Henry Burr (January 15, 1882 - April 6, 1941) was a canadian singer of popular songs from the early part of the early 20th century, early radio performer and producer. He was born Harry Haley McClaskey and used Henry Burr as one of his many pseudonyms, in addition to Irving Gillette, Harry Haley, Henry Gillette, Alfred Alexander, Robert Rice, Carl Ely, Harry Barr, Frank Knapp, Harry Haley, Al King, and Shamus McClaskey. He was one of the first singers to make popular acoustic recordings and one of the most prolific recording artists of all time, with more than 12,000 recordings by his own estimate. A tenor, he performed as a soloist and also in duets, trios and quartets. His most famous collaboration was the Peerless Quartet.
It was around 1902 that he started to make recordings with Columbia Records and he used the name Henry Burr at that time. He arrived at a particularly opportune time for Columbia, as their star tenor George J. Gaskin was in the final years of his career. He started recording for Edison Records as well in November 1904, under the name Irving Gillette. Disagreements with company executives resulted in him no longer recording for Edison after October 1914. He first recorded with Victor on January 4, 1905, and the recordings were first released that March. On April 7, 1905 he recorded Egbert Van Alstyne's "In The Shade Of The Old Apple Tree" which proved to be highly popular. It was also recorded by contemporary Billy Murray the same year. Burr proved to be a successful artist, recording as noted, thousands of songs for various labels under various names. He would record with Leeds Talk-O-Phone, Imperial, Busy Bee Records and the American Record Company as well.
In 1906, Burr joined the Columbia Male Quartet which was recording for the Columbia Record Company as second tenor under the management of Frank C. Stanley. They were later renamed the Peerless Quartet when they moved to the Victory Record Company label. When Stanley died in 1910, Burr took over management of the group. It continued on as a popular recording and live performance team (with various personnel and name changes over the years) until 1928, when it disbanded. Burr was also a member of other recording groups, including the Metropolitan Trio and the Manhattan Mixed Trio, both of which featured him with Frank C. Stanley and Elise Stevenson.
By the late 1920s, his recording career was over (electrical recording technologies had led to the crooner style of tenor first exemplified in the voice of Gene Austin), but the commercial potential of radio continued to interest Burr. As a result, he became involved in early radio programming, forming Henry Burr, Inc. in 1928 as a producer of radio programming. He produced numerous programs for commercial radio networks into the 1930s. He originated the Cities Service broadcast, which he produced for two years. In October 1929, he reputedly lost a substantial portion of his wealth in the Wall Street Crash of 1929. Less than a month later, however, he was appointed Director of the Artist's Bureau at CBS which had just been organized under the ownership of William S. Paley. Around 1935, he returned to performing on the radio as a member of the WLS Chicago National Barn Dance troupe, which was broadcast over NBC on Saturday evenings. He soon became a featured performer on the show, which he stayed with for five years until shortly before his death. He suffered from throat cancer and died in Chicago on April 6, 1941. Buried near his step-daughter Marguarite, he was survived by his wife, Cecilia.