Dictionary Thesaurus Word Dynamo Quotes Reference Translator Spanish

Claire Clairmont

Clara Mary Jane Clairmont (27 April, 1798 – 19 March, 1879), or Claire Clairmont as she was commonly known, was a stepsister of writer Mary Shelley and the mother of Lord Byron's daughter Allegra.

Early life

She was one of two children of Mary Jane Vial Clairmont. Her father is not known, but was identified as a "Charles Clairmont" by her mother. It is suspected that Clairmont’s parents were never married and that her mother had adopted the name Clairmont to disguise the fact that her children, Clairmont and her brother Charles, were illegitimate.

In December of 1801, Mary Jane Clairmont married William Godwin. Godwin had a daughter, Mary, who was eight months older than Clairmont, and a stepdaughter Fanny Imlay. The girls would grow to be close and remain in contact with one another throughout the duration of their lives. Clairmont, like Mary Shelley, was influenced by Godwin's radical anarchist philosophical beliefs. Her mother, Mary Jane Vial Clairmont, was well-educated and co-wrote children's primers on Biblical and classical history along with Godwin. Godwin encouraged all of his children to read widely and give lectures as soon as they could read. Mary Jane Godwin was also a sharp-tongued woman who often quarreled with Godwin and favored her own children over Godwin's daughters. She contrived to send Clairmont to boarding school for a time, thus providing the equally volatile and emotionally intense Clairmont, who was known as "Jane" when she was a child, with more formal education than her stepsisters. Clairmont, unlike Mary Shelley, was fluent in French when she was a teenager and later was credited with fluency in five different languages.

Byron

At sixteen, Clairmont was a lively, voluptuous brunette with a good singing voice and a hunger for recognition. Her home life had become increasingly tense, as her stepfather William Godwin sunk deeper into debt and her mother's relations with Mary Shelley became more strained. Clairmont aided her stepsister's clandestine meetings with Percy Bysshe Shelley, who had professed a belief in free love and had left his own wife and two small children to be with Mary. When Mary ran away with Percy Bysshe Shelley in July 1814, Clairmont went with them. Clairmont's mother, Mary Jane Godwin, traced the group to an inn in Calais, but couldn't make the girl go home with her. Godwin needed the financial assistance that the aristocratic Shelley could provide. Clairmont joined the Shelley household and their wanderings across Europe. The three young people traipsed across war-torn France, into Switzerland, fancying themselves like characters in a romantic novel, as Mary Shelley later recalled, but always reading widely, writing, and discussing the creative process. On the journey, Clairmont read Rousseau, Shakespeare, and the works of Mary Wollstonecraft. "What shall poor Cordelia do - Love & be silent," Clairmont wrote in her journal while reading King Lear. “Oh [th]is is true – Real Love will never [sh]ew itself to the eye of broad day – it courts the secret glades.” Clairmont's emotions were so stirred by Cordelia that she had one of her "horrors," a hysterical fit, Mary Shelley recorded in her own journal entry for the same day. Clairmont, who was surrounded by poets and writers, also made her own literary attempts. During the summer of 1814, she started a story called "The Idiot," which has since been lost. In 1817-1818, she wrote a book which Percy Bysshe Shelley tried without success to have published. But though Claire lacked the literary talent of her stepsister and brother-in-law, she always longed to take center stage. It was during this period that she changed her name from "Jane" to first "Clara" and finally the more romantic-sounding "Claire."

Any romantic designs Clairmont might have had on Shelley were frustrated initially, but she did bring the Shelleys into contact with Lord Byron, with whom she entered into an affair before he left England in 1816 to live abroad. Clairmont had hopes of becoming a writer or an actress and wrote to Byron asking for "career advice" in March 1816, when she was almost eighteen. Byron was a director at the Drury Lane Theatre. Clairmont later followed up her letters with visits, sometimes with her stepsister Mary Shelley, whom she seemed to suggest Byron might also find attractive. "Do you know I cannot talk to you when I see you? I am so awkward and only feel inclined to take a little stool and sit at your feet," Clairmont wrote to Byron. She "bombarded him with passionate daily communiques" telling him he need only accept "that which it has long been the passionate wish of my heart to give you." She arranged for them to meet at a country inn. Byron, in a depressed state after the break-up of his marriage to Annabella Milbanke and scandal over his relationship with his half-sister Augusta Leigh, made it very clear to Clairmont before he left that she would not be a part of his life. Clairmont, on the other hand, was determined she would change his mind. She convinced Mary Shelley and her husband-to-be, Percy Bysshe Shelley, that they should follow Byron to Switzerland, where they met him and John William Polidori (Byron's personal physician) at the Villa Diodati by Lake Geneva. It is unknown whether or not Clairmont knew she was pregnant with Byron's child at the commencement of the trip, but it soon became apparent to both her traveling companions and to Byron not long after their arrival at his door. At first he maintained his refusal of Clairmont's companionship and only allowed her to be in his presence in the company of the Shelleys; later, they resumed their sexual relationship for a time in Switzerland. Clairmont and Mary Shelley also made fair copies of Byron's work-in-progress, Childe Harold's Pilgrimage, which he was in the process of writing.

