Susan Kingsley Kent says that Freudian patriarchy was responsible for the diminished profile of feminism in the inter-war years, others such as Juliet Mitchell consider this to be overly simplistic since Freudian theory is not wholly incompatible with feminism. Some feminist scholarship shifted away from the need to establish the origins of family, and towards analyzing the process of patriarchy. In the immediate postwar period, Simone de Beauvoir stood in opposition to an image of "the woman in the home". De Beauvoir provided an existentialist dimension to feminism with the publication of Le Deuxième Sexe (The Second Sex) in 1949. As the title implies, the starting point is the implicit inferiority of women, and the first question de Beauvoir asks is "what is a woman"?. Woman she realises is always perceived of as "other", "she is defined and differentiated with reference to man and not he with reference to her". In this book and her essay, "Woman: Myth & Reality", de Beauvoir anticipates Betty Friedan in seeking to demythologise the male concept of woman. "A myth invented by men to confine women to their oppressed`state. For women it is not a question of asserting themselves as women, but of becoming full-scale human beings." "One is not born, but rather becomes, a woman", or as Toril Moi puts it "a woman defines herself through the way she lives her embodied situation in the world, or in other words, through the way in which she makes something of what the world makes of her". Therefore, woman must regain subject, to escape her defined role as "other", as a Cartesian point of departure. In her examination of myth, she appears as one who does not accept any special privileges for women. Ironically, feminist philosophers have had to extract de Beauvoir herself from out of the shadow of Jean-Paul Sartre to fully appreciate her. While more philosopher and novelist than activist, she did sign one of the Mouvement de Libération des Femmes manifestos.
The resurgence of feminist activism in the late 1960s was accompanied by an emerging literature of what might be considered female associated issues, such as concerns for the earth and spirituality, and environmental activism. This in turn created an atmosphere conducive to reigniting the study of and debate on matricentricity, as a rejection of determinism, such as Adrienne Rich and Marilyn French while for socialist feminists like Evelyn Reed, patriarchy held the properties of capitalism.
Elaine Showalter describes the development of Feminist theory as having a number of phases. The first she calls "feminist critique" - where the feminist reader examines the ideologies behind literary phenomena. The second Showalter calls "Gynocritics" - where the "woman is producer of textual meaning" including "the psychodynamics of female creativity; linguistics and the problem of a female language; the trajectory of the individual or collective female literary career and literary history". The last phase she calls "gender theory" - where the "ideological inscription and the literary effects of the sex/gender system" are explored." This model has been criticized by Toril Moi who sees it as an essentialist and deterministic model for female subjectivity. She also criticized it for not taking account of the situation for women outside the west. From the 1970s onwards, psychoanalytical ideas that has been arising in the field of French feminism has gained a decisive influence on feminist theory. Feminist psychoanalysis deconstructed the phallic hypotheses regarding the Unconscious. Julia Kristeva, Bracha Ettinger and Luce Irigaray developed specific notions concerning unconscious sexual difference, the feminine and motherhood, with wide implications for film and literature analysis.
In the most general, feminist literary criticism before the 1970s was concerned with the politics of women's authorship and the representation of women's condition within literature. Since the arrival of more complex conceptions of gender and subjectivity, feminist literary criticism has taken a variety of new routes. It has considered gender in the terms of Freudian and Lacanian psychoanalysis, as part of the deconstruction of existing power relations.
There is no one school of feminist philosophy: feminist philosophers, as philosophers, are found in both the analytic and Continental traditions, and the myriad different viewpoints taken on philosophical issues within those traditions; and feminist philosophers, as feminists, are found belonging to the many different varieties of feminism. The writings of Judith Butler, Rosi Braidotti and Donna Harawayare most significant psychoanalytically informed influences on contemporary feminist philosophy.
One prominent issue that feminist economists investigate is how the Gross Domestic Product (GDP) does not adequately measure unpaid labor predominantly performed by women, such as housework, childcare, and eldercare. Feminist economists have also challenged and exposed the rhetorical approach of mainstream economics. They have made critiques of many basic assumptions of mainstream economics, including the Homo economicus model. They have been instrumental in creating alternative models, such as the Capability Approach and incorporating gender into the analysis of economic data. Marilyn Power suggests that feminist economic methodology can be broken down into five categories.
