Jensen is often labeled an anarcho-primitivist, by which is meant he concludes that civilization is inherently unsustainable and based on violence. He argues that the modern industrial economy is fundamentally at odds with healthy relationships, the natural environment, and indigenous peoples. Jensen's work catalogues what he perceives as the pervasiveness of abuse, hatred, rape, environmental destruction, and dishonesty (which he says serves to maintain the systemic abuse of civilization). He concludes that the very pervasiveness of these behaviors indicates that they are diagnostic symptoms of the greater problem of civilization itself. Accordingly, he exhorts readers and audiences to help bring an end to industrial civilization.
In A Language Older Than Words and also in an article entitled Actions Speak Louder Than Words, Jensen states "Every morning when I awake I ask myself whether I should write or blow up a dam. I tell myself I should keep writing, though I'm not sure that's right".
Jensen proposes that a different, harmonious way of life is possible, and that it can be seen in many past societies including many Native American or other indigenous cultures. He claims that many indigenous peoples perceive a primary difference between Western and indigenous perspectives: even the most open-minded Westerners generally view listening to the natural world as a metaphor, as opposed to the way the world works. Furthermore, these indigenous peoples understand the world as consisting of other beings with whom we can enter into relationship; this stands opposed to the more Western belief that the world consists of objects or resources to be exploited or used.
A Language Older Than Words uses the lens of domestic violence to look at the larger violence of western culture. The Culture of Make Believe begins by exploring racism and misogyny and moves to examine how this culture’s economic system leads inevitably to hatred and atrocity. Strangely Like War is about deforestation. Walking on Water is about education (It begins: "As is true for most people I know, I’ve always loved learning. As is also true for most people I know, I always hated school. Why is that?"). Welcome to the Machine is about surveillance, and more broadly about science and this culture’s obsession with control.
Endgame is about what he describes as the inherent unsustainability of civilization. In this book he asks: "Do you believe that this culture will undergo a voluntary transformation to a sane and sustainable way of living?" Nearly everyone he talks to says no. His next question is: "How would this understanding — that this culture will not voluntarily stop destroying the natural world, eliminating indigenous cultures, exploiting the poor, and killing those who resist — shift our strategy and tactics? The answer? Nobody knows, because we never talk about it: we’re too busy pretending the culture will undergo a magical transformation." Endgame, he says, is "about that shift in strategy, and in tactics.
Jensen's writing uses the first-person and interweaves personal experiences with cited facts to construct arguments. His books are written like narratives, lacking a linear, hierarchical structure. They are not divided into distinct sections devoted to an individual argument. Instead, his writing is conversational, leaving one line of thought incomplete to move on to another, returning to the first again at some later point. Jensen uses this creative non-fiction style to combine his artistic voice with logical argument.
Derrick Jensen & Stephanie McMillan. As the World Burns: Fifty Simple Things You Can Do to Stay in Denial.(Book review)
Jul 01, 2008; [ILLUSTRATION OMITTED] Derrick Jensen & Stephanie McMillan. As the World Burns: Fifty Simple Things You Can Do to Stay in Denial....
Derrick Jensen and George Draffan. Welcome to the Machine: Science, Surveillance, and the Culture of Control.(Book Review)
Mar 22, 2005; Derrick Jensen and George Draffan. Welcome to the Machine: Science, Surveillance, and the Culture of Control. White River...