Present-day ethnomusicologists, such as Margaret Kartomi (page 173), and Terry Ellingson (PhD dissertation, 1979, p. 544) suggest that, in keeping with the spirit of the original Hornbostel Sachs classification scheme, of categorization by what first produces the initial sound in the instrument, that only subcategory 53 should remain in the electrophones category. Thus it has been more recently proposed that, for example, the pipe organ (even if it uses electric key action to control solenoid valves) remain in the aerophones category, and that the electric guitar remain in the chordophones category, and so on.
Thus, in present-day ethnomusicology, an electrophone is considered to be only musical instruments which produce sound primarily by electrical means. It is usually considered one of five main categories in the Hornbostel-Sachs scheme of musical instrument classification (though it is not actually present in the scheme published in 1914).
See also: Electronic musical instrument
| Hornbostel-Sachs system of musical instrument classification | ||||
|---|---|---|---|---|
Idiophone | Membranophone | Chordophone | Aerophone | Electrophone | ||||