The Radical Women Manifesto: Socialist Feminist Theory, Program and Organizational Structure (Seattle: Red Letter Press, 2001)
Susan Kingsley Kent says that Freudian patriarchy was responsible for the diminished profile of feminism in the inter-war years, others such as Juliet Mitchell consider this to be overly simplistic since Freudian theory is not wholly incompatible with feminism. Some feminist scholarship shifted away from the need to establish the origins of family, and towards analyzing the process of patriarchy. In the immediate postwar period, Simone de Beauvoir stood in opposition to an image of "the woman in the home". De Beauvoir provided an existentialist dimension to feminism with the publication of Le Deuxième Sexe (The Second Sex) in 1949. As the title implies, the starting point is the implicit inferiority of women, and the first question de Beauvoir asks is "what is a woman"?. Woman she realises is always perceived of as "other", "she is defined and differentiated with reference to man and not he with reference to her". In this book and her essay, "Woman: Myth & Reality", de Beauvoir anticipates Betty Friedan in seeking to demythologise the male concept of woman. "A myth invented by men to confine women to their oppressed`state. For women it is not a question of asserting themselves as women, but of becoming full-scale human beings." "One is not born, but rather becomes, a woman", or as Toril Moi puts it "a woman defines herself through the way she lives her embodied situation in the world, or in other words, through the way in which she makes something of what the world makes of her". Therefore, woman must regain subject, to escape her defined role as "other", as a Cartesian point of departure. In her examination of myth, she appears as one who does not accept any special privileges for women. Ironically, feminist philosophers have had to extract de Beauvoir herself from out of the shadow of Jean-Paul Sartre to fully appreciate her. While more philosopher and novelist than activist, she did sign one of the Mouvement de Libération des Femmes manifestos.
The resurgence of feminist activism in the late 1960s was accompanied by an emerging literature of what might be considered female associated issues, such as concerns for the earth and spirituality, and environmental activism. This in turn created an atmosphere conducive to reigniting the study of and debate on matricentricity, as a rejection of determinism, such as Adrienne Rich and Marilyn French while for socialist feminists like Evelyn Reed, patriarchy held the properties of capitalism.
Elaine Showalter describes the development of Feminist theory as having a number of phases. The first she calls "feminist critique" - where the feminist reader examines the ideologies behind literary phenomena. The second Showalter calls "Gynocritics" - where the "woman is producer of textual meaning" including "the psychodynamics of female creativity; linguistics and the problem of a female language; the trajectory of the individual or collective female literary career and literary history". The last phase she calls "gender theory" - where the "ideological inscription and the literary effects of the sex/gender system" are explored." This model has been criticized by Toril Moi who sees it as an essentialist and deterministic model for female subjectivity. She also criticized it for not taking account of the situation for women outside the west. From the 1970s onwards, psychoanalytical ideas that has been arising in the field of French feminism has gained a decisive influence on feminist theory. Feminist psychoanalysis deconstructed the phallic hypotheses regarding the Unconscious. Julia Kristeva, Bracha Ettinger and Luce Irigaray developed specific notions concerning unconscious sexual difference, the feminine and motherhood, with wide implications for film and literature analysis.
In the most general, feminist literary criticism before the 1970s was concerned with the politics of women's authorship and the representation of women's condition within literature. Since the arrival of more complex conceptions of gender and subjectivity, feminist literary criticism has taken a variety of new routes. It has considered gender in the terms of Freudian and Lacanian psychoanalysis, as part of the deconstruction of existing power relations.
There is no one school of feminist philosophy: feminist philosophers, as philosophers, are found in both the analytic and Continental traditions, and the myriad different viewpoints taken on philosophical issues within those traditions; and feminist philosophers, as feminists, are found belonging to the many different varieties of feminism. The writings of Judith Butler, Rosi Braidotti and Donna Harawayare most significant psychoanalytically informed influences on contemporary feminist philosophy.
One prominent issue that feminist economists investigate is how the Gross Domestic Product (GDP) does not adequately measure unpaid labor predominantly performed by women, such as housework, childcare, and eldercare. Feminist economists have also challenged and exposed the rhetorical approach of mainstream economics. They have made critiques of many basic assumptions of mainstream economics, including the Homo economicus model. They have been instrumental in creating alternative models, such as the Capability Approach and incorporating gender into the analysis of economic data. Marilyn Power suggests that feminist economic methodology can be broken down into five categories.
The Radical Women Manifesto: Socialist Feminist Theory, Program and Organizational Structure (Seattle: Red Letter Press, 2001)
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