Clairmont was the only lover, other than Caroline Lamb, whom Byron referred to as a "little fiend. Confessing the affair in a letter to his half-sister Augusta Leigh, Byron wrote

What could I do? -- a foolish girl -- in spite of all I could say or do -- would come after me -- or rather went before me -- for I found her here ... I could not exactly play the Stoic with a woman -- who had scrambled eight hundred miles to unphilosophize me."

Clairmont was to say later that her relationship with Byron had given her only a few minutes of pleasure, but a lifetime of trouble.

Birth of Allegra

The group left Byron in Switzerland at the end of the summer and returned to England. Clairmont took up residence in Bath and in January of 1817 she gave birth to a daughter, Alba, whose name was eventually changed to Allegra. Throughout the pregnancy, Clairmont had written long letters to Byron, pleading for his attention and a promise to care for her and the baby, sometimes making fun of his friends, reminding him how much he had enjoyed making love to her, and sometimes threatening suicide. Byron, who by this time hated her, ignored the letters. The following year, Clairmont and the Shelleys left England and journeyed once more to Byron, who now resided in Italy. Clairmont felt that the future Byron could provide for their daughter would be greater than any she herself would be able to grant the child and, therefore, wished to deliver Allegra into his care.

Upon arriving in Italy, Clairmont was again refused by Byron. He arranged to have Allegra delivered to his house in Venice and agreed to raise the child on the condition that Clairmont keep her distance from him. Clairmont reluctantly gave Allegra over to Byron.

Percy Bysshe Shelley

Clairmont may have been sexually involved with Percy Bysshe Shelley at different periods, though Clairmont's biographers, Gittings and Manton, find no hard evidence. Their friend Thomas Jefferson Hogg joked about "Shelley and his two wives," Mary and Claire, a remark that Clairmont recorded in her own journal. Clairmont was also entirely in sympathy, more so than Mary, with Shelley's theories about free love, communal living, and the right of a woman to choose her own lovers and initiate sexual contact outside of marriage. She seemed to conceive of love as a "triangle" and enjoyed being the third. She had also formed a close friendship with Shelley, who called her "my sweet child" and inspired and fed off his work. Mary Shelley's early journals record several times when Clairmont and Shelley shared visions of Gothic horror and let their imaginings take flight, stirring each others' emotions to the point of hysteria and nightmares. In October 1814, Shelley deliberately frightened Clairmont by assuming a particularly sinister and horrifying facial expression. "How horribly you look ... Take your eyes off!" she cried. She was put to bed after yet another of her "horrors." Percy Bysshe Shelley described her expression to Mary Shelley as “distorted most unnaturally by horrible dismay”. In the autumn of 1814 Clairmont and Shelley also discussed forming "an association of philosophical people" and Clairmont's conception of an idealized community in which women were the ones in charge.

Shelley's poem "To Constantia, Singing" is thought to be about her:

Constantia turn!
In thy dark eyes a power like light doth lie
Even though the sounds which were thy voice, which burn
Between thy lips, are laid to sleep:
Within thy breath, and on thy hair
Like odour, it is yet,
And from thy touch like fire doth leap.
Even while I write, my burning cheeks are wet
Alas, that the torn heart can bleed, but not forget!
|

Mary Shelley revised this poem, completely altering the first two stanzas, when she included it in a posthumous collection of Shelley's works published in 1824. < In Shelley's "Epipsychidion," some scholars believe that he is addressing Clairmont as his

Comet beautiful and fierce
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion
Alternating attraction and repulsion
Thine went astray and that was rent in twain.
|

At the time Percy Shelley wrote the poem, in Pisa, Clairmont was living in Florence, and the lines may reveal how much he missed her.

