The Glee Club was long a fixture of the Boston music scene, performing frequently with the Boston Symphony Orchestra and other ensembles, but this local prominence has lessened in recent years. However, thanks to over 80 annual spring tours to different regions of the United States and appearances at the Kennedy Center Honors and in Leonard Bernstein's popular series The Unanswered Question, the Glee Club has garnered some national recognition; tours around the world have brought the group further attention. A number of notable people were members of the Glee Club during their time at Harvard, and numerous major composers of the 20th and 21st centuries have dedicated works to the group.
Since the retirement of Doc Davison, the Glee Club has had only four conductors: G. Wallace “Woody” Woodworth, who led the group from 1933-1958; noted Beethoven scholar Elliot Forbes, from 1958-1970, who led the group on an extensive tour around the world in 1961; F. John Adams, 1970-1978; and Jameson N. Marvin since 1978.
Since the arrival of Jameson Marvin as conductor of the Glee Club, the group has continued to tour extensively, and has been invited to a number of conventions of the American Choral Directors Association, invitations that are only extended through a blind audition process. Most recently, the Glee Club appeared at regional conventions in Pittsburgh in 2002 and Boston in 2004 and at a national convention in Los Angeles in 2005. Concerts led by Marvin have been favorably received across the country and around the world.
In addition, a number of Harvard Glee Club alumni have gone on to distinguished careers in other areas. They include:
The Harvard Glee Club is faculty-directed but entirely student-managed. Students hold the elected positions of President, Vice President, and Secretary; they also hold appointed positions such as Manager, Financial Manager, and Sales Manager. Each tour and major project, such as a large concert or production and release of a recording, has its own student manager. As such, the students themselves are in charge of selecting concert venues, managing a six-figure yearly budget, and taking care of virtually every facet of the group other than rehearsing and selecting repertoire.
The Glee Club rehearses in Holden Chapel in Harvard Yard. Built in 1744, Holden is one of the oldest college buildings in America. The group performs most of its "home" concerts in Harvard's Sanders Theatre, which is renowned for its excellent acoustics. Each year, major concerts include the Harvard-Princeton and Harvard-Yale Football Concerts, joint concerts that have taken place the night before these football games for more than a century; annual concerts also take place with the Radcliffe Choral Society at Christmas and with all of the Holden Choruses during Harvard's Arts First celebration in May. The Glee Club tours a different part of the United States every spring break; recent spring tours have taken the group to northern California, the Upper Midwest, the Deep South, and Texas. The Glee Club also takes month-long summer tours roughly every 4 years. Recent summer tours have included trips to East Asia (1993), Australia (1998), Scandinavia (2002), and Central Europe (2005). During the most recent tour to Central Europe, the group performed at such venues as the Berlin Philharmonie, the Mariacki Church in Kraków, the Matthias Church in Budapest, and as guests of the Kodály Festival in Hungary and the Dvorák Festival near Prague.
The 2007-2008 season marked the 150th anniversary of the Glee Club's founding. Highlights included a week-long tour of the Eastern Seaboard and a three-day festival in Cambridge from April 11-13, 2008. Nearly four hundred alumni of the Glee Club attended the April festivities, which included the world premiere of Dominick Argento's "Apollo in Cambridge: A Harvard Triptych," a performance of Igor Stravinsky's Symphony of Psalms with the combined Holden Choruses and orchestra, seminars on a variety of musical, academic, and historical topics, and a well-attended Sesquicentennial Banquet. The anniversary celebration continued into the summer of 2008 with a cross-country concert tour culminating in appearances at Walt Disney Concert Hall and the Ravinia Festival.
The Glee Club performs a wide range of repertoire. Music of the Renaissance is an integral part of that repertoire, as is folk music, especially of America and Eastern Europe. In recent years, the Glee Club has performed numerous major works for male chorus, including Schubert's Gesang der Geister über den Wassern, Brahms's Alt-Rhapsodie, Schoenberg's A Survivor from Warsaw, and Argento's Revelation of St. John the Divine.
Symphony collaborations over the years have included multiple performances with the Boston Symphony Orchestra (BSO) under all of its conductors since 1917, as well as with the New York and Los Angeles Philharmonics, the Netherlands Chamber Orchestra, the Orchestra of St. Luke's, and the Italian Radio Orchestra. Some BSO highlights include the American premiere of Stravinsky’s Oedipus Rex, later recorded with the BSO under Bernstein, two Berlioz recordings - Romeo et Juliet and La Damnation de Faust, and Mozart’s Requiem. In 1973, the Glee Club performed Bernstein's Chichester Psalms with the composer conducting at the Vatican. The Glee Club now frequently performs with Boston's Orchestra of Emmanuel Music.
Finally, the Glee Club frequently performs traditional Harvard football songs, such as "Yo-Ho," "Ten Thousand Men of Harvard," "Harvardiana," "The Gridiron King," "Soldiers' Field," and "Up the Street."
Another cornerstone of the Glee Club's repertoire is contemporary music; the group has a long history of commissioning or simply receiving work from prominent composers, some of whom are listed below, with the title of the work when available; each published work notes the dedication to the Glee Club on its title page:
In addition, the Glee Club's conductors have a long tradition of dedicating folk song arrangements and editions of Renaissance vocal pieces to the group; Jameson Marvin's arrangements are published primarily by Oxford University Publishing and Earthsongs.