Fairly coarse, porous clay that, when fired, assumes a colour ranging from dull ochre to red. Terra-cotta objects are usually left unglazed and are often of a utilitarian kind, because of their cheapness, versatility, and durability. Small terra-cotta figures from 3000 BC have been found in Greece and others throughout the Roman Empire from the 4th century BC. The use of terra-cotta virtually died out when the Roman Empire collapsed, but it was revived in Italy and Germany in the 15th century.
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Glazed architectural terra-cotta is a ceramic masonry building material popular in the United States from the late 19th century until the 1930s, and still one of the most common building materials found in U.S. urban environments. It is the glazed version of architectural terra-cotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago School and Beaux-Arts architecture.
The material, also known in Great Britain as faience and sometimes referred to as "architectural ceramics", was closely associated with the work of Cass Gilbert, Louis Sullivan, and Daniel H. Burnham, among other architects. Buildings incorporating glazed terra-cotta include the Woolworth Building in New York City and the Wrigley Building in Chicago. It is also used in the open-air Bridgemarket under the Manhattan side of the Queensboro Bridge.
Variations in the color and pattern of the glaze made it possible for buildings constructed with the material to look like they were finished with granite or limestone; this flexibility was part of the reason the material was so attractive to architects at the time.
Glazed architectural terra-cotta offered a modular, varied and relatively inexpensive approach to wall and floor construction. It was particularly adaptable to vigorous and rich ornamental detailing. Terra-cotta is an enriched molded clay brick or block. It was usually hollow cast in blocks which were open to the back, like boxes, with internal compartment-like stiffeners called webbing. Webbing substantially strengthened the load-bearing capacity of the hollow blocks without greatly increasing its weight. The blocks would then be finished with a glaze, with a clay wash or an aqueous solution of metal salts, before firing. Late 19th century advertising for the material promoted the durable, impervious and adaptable nature of glazed architectural terra-cotta. It could accommodate subtle nuances of modeling, texture and color. Compared to stone, it was easier to handle, quickly set and more affordable to use. The cost of molding the clay, glazing and firing the blocks, when compared to carving stone, represented a considerable savings, especially when casts were used in a modular fashion--that is, repeated over and over again. It never needed paint and periodic washings restored its original appearance.
In wide use, there were four major types of terra-cotta used:
The American Terra Cotta Corporation, founded in 1881, operated for eighty-five years in the little town of Terra Cotta in the heart of Illinois dairy country (near Crystal Lake, Illinois), the company fabricated architectural terra cotta for more than 8,000 buildings throughout the U.S. and Canada. It was the last exclusive manufacturer of architectural terra cotta by the time it ceased production in 1966. From its fortuitous founding in time to rebuild the fire-ravished city of Chicago until its closing, it was the major producer of architectural glazed terra cotta on the North American continent.