It has occasionally been suggested that Clairmont was also the mother of a daughter fathered by Percy Shelley. The possibility goes back to the accusation by Shelley's servants, Elise and Paolo Foggi, that Clairmont gave birth to Percy Shelley's baby during a stay in Naples, where, on 27 February, 1819, Percy Shelley registered a baby named Elena Adelaide Shelley as having been born on 27 December 1818. The registrar recorded her as the daughter of Percy Shelley and "Maria" or "Marina Padurin" (possibly an Italian mispronounciation of "Mary Godwin"), and she was baptized the same day as the lawfully begotten child of Percy Shelley and Mary Godwin. It is, however, almost impossible that Mary Shelley was the mother, and this has given rise to several theories, including that the child was indeed Clairmont's. Claire herself had ascended Mount Vesuvius, carried on a palanquin, on 16 December, 1819, only nine days before the date given for the birth of Elena. It may be significant, however, that she was taken ill at about the same time—according to Mary Shelley's journal she was ill on 27 December—and that her journal of June 1818 to early March 1819 has been lost. In a letter to Isabella Hoppner of 10 August, 1821, Mary Shelley, however, stated emphatically that "Claire had no child". She also insisted:

I am perfectly convinced in my own mind that Shelley never had an improper connexion with Claire ... we lived in lodgings where I had momentary entrance into every room and such a thing could not have passed unknown to me ... I do remember that Claire did keep to her bed there for two days—but I attended on her—I saw the physician—her illness was one that she had been accustomed to for years—and the same remedies were employed as I had before ministered to her in England.

The infant Elena was placed with foster parents and later died on 10 June, 1820. Byron believed the rumors about Elena and used them as one more reason not to let Clairmont influence Allegra.

Death of Allegra

Clairmont was granted only a few brief visits with her daughter after surrendering her to Byron. When Byron arranged to place her in a Capuchin convent in Bagnacavallo, Italy, Clairmont was outraged. In 1821, she wrote Byron a letter accusing him of breaking his promise that their daughter would never be apart from one of her parents. She felt that the physical conditions in convents were unhealthy and the education provided was poor and was responsible for "the state of ignorance & profligacy of Italian women, all pupils of Convents. They are bad wives & most unnatural mothers, licentious & ignorant they are the dishonour & unhappiness of society ... This step will procure to you an innumerable addition of enemies & of blame. By March 1822 it had been two years since she had seen her daughter. She plotted to kidnap Allegra from the convent and asked Shelley to forge a letter of permission from Byron. Shelley refused her request. Byron's seemingly callous treatment of the child was further vilified when Allegra died there at age five from a fever some scholars identify as typhus and others speculate was a malarial-type fever. Clairmont held Byron entirely responsible for the loss of their daughter and hated him for the rest of her life. Percy Bysshe Shelley's death followed only two months later.

Later life

Shortly after Clairmont had introduced Shelley to Byron she met Edward John Trelawny, who was to play a major role in the short remaining lives of both poets. After Shelley's death, Trelawny sent her love letters from Florence pleading with her to marry him, but she was not interested.Still, she remained in contact with him the rest of her long life. Clairmont wrote to Mary Shelley; “He [Trelawny] likes a turbid and troubled life; I a quiet one; he is full of fine feeling and has no principles; I am full of fine principles but never had a feeling (in my life).”

Devastated after Shelley's death, Mary returned to England. She paid for Clairmont to travel to her brother's home in Vienna where she stayed for a year, before relocating to Russia, where she worked as a governess from 1825 to 1828. The people she worked for treated her almost as a member of the family. Still, what Clairmont longed for most of all was privacy and peace and quiet, as she complained in letters to Mary Shelley. Two Russian men she met commented on her general disdain for the male sex; irritated by their assumption that since she was always falling in love, she would return their affections if they flirted with her, Clairmont joked in a letter to Mary Shelley that perhaps she should fall in love with both of them at once and prove them wrong. She returned to England in 1828, but remained there only a short while before departing for Dresden, where she was employed as a companion and housekeeper. Scholar Bradford A. Booth suggested in 1938 that Clairmont, driven by a need for money, might have been the true author of most of "The Pole," an 1830 short story that appeared in the magazine The Court Assembly and Belle Assemblée as by "The Author of Frankenstein" Unlike Mary Shelley, Clairmont was familiar with the Polish used in the story. At one point, she thought of writing a book about the dangers that might result from "erroneous opinions" about the relations between men and women, using examples from the lives of Shelley and Byron. She did not make many literary attempts, as she explained to her friend Jane Williams:

But in our family, if you cannot write an epic or novel, that by its originality knocks all other novels on the head, you are a despicable creature, not worth acknowledging.

