Born Christopher William Bradshaw Isherwood, he would legally shorten his name on becoming an American Citizen at Los Angeles, California, on November 8 1946. The son of a British Lieutenant-Colonel belonging to the upper gentry, he was born in his family's ancestral seat, Wyberslegh Hall, High Lane, Cheshire (now in Greater Manchester) in the northwest of England, and spent his childhood in various towns where his father was stationed. After his father was killed in the First World War, he settled with his mother in London and at Wyberslegh.
At St. Edmund's School (Hindhead), Surrey, he first met the younger W. H. Auden. At Repton School he met his lifelong friend Edward Upward, with whom he wrote the extravagant "Mortmere" stories, of which only one was directly published during his lifetime (a few others appeared after his death, and some of them were summarized in his Lions and Shadows). He deliberately failed his tripos and left Corpus Christi College, Cambridge University without a degree in 1925. For the next few years he lived in the home of the violinist André Mangeot while working as secretary to Mangeot's string quartet; he wrote a book of nonsense poems, People One Ought to Know (not published until 1982), with illustrations by Mangeot's eleven-year-old son, Sylvain.
In 1925 he was reintroduced to W. H. Auden, and became Auden's literary mentor and partner in an intermittent, casual liaison, as Auden sent his poems to Isherwood for comment and approval. Through Auden, Isherwood met Stephen Spender, with whom he later spent much time in Germany. His first novel, All the Conspirators, appeared in 1928; it is an anti-heroic story, written in a pastiche of many modernist novelists, about a young man who is defeated by his mother. In 1928-29 Isherwood studied medicine in London, but gave it up after a few months to join Auden for a few weeks in Berlin.
Rejecting his upper-class background and attracted to males, he remained in Berlin, the capital of the young Weimar Republic, drawn by its deserved reputation for sexual freedom. There, he "fully indulged his taste for pretty youths. He went to Berlin in search of boys and found one called Heinz, who became his first great love. Isherwood commented on the Berlin sex underground, and his own participation in it, in a note to the American publisher of John Henry Mackay's Der Puppenjunge (The Hustler), "a classic boy-love novel set in the contemporary milieu of boy prostitutes in Berlin." "It gives a picture of the Berlin sexual underworld early in this century," wrote Isherwood, "which I know, from my own experience, to be authentic.
In 1931 he met Jean Ross, the inspiration of his fictional character Sally Bowles; he also met Gerald Hamilton, the inspiration for the fictional Mr. Norris. In September 1931 the poet William Plomer introduced him to E. M. Forster; they became close and Forster served as a mentor to the young writer. Isherwood's second novel, The Memorial (1932), was another of his stories of conflict between mother and son, based closely on his own family history. During one of his returns to London he worked with the director Berthold Viertel on the film Little Friend, an experience that became the basis of his novel Prater Violet (1945). He worked as a private tutor in Berlin and elsewhere while writing the novel Mr Norris Changes Trains (1935) and a series of short stories collected under the title Goodbye to Berlin (1939). These provided the inspiration for the play I Am a Camera, the subsequent musical Cabaret and the film of the same name. A memorial plaque to Isherwood has been erected on the house in Schöneberg, Berlin, where he lived.
During these years he moved around Europe, living in Copenhagen, Sintra and elsewhere, and collaborated on three plays with Auden, The Dog Beneath the Skin (1935), The Ascent of F6 (1936), and On the Frontier (1939). Isherwood wrote a lightly fictionalized autobiographical account of his childhood and youth, Lions and Shadows (1938), using the title of an abandoned novel. Auden and Isherwood travelled to China in 1938 to gather material for their book on the Sino-Japanese War called Journey to a War (1939).
Through Huxley, Isherwood befriended the Russian composer Igor Stravinsky. A chance encounter in a Los Angeles bookstore with the fantasy writer Ray Bradbury led to a favorable review of The Martian Chronicles, which boosted Bradbury's career and helped to form a friendship between the two.
Isherwood became a naturalized citizen of the United States in 1946; he immediately became liable for military service, but having already done volunteer work in 1941-42, at a Quaker hostel for European refugees in Pennsylvania, he had no difficulty establishing himself as a conscientious objector. He began living with the photographer William (Bill) Caskey. In 1947 the two traveled to South America; Isherwood wