Geraldine Sue Page (November 22, 1924 – June 13, 1987) was an American actress. Although starring in at least two dozen feature films, she is primarily known for her celebrated work in the American theater.
Her appearance as Alma in the Off-Broadway revival of Tennessee Williams' "Summer and Smoke" in 1952 was as earth-shattering and legendary as anything that had ever happened in the American theatre. "Summer and Smoke" had not been particularly well received in its Broadway incarnation. Page's performance (as the minister's daughter consumed with infinite longing) and that 1952 production, directed by Jose Quintero, gave the play a new birth, and, according to common wisdom, it was that production (for its daring, for its fervor, for its being "downtown" rather than in the artistically "safe" realm of Broadway) which gave birth to the Off-Broadway movement in New York theatre. From then on, Page's name was synonymous with a kind of heart-stopping, naturalistic magic in the theatre, continuing with her work, on Broadway, as the spinster in "The Rainmaker" and as the frustrated wife whose husband becomes romantically obsessed with a young Arab, played by James Dean, in "The Immoralist."
She earned critical accolades for her performance in Tennessee Williams' Sweet Bird of Youth opposite Paul Newman. She originated the role of a larger-than-life, addicted, sexually voracious Hollywood legend trying to extinguish her fears about her career with a young hustler named Chance Wayne, played by Newman. Page received her first Tony Award nomination for the play. She and Newman later starred in the film adaptation and Page earned an Academy Award nomination for Best Actress for the film. In 1964, she starred in a Broadway revival of Anton Chekov's The Three Sisters with Kim Stanley and Shirley Knight. The production was directed by Lee Strasberg. She also starred in Peter Shaffer's Black Comedy/White Lies, in 1967, which was the production in which both Michael Crawford and Lynn Redgrave made their Broadway debuts. Page received her second Tony nomination (for Best Featured Actress in a Play) for a successful production of Alan Ayckbourn's Absurd Person Singular with Sandy Dennis and Richard Kiley. Page also starred as Zelda Fitzgerald in the last major Broadway production of a Tennessee Williams play, "Clothes for a Summer Hotel" in 1980. Although the New York critical establishment had turned against Williams by that point in his career (with perhaps some justification), Page, in another remarkable creative turn, played Zelda (from her young days as a ravishingly sensual Southern belle through to her dissolution into madness) with a flourish of heart and technique which defied her own age and the strictures of type-casting.
Page starred in another successful Broadway play. Agnes of God, which opened in 1982, ran for 599 performances with Page performing in nearly all of them. She received a Tony Award nomination, for Best Lead Actress in a Play, for her performance as the secretive nun Mother Miriam Ruth. The highly acclaimed production garnered co-star Amanda Plummer a Tony Award for Best Featured Actress in a Play. Elizabeth Ashley played the court-appointed psychiatrist Dr. Martha Livingstone. After winning an Academy Award in 1985, Page returned to Broadway in a revival of Noel Coward's Blithe Spirit in the role of the psychic medium Madame Arcati. The production, which also starred Richard Chamberlain, Blythe Danner and Judith Ivey, was Page's last. Page was again nominated for a Tony Award, for Best Lead Actress in a Play, and was considered to be a favorite to win. However, she did not win, and several days after the awards ceremony she died. The show lasted several weeks more with co-star Patricia Conolly taking over Page's role.
In 1960 she won the Sarah Siddons Award for her work in Chicago theatre.
Her other notable screen roles include Academy Award-nominated performances in Tennessee Williams' Summer and Smoke (1961); Sweet Bird of Youth (1962); Toys in the Attic (1963) and Woody Allen's Interiors (1978). She also appeared in quirky and eccentric roles such as calculating murderer of old ladies in What Ever Happened to Aunt Alice? (1969); a repressed schoolmistress in the Clint Eastwood film The Beguiled (1971); a charismatic evangelist (modeled after Aimee Semple McPherson) in The Day of the Locust (1975); and as Sister Walburga in Nasty Habits (1977).
She did various television shows in the 1950s through the 1980s, including movies and series, such as Hawaii Five-0, Kojak, and several episodes of Rod Serling's Night Gallery, including "The Sins Of The Fathers" and "Something In The Woodwork".
She also was a voice actress and voiced the villainous Madame Medusa in the Disney animated film The Rescuers.
Page has also appeared in television productions and won two Emmy Awards as Outstanding Single Performance By an Actress in a Leading Role in a Drama for her roles in the classic Truman Capote stories, A Christmas Memory (1967) and The Thanksgiving Visitor (1969).
Her final film was the 1987 Mary Stuart Masterson film My Little Girl, which was the film debut of Jennifer Lopez.
Page, who also suffered from kidney disease, died of a heart attack in 1987 during a run on Broadway in Sir Noel Coward's Blithe Spirit at the Neil Simon Theatre. She did not arrive for either of the show's two June 13 performances, and at the end of the evening performance, the play's producer announced that she had died at the age of 62. Five days later, "an overflow crowd of colleagues, friends and fans," including Torn, Sissy Spacek, James Earl Jones, and Amanda Plummer, filled the Neil Simon Theatre to pay tribute to Page. Her achievements as a stage actress and teacher were highlighted; actress Anne Jackson stated at the tribute that "[Page] used a stage like no one else I'd ever seen. It was like playing tennis with someone who had 26 arms."
Her husband, Rip Torn, called her "Mi corazon, mi alma, mi esposa (My heart, my soul, my wife)" and said that they "never stopped being lovers, and ... never will."
| Year | Film | Role | Other notes |
|---|---|---|---|
| 1953 | Taxi | Florence Albert | uncredited |
| Hondo | Angie Lowe | Nominated - Academy Award for Best Supporting Actress | |
| 1961 | Summer and Smoke | Alma Winemiller | Golden Globe; Nominated - Academy Award for Best Actress |
| 1962 | Sweet Bird of Youth | Alexandra Del Lago | Golden Globe; Nominated - Academy Award for Best Actress; Nominated - BAFTA Award |
| 1963 | Toys in the Attic | Carrie Berniers | Nominated - Golden Globe |
| 1964 | Dear Heart | Ms. Evie Jackson | with Glen Ford |
| 1966 | The Three Sisters | Olga | |
| You're a Big Boy Now | Margery Chanticleer | Nominated - Academy Award for Best Supporting Actress; Nominated - Golden Globe | |
| 1967 | Monday's Child | Carol Richardson | |
| The Happiest Millionaire | Mrs. Duke | ||
| 1969 | What Ever Happened to Aunt Alice? | Claire Marrable | |
| Trilogy | Sook | ||
| 1971 | The Beguiled | Martha Farnsworth | |
| 1972 | J. W. Coop | Mama | |
| Pete 'n' Tillie | Gertrude | Nominated - Academy Award for Best Supporting Actress; Nominated - Golden Globe | |
| 1973 | Happy as the Grass Was Green | Anna Witmer | |
| 1975 | The Day of the Locust | Big Sister | |
| 1977 | Nasty Habits | Sister Walburga | |
| The Rescuers | Madame Medusa | voice | |
| 1978 | Interiors | Eve | BAFTA Award; Nominated - Academy Award for Best Actress; Nominated - Golden Globe |
| 1981 | Harry's War | 'Aunt' Beverly | |
| Honky Tonk Freeway | Sister Maria Clarissa | ||
| 1982 | I'm Dancing as Fast as I Can | Jean Scott Martin | |
| 1984 | The Pope of Greenwich Village | Mrs. Ritter | Nominated - Academy Award for Best Supporting Actress |
| 1985 | The Bride | Mrs. Baumann | |
| Walls of Glass | Mama | ||
| White Nights | Anne Wyatt | ||
| The Trip to Bountiful | Mrs. Carrie Watts | Academy Award for Best Actress; Nominated - Golden Globe | |
| 1986 | Native Son | Peggy | |
| 1987 | Riders to the Sea | ||
| My Little Girl | Molly | ||