Clairmont returned to England in 1836 and worked as a music teacher. She cared for her mother when she was dying. In 1841, after Mary Jane Godwin's death, Clairmont moved to Pisa, where she lived with Lady Margaret Mount Cashell, an old pupil of Mary Wollstonecraft. She lived in Paris for a time in the 1840s. Percy Bysshe Shelley had left her twelve thousand pounds in his will, which she finally received in 1844. She carried on a sometimes turbulent, bitter correspondence with her stepsister Mary Shelley until she died in 1851. She converted to Catholicism, despite having hated the religion earlier in her life. She moved to Florence in 1870 and lived there in an expatriate colony with her niece, Paulina. Clairmont also clung to memorabilia of Percy Bysshe Shelley. The Aspern Papers by Henry James is based on the narrator's attempts to gain ownership of these items. She died in Florence on 19 March, 1879, at the age of eighty. Of all the members of Shelley's Circle, Clairmont outlived all except Trelawny and Jane Williams.

Notes

Bibliography

Bieri, James. Percy Bysshe Shelley, a Biography: Exile of Unfulfilled Reknown, 1816–1822. Newark: University of Delaware Press, 2005. ISBN 0874138930.
Booth, Bradford A. "The Pole: A Story by Claire Clairmont?" In ELH, Vol. 5, No. 1 (March 1938), pp. 67–70. Retrieved 8 April 2008.
Coleman, Deirdre. "Claire Clairmont and Mary Shelley: identification and rivalry within the 'tribe of the Otaheite philosopher’s'." 2006. Retrieved 8 April 2008.
Eisler, Benita. Byron: Child of Passion, Fool of Fame. New York: Alfred A. Knopf, 1999. ISBN 0679412999.
Fisch, Audrey A., Anne Kostelanetz Mellor, and Esther H. Schor. The Other Mary Shelley: Beyond Frankenstein. Oxford: Oxford University Press, 1993. ISBN 0195077407.
Gittings, Robert and Jo Manton. Claire Clairmont and the Shelleys. Oxford: Oxford University Press, 1992. ISBN 0198185944.
Grylls, R. Glynn. Claire Clairmont, Mother of Byron’s Allegra. London: John Murray, 1939. OCLC 186940021.
Gordon, Armistead C. Allegra: The Story of Byron and Miss Clairmont. New York: Minton, Balch & Company, 1926. OCLC 1515933.
Holmes, Richard. Shelley: The Pursuit. 1974. London: Harper Perennial, 2003. ISBN 0007204582.
Leslie, Lisa Diane. 'How can I exist apart from my sister?': Sisters in the Life and Literature of Percy Bysshe Shelly, Mary Shelley, and Claire Clairmont. Ph.D. Thesis. Liverpool: University of Liverpool, 2001. British Library, DX241303. OCLC 59496278.
McCalman, Iain, Jon Mee, Gillian Russell, and Clara Tuite, eds. An Oxford Companion to the Romantic Age: British Culture, 1776–1832. Oxford: Oxford University Press, 1999. ISBN 0199245436.
McDowell, Lesley. "Books: Women's Work". A review of Other People's Daughters: The Life and Times of the Governess, by Ruth Brandon. Scotsman.com, 29 March 2008. Retrieved 7 April, 2008.
Seymour, Miranda. Mary Shelley. London: John Murray, 2000. ISBN 0719557119.
Shelley, Mary. The Journals of Mary Shelley, 1814–44. Edited by Paula R. Feldman and Diana Scott-Kilvert. Baltimore: Johns Hopkins University Press, 1995. ISBN 0801850886.
Shelley, Mary. Selected Letters of Mary Wollstonecraft Shelley. Edited by Betty T. Bennett. Baltimore: Johns Hopkins University Press, 1995. ISBN 0801848865.
St Clair, William. The Godwins and the Shelleys: The Biography of a Family. London: Faber & Faber, 1989. ISBN 0571154220.
Stocking, Marion Kingston, ed. The Clairmont Correspondence: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. 2 vols. Baltimore: Johns Hopkins University Press, 1995. ISBN 0801846331.
Todd, Janet. Death & The Maidens. Berkeley, CA: Counterpoint, 2007. ISBN 1582433399.