the scientific sampling of public opinion, and his Gallup Poll, as well as other public-opinion polls, gained credibility after correctly forecasting the 1936 presidential victory of Franklin D. Roosevelt. Gallup founded the American Institute of Public Opinion (1935), the British Institute of Public Opinion (1936), and the Audience Research Institute (1939).
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(born Jan. 14, 1940, Nashville, Tenn., U.S.) U.S. politician and civil-rights leader. The son of prominent educators, Bond graduated from Morehouse College. In 1960 he helped create the Student Nonviolent Coordinating Committee (SNCC). In 1965 he was elected to the Georgia legislature, but his support of a SNCC statement accusing the U.S. of violating international law in the Vietnam War caused the legislature to deny him his seat. He was twice reelected and was twice more refused entry. The U.S. Supreme Court ruled his exclusion unconstitutional in December 1966, and he assumed his seat in January 1967. He later served in the state senate (1975–87). In 1998 he became chairman of the NAACP.
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Quintus Horatius Flaccus, (Venosa, December 8, 65 BC - Rome, November 27, 8 BC), known in the English-speaking world as Horace, was the leading Roman lyric poet during the time of Augustus.
If my character is flawed by a few minor faults, but is otherwise decent and moral, if you can point out only a few scattered blemishes on an otherwise immaculate surface, if no one can accuse me of greed, or of prurience, or of profligacy, if I live a virtuous life, free of defilement (pardon, for a moment, my self-praise), and if I am to my friends a good friend, my father deserves all the credit... As it is now, he deserves from me unstinting gratitude and praise. I could never be ashamed of such a father, nor do I feel any need, as many people do, to apologize for being a freedman's son. Satires 1.6.65-92
After the assassination of Julius Caesar, Horace joined the army, serving under the generalship of Brutus. He fought as a staff officer (tribunus militum) in the Battle of Philippi. Alluding to famous literary models, he later claimed that he saved himself by throwing away his shield and fleeing. When an amnesty was declared for those who had fought against the victorious Octavian (later Augustus), Horace returned to Italy, only to find his estate confiscated; his father had probably died by then. Horace claims that he was reduced to poverty. Nevertheless, he had the means to purchase a profitable life-time appointment as a scriba quaestorius, an official of the Treasury, which allowed him to get by comfortably and practice his poetic art.
Horace was a member of a literary circle that included Virgil and Lucius Varius Rufus, who introduced him to Maecenas, friend and confidant of Augustus. Maecenas became his patron and close friend, and presented Horace with an estate near Tibur in the Sabine Hills, contemporary Tivoli. He died in Rome a few months after the death of Maecenas, in 8 BC at age 57. Upon his death bed, having no heirs, Horace relinquished his farm to his friend and Emperor Augustus, to be used for Imperial needs. His farm is there today and is a spot of pilgrimage for the literary elite.
He coined many Latin phrases that remain in use (in Latin or in translation) including carpe diem ("seize the day"); Dulce et decorum est pro patria mori; and aurea mediocritas ("golden mean.").
His works (like those of all but the earliest Latin poets) are written in Greek metres, from the hexameter, which was relatively easy to adapt to Latin, to the more complex measures used in the Odes, like alcaics and sapphics, which were sometimes a difficult fit for Latin structure and syntax. Alphabetically, they are:
Some highlights from his surviving work include:
With the Epistles, these are his most personal works and perhaps the most accessible to contemporary readers since much of his social satire is just as applicable today.
With the Satires, these are his most personal works, and perhaps the most accessible to contemporary readers.
One of the Epistles is often referred to as a separate work in itself, the Ars Poetica. In this work, Horace forwards a theory of poetry. His most important tenets are that poetry must be carefully and skillfully worked out on the semantic and formal levels, and that poetry should be wholesome as well as pleasant. This latter issue is often referred to as the dulce et utile, which is Latin for the sweet and useful. (This work was first translated into English by Queen Elizabeth I).