The libretto was originally written for Karl Šebor to set, but he proved highly unwilling to do so, so Červinková-Riegrová offered her work to Dvořák, who proved much more enthusiastic, but requested plenty of modifications to the libretto as it stood, including the introduction of more opportunities for ensembles. The form of the opera was largely in imitation of Eugene Scribe, and the plot was derived from Ferdinand Mikovec’s Dimitr Ivanovič, itself based upon Schiller's incomplete Demetrius.
With Dimitrij, Dvořák scored a great popular success, though he later persuaded his librettist to rework Act 4, and this revised version was given in 1885. Later still, he heavily reworked the opera along Wagnerian lines, and this radical version was performed during 1892.
| Role | Voice type | Premiere Cast, October 8, 1882 (Conductor: - ) |
|---|---|---|
| Jov, the patriarch of Moscow | bass | |
| Prince Vasilij Šujský | baritone | |
| Petr Fedorovič Basmanov | bass | |
| Xenie Borisovna | soprano | |
| Dimitrij Ivanovič | tenor | |
| Marfa Ivanovna | contralto | |
| Marina Mníškova, Dmitrij's wife | soprano | |
| Něborský and Bučinský | baritones | |