George Francis Abbott (June 25, 1887 - January 31, 1995) was an American theater producer and director, playwright, screenwriter, and film director and producer whose career spanned more than seven decades.
Abbott then went to Harvard University where he studied playwriting under George Pierce Baker. Under his tutelage he wrote The Head of the Family, which was performed at the Harvard Dramatic Club in 1912. He then worked for a year as assistant stage manager at the Bijou Theatre in Boston where his play The Man in the Manhole won a contest.
Abbott acquired a reputation as an astute "show doctor." He frequently was called upon to supervise changes when a show was having difficulties in tryouts or previews prior to its Broadway opening.
Abbott married his first wife Ednah Levis in 1914. They had a daughter Judith, who became an actress and married actor Tom Ewell in 1946. Ednah died in 1930 and Abbott married Mary Sinclair in April 1946; they divorced in 1951. On November 21, 1983, five months past his 96th birthday, he married Joy Valderrama.
In 1965, the 54th Street Theatre was rechristened the George Abbott Theater in his honor. The building was demolished in 1970. New York's George Abbott Way, the section of West 45th Street northwest of Times Square, is also named in his honour.
Abbott died of a stroke in Miami Beach, four months and three weeks short of his 108th birthday. The New York Times obituary read, "Mrs. Abbott said that a week and a half before his death he was dictating revisions to the second act of Pajama Game with a revival in mind. Last year, at a mere 106 years old, he walked down the aisle on opening night of the Damn Yankees revival and received a standing ovation. He was heard saying to his companion, "There must be somebody important here."
Abbott is one of the most admired men in the history of Broadway and has been inducted into the American Theatre Hall of Fame.
| Year | Title | Credit |
|---|---|---|
| 1918 | The Imposter | Writer; actor (Lem) |
| 1926 | Love 'Em and Leave 'Em | Writer |
| 1927 | Hills of Peril | Playwright, A Holy Terror |
| 1928 | Four Walls | Playwright; writer |
| 1929 | Coquette | Playwright |
| 1929 | The Carnival Man | Director |
| 1929 | Broadway | Playwright; writer |
| 1929 | The Bishop's Candlesticks | Director |
| 1929 | Why Bring That Up? | Writer; director |
| 1929 | The Saturday Night Kid | Playwright, Love 'Em and Leave 'Em |
| 1929 | Night Parade | Playwright, Ringside |
| 1929 | Halfway to Heaven | Director; writer |
| 1930 | El Dios del mar | Writer |
| 1930 | All Quiet on the Western Front | Writer |
| 1930 | The Fall Guy | Playwright |
| 1930 | Manslaughter | Director; writer |
| 1930 | The Sea God | Director; writer |
| 1931 | Der Sprung ins Nichts | Writer |
| 1931 | Stolen Heaven | Director; writer |
| 1931 | La Incorregible | Playwright, Manslaughter |
| 1931 | Sombras del circo | Playwright, Halfway to Heaven |
| 1931 | À mi-chemin du ciel | Playwright, Halfway to Heaven |
| 1931 | Secrets of a Secretary | Director; writer |
| 1931 | My Sin | Director; writer |
| 1931 | The Cheat | Director |
| 1932 | Halvvägs till himlen | Writer |
| 1932 | Those We Love | Playwright |
| 1933 | Lilly Turner | Playwright |
| 1934 | Heat Lightning | Playwright |
| 1934 | Straight Is the Way | Playwright, Four Walls |
| 1936 | Three Men on a Horse | Playwright |
| 1938 | Broadway | Writer |
| 1939 | On Your Toes | Playwright |
| 1940 | Too Many Girls | Director |
| 1940 | The Boys from Syracuse | Playwright |
| 1941 | Highway West | Playwright, Heat Lightning |
| 1942 | Broadway | Playwright |
| 1947 | Beat the Band | Playwright |