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Ganesha Purana

The Ganesha Purana (Sanskrit:गणेश पुराणम्; ) is a Hindu religious text dedicated to the Hindu deity Ganesha (). It is an that includes many stories and ritualistic elements relating to Ganesha. The Ganesha Purana and the Mudgala Purana are core scriptures for devotees of Ganesha, known as Ganapatyas (). These are the only two Purana that are exclusively dedicated to Ganesha.

The Ganesha Purana asserts its own status as one of the eighteen upapuranas in its opening lines (I.1.8-9):

"There are, however, eighteen minor such as the , the Nārada, the , etc. Amongst these, firstly I am going to recite the which is rarely heard, especially by someone in the world of mortals."

These lines indicate that the authors sought to ensure the status of this work as an , a category whose membership was not fully codified at that time.

Thapan (pp. 20-21) believes that the epithet Ganesha as a widely-used name for this deity appears to have been popularized by the Ganesha Purana, which is associated with the region of modern Maharashtra Vananasi, Karnataka, and perhaps some parts of Andhra Pradesh. Today the epithet Ganapati is popular in South India while Ganesha is more frequently used in Maharashtra and North India.

Significance

The Ganesha Purana and the Mudgala Purana are the two late Puranas (c A.D. 1300-1600) produced by the Ganapatya sect. These two Puranas are considered authoritative by devotees of Ganesha and include material not found in earlier sources.

During the medieval period the followers of Ganesha, known the Ganapatyas, formed an independent religious movement dedicated to the worship of Ganesha as their preeminent deity. They considered Ganesha to be the qualitative form of the ultimate unqualified Brahman. The Ganesha Purana is pervaded with this concept and interprets well-known Puranic stories in new ways to emphasize the importance of Ganesha and to explain his relationships with other divinities.

The Purana specifies many methods of worship, key beliefs, and philosophical positions of the Ganapatya sect. The contents of the Ganesha Purana are difficult to summarize because they include a variety of stories and devotional material. The general purpose of the work can be inferred from this set of questions that Vyāsa puts to Brahmā in the tenth chapter of the first Book (I.10.29-30 in Bailey's English edition):

"Who is this Ganesha? What is his real appearance (Sanskrit:स्वरूप; ; also spelled svarupa) and how can it be known? To whom has he previously been kindly disposed, four-faced god? How many are his incarnations and what deeds did they perform? Who previously worshipped him and in respect of what deed was he called to mind?"

The last chapter of the first book summarizes the lengthy narratives by saying:

"I have narrated the worship (Sanskrit:उपासना; ; also spelled upasana) of Ganesha to you in the course of a sequence of many tales. (I.92.53)

These statements confirm the role that this Purana plays in establishing the relationship between Ganesha and his followers through the use of traditional Puranic stories and new material. This intends to emphasize the importance of Ganesha as a primary deity.

A brief review of references to Ganesha in various Puranas appears in Courtright

Date of work

The date of composition for both the Ganesha Purana and the Mudgala Purana, and their dating relative to one another, has been a matter of academic debate. Both works contain age-layered strata, but these strata have not been clearly defined through the process of critical editorship. Some strata of the available redactions of the Ganesha Purana and the Mudgala Purana probably reflect mutual influence upon one another, including direct references to one another.

Thapan reviews different views on dating and states her own judgement that it appears likely that the core of the Ganesha Purana come into existence around the 12th and 13th centuries, being subject to interpolations during the succeeding ages. Thapan notes that these Puranas, like other Puranas, developed over a period of time as multi-layered works.

Lawrence W. Preston considers that the period AD 1100-1400 is the most reasonable date for the Ganesha Purana because that period agrees with the apparent age of the sacred sites mentioned by it. Hazra also dates the Ganesha Purana between AD 1100-1400. Farquhar dates it between AD 900-1350.

Structure

The Ganesa Purana is divided into two sections. The Upasanakhanda or "section on devotion" has 92 chapters, and the Kridakhanda or "section on the divine play (of )" has 155 chapters. The Kridakhanda is also called the Uttarakhanda in the colophons. Chapter 46 of the Upasanakhanda includes a stotra (hymn) that is the source text for one of the best-known versions of the Ganesha Sahasranama (hymn of praise listing 1,000 names of Ganesha). This stotra is recited in many temples today as a living part of Ganesha devotion.

