Dance of the Vampires (or Tanz der Vampire as the original German language version is named) is a musical remake of a 1967 Roman Polanski film of the same name (called The Fearless Vampire Killers in the USA). Polanski also directed the original German production of this musical. Music was composed by Jim Steinman and orchestrated by Steve Margoshes, and original German book and lyrics were written by Michael Kunze.
While Steinman's fans acclaim it as his biggest musical success, it should be noted that about 70% of the musical score written by Steinman was recycled from his earlier projects, mainly from his less-known shows like The Dream Engine and The Confidence Man (co-written with Ray Errol Fox), although it also features music from his widely known records like "Total Eclipse of the Heart" (remade as "Totale Finsternis") and the melody, but not the lyric, from a Bat Out Of Hell II song called "Objects in the Rear View Mirror May Appear Closer Than They Are" (remade as "Die Unstillbare Gier").
A complete cast recording and a highlights cast recording were made of this production.
The Original Vienna Cast
The Original Stuttgart Cast
The Original Estonian Cast
The producers of the show wanted a rewrite with a more comic angle instead of adapting the successful Austrian version, so they hired comic playwright David Ives to write what amounted to a new book, which was then revised and rearranged by Crawford, who had creative control. Crawford also agreed that the piece should be a comedy on the lines of Mel Brooks. The result was an altered version with a lot of campy humor that differed considerably from the original show.
The humor received some laughter and much criticism. After Steinman was fired from the show by his own manager (acting as lead producer) for protesting the direction the show had taken, the English version (of necessity) borrowed a lot of new material from Steinman's lyrics for the previous English versions of his songs. The show was critically lambasted, the work of lead performer Michael Crawford being reviewed particularly harshly.
Dance of the Vampires is one of the biggest financial flops in Broadway history, losing roughly $12 million, easily eclipsing the infamous musical Carrie. Steinman made a show of his disapproval of the project by not attending opening night. On his blog Steinman writes "DOTV as we know was UTTER SHIT!" in one post, and describes the production as a "shit pile" in another, also stating in separate blog entries that his music was "wasted" on the show, being careful at several points to make clear distinctions between the American version (referred to as DOTV) and the successful European version (known as Tanz).
The Original Broadway Cast
The Original Hamburg Cast
A cast recording was released of this production.
The Original Warsaw Cast
A live cast recording was released.
The Original Japanese Cast
The Original Berlin Cast
The Vienna Concert Cast
The Original Budapest Cast
(Note: Many changes in characterization were made for the Broadway version. This refers to the original European version.)
Count von Krolock, to play anywhere from 35 to 50 to 425 years old, a powerful and melancholy vampire lord, the seductive, diabolic, dramatic center of the show, with a massive, galvanizing baritone.
Professor Abronsius, plays 60-65, Alfred's mentor and a classic absent-minded professor, a quirky "man of science" devoted to eliminating all vampires, the comic centerpiece of the show, with a high baritone with extensive range (at one point hits a note some sopranos might have trouble with).
Alfred, plays 18-19, hero, earnest young student, heroine has to fall for him at first sight, Abronsius' handsome and well-meaning but somewhat cowardly assistant, with a gorgeous, strong, lyric tenor.
Sarah, plays 15-18 (the script designates her as "almost eighteen" during "Du bist wirklich sehr nett"), heroine, a beautiful and spunky young woman, breathtaking village girl, radiant but wanting to be corrupted, with a Celine Dion-type voice, but a tougher more R&B or rock-influenced sound.
Chagal, plays 40-55, Sarah's over-protective father, a disreputable Jewish innkeeper, should be almost a parody of Tevye from "Fiddler on the Roof," with a commanding baritone.
Rebecca, plays 40-55, Sarah's long-suffering mother and Chagal's wife, large, buffo, unsatisfied, griping village spouse and co-innkeeper, with a huge, rich contralto/mezzo.
Magda, plays early twenties (25 at latest), the sexy maid of all trades at Chagal's village inn, longed for by all the male villagers but doesn't succumb until she is bitten, with a glorious theatrical belt with extensive range.
Herbert von Krolock, plays approximately 20, the Count's gay son, also a vampire, needy, lonely, horny, demonically determined young rich kid, with a high baritone or dark tenor of size and passion.
Koukol, of an indeterminate age and description, the Count's hunchbacked servant.
Dancers ages 20-35, strong, sexy, exotic, eccentric, unique dancers with a wide range of physical ability and strong modern/ballet/jazz technique, specialties in acrobatics and flying.
From the original Broadway version Act One