George Wither (June 11, 1588 – May 2, 1667) was an English poet and satirist.
In A Satyre: Dedicated to His Most Excellent Majestie, Wither made a bold appeal to King James for his release, claiming that he had "not sought to scandalize the state, nor sowne sedition." The cause for his initial imprisonment is somewhat unclear, as the Abuses were in fact very general, and had not satirized any one person by name.
Charles Lamb commented "that a man should be convicted of libel when he named no names but Hate, and Envy, and Lust, and Avarice, is like one of the indictments in the Pilgrim's Progress, where Faithful is arraigned for having 'railed on our noble Prince Beelzebub, and spoken contemptibly of his honourable friends, the Lord Old Man, the Lord Carnal Delight, and the Lord Luxurious'. This view has been held by most later critics and scholars, in addition to the possibility of earlier editions containing text which was erased in later editions. Several scholars in the late 1800s and early 1900s also claimed that Wither had offended Lord Chancellor Ellesmere with one of the verses in Abuses. This claim, however, was reputed by Pritchard, who blames the misreading of the verses.
Pritchard makes the case that the reason for Wither's imprisonment was that he angered Henry Howard, then Earl of Northampton, by accusing him and others of colluding with the Spanish—and Catholic—government. Pritchard mentions that Northampton was at the height of his power when Wither was arrested, and notes that he was not able to secure his release until after Northampton's death in June of 1614.
Wither had begun as a moderate in politics and religion, but from this time forward his Puritan leanings became more pronounced, and his later work consists of religious poetry, and of controversial and political tracts. His Hymnes and Songs of the Church (1622-1623) were issued under a patent of King James I ordaining that they should be bound up with every copy of the authorized metrical psalms offered for sale. This patent was opposed, as inconsistent with their privilege to print the singing-psalms, by the Stationers Company, to Wither's great mortification and loss, and a second similar patent was finally disallowed by the House of Lords.
Wither was in London during the plague of 1625, and in 1628 published Britain's Remembrancer, a voluminous poem on the subject, interspersed with denunciations of the wickedness of the times, and prophecies of the disasters about to fall upon England. He also incidentally avenged Ben Jonson's satire on him as the Chronomastix of Time Vindicated, by a reference to Ben's drunken conclave. He was obliged to print this book with his own hand, in consequence of his quarrel with the Stationers Company. In 1635 he was employed by Henry Taunton, a London publisher, to write English verses illustrative of the allegorical plates of Crispin van Passe, originally designed for Gabriel Rollenhagens Nucleus emblematum selectissimorum (1610-1613). The book was published as a Collection of Emblemes, Ancient and Moderne, of which the only perfect copy known is in the British Museum.
The best of Wither's religious poetry is contained in Heleluiah: or Britain's Second Remembrancer, which was printed in Holland in 1641. Many of the poems rise to a high point of excellence. Besides those properly entitled to the designation of hymns, the book contains songs of singular beauty, especially the Cradle Song, Part 1 No. 50 ("Sleep, baby, sleep, what ails my dear"), the Anniversary Marriage Song, Part 2 No. 17 ("Lord, living here are we"), the Perambulation Song, Part 2 No. 24 ("Lord, it hath pleased Thee to say"), the Song for Lovers, Part 3 No. 20 ("Come, sweet heart, come, let us prove"), the Song for the Happily Married, Part 3 No. 21 ("Since they in singing take delight") and the Song for a Shepherd, Part 3 No. 41 ("Renowned men their herds to keep").
There is also in the second part a fine song (No. 59), full of historical as well as poetical interest, upon the evil times in which the poet lived, beginning:
Wither wrote, generally, in a pure English idiom, and preferred the reputation of rusticity (an epithet applied to him even by Baxter) to the tricks and artifices of poetical style which were then in favor. It may be partly on that account that he was better appreciated by posterity than by his contemporaries.
Wither had served as captain of horse in 1639 in the expedition of Charles I against the Scottish Covenanters, and his religious rather than his political convictions must be accepted as the explanation of the fact that, three years after the Scottish expedition, at the outbreak of the English Civil War, he is found definitely siding with the Parliament. He sold his estate to raise a troop of horse, and was placed by a parliamentary committee in command of Farnham Castle. After a few days occupation he left the place undefended, and marched to London. His own house near Farnham was plundered, and he himself was captured by a troop of Royalist horse, owing his life to the intervention of Sir John Denham, on the ground that so long as Wither lived he himself could not be accounted the worst poet in England.
After this episode he was promoted to the rank of major. He was present at the siege of Gloucester (1643) and at Naseby (1645). He had been deprived in 1643 of his nominal command, and of his commission as justice of the peace, in consequence of an attack upon Sir Richard Onslow, who was, he maintained, responsible for the Farnham disaster. In the same year parliament made him a grant of £2000 for the loss of his property, but he apparently never received the full amount, and complained from time to time of his embarrassments and of the slight rewards he received for his services. An order was made to settle a yearly income of £150 on Wither, chargeable on Sir John Denham's sequestrated estate, but there is no evidence that he ever received it. A small place given him by the Protector was forfeited after Wither expressed criticism of Cromwell. At the Restoration he was arrested, and remained in prison for three years. He died in London.
His extant writings, catalogued in Parks British Bibliographer, number over a hundred. Sir S. E. Brydges published The Shepherds Hunting (1814), Fidelia (1815) and Fair Virtue (1818), and a selection appeared in Stanford's Works of the British Poets, vol. v. (i 819). Most of Wither's works were edited in twenty volumes for the Spenser Society (1871–82); a selection was included by Henry Morley in his Companion Poets (1891); Fidelia and Fair Virtue are included in Edward Arber's English Garner (vol. iv, 1882; vol. vi, 1883), and an excellent edition of The Poetry of George Wither was edited by F. Sidgwick in 1902.