The Ganesha Gita

Chapters 138-48 of the Kridakhanda constitute the Ganesha Gita, which is modeled on the Bhagavad Gita, but adapted to place Ganesha in the divine role. The discourse is given to King Varenya during Ganesha's incarnation as Gajanana.

Krishan says that a critical examination of the Ganesha Gita shows that ninety percent of its stanzas are, with slight modifications, taken from the Bhagavad Gita. Their topics are the same: karma yoga, jnana yoga and bhakti yoga. However, Ganesha replaces Krishna in the divine role. In II.138.22 Ganesha asserts claims similar to those made by Krishna in BG 4.6-8: I create the world, maintain it and destroy it again; I am Mahavishnu, Sadashiva, and Mahashakti, and Aryaman, the sun. In II.140.9-11 he says that he is unborn (aja), the life principle in all beings (bhūtātmā), beginningless (anādi), and lord (īśvara). Like Krishna, whenever there is an increase of unrighteousness (adharma) and decline of righteousness (dharma) he takes birth to protect the good and destroy the wicked.

The four incarnations of Ganesha

The Kridakhanda of the Ganesha Purana narrates the stories of four incarnations (Sanskrit:अवतार; ) of Ganesha, each of which appeared in the four different yugas.

These four are not the same as the eight incarnations of Ganesha that are described in the Mudgala Purana.

Mahotkata Vinayaka who has ten arms and a red complexion. Different sources list his mount as either an elephant or lion. He was born to Kashyapa and Aditi in the Krita yuga. The name (descendant of Kaśyapa) for Ganesha refers to this incarnation. This incarnation killed the demon brothers Narantaka and Devantaka as well as the demon Dhumraksha ().
Mayuresvara who has six arms and a white complexion. His mount is a peacock. He was born to Shiva and Parvati in the Treta yuga. He incarnates for the purpose of killing the demon Sindhu. At the end of this incarnation he gives his peacock mount to his younger brother Skanda, with whom the peacock mount is generally associated.
Gajanana who has four arms and was born with a red complexion. He has a mouse as his mount. He is born to Shiva and Parvati in the Dvapara yuga. He incarnates for the purpose of killing the demon Sindura who was so-named due to his reddish-pink complexion (see: Sindoor). It is during this incarnation that Ganesha gives the discourse known as the Ganesha Gita to King Varenya.
Dhumraketu is grey in colour, like ash or smoke (). He has either two or four arms. He has a blue horse as his mount. He will come to end the decline of the Kali yuga. During this incarnation he kills numerous demons. Grimes notes that there is a parallel between this incarnation of Ganesha and the tenth and final incarnation of Vishnu, where he will ride upon the white horse Kalki.

Source editions

Greg M. Bailey, who has published a scholarly review and translation into English of the first portion of the Ganesha Purana, notes that there are hundreds of manuscripts for this Purana in libraries in India, and that it was clearly very popular from the 17th to 19th centuries. The Bailey edition does not provide the Sanskrit text.

An edition of the Ganesha Purana was published in two parts by the at Moregaon, Maharashtra (the site of one of the temples). The Upasanakhanda was published in 1979 and the Kridakhanda was published in 1985. This is the edition that Thapan cites in her book on the development of the Ganapatyas ().

The Ganesha Purana was published three times before the edition of the :

Poona, 1876
Bombay, 1876
Bombay, 1892, Gopal Narayana and Co.

One well-known edition that is currently obtainable is the 1993 full-length reprint edition of the 1892 edition, providing the full Sanskrit text in Devanagari script. The 1993 reprint edition edited by Ram Karan Sharma is not mentioned in Bailey's bibliography. Spot comparisons of line numbering and content show some variations between the Bailey and Sharma editions.

Thapan notes (p. 33) that the Ganesha Purana was translated into Tamil in the eighteenth century and the Tamil version is referred to as the .

Notes

References

Bailey, Greg (1995). Ganeśapurāna: Introduction, translation, notes and index. Harrassowitz. ISBN 3-447-03647-8.
Brown, Robert L. (1991). Ganesh: Studies of an Asian God. Albany: State University of New York.
Courtright, Paul B.

Grimes, John A. (1995). Ganapati: Song of the Self. Albany: State University of New York Press.

Sharma, Ram Karan (editor) (1993). Ganesha Purana. Nag Publishers. ISBN 81-7081-279-8.

Thapan, Anita Raina (1997). Understanding Gaņapati: Insights into the Dynamics of a Cult. New Delhi: Manohar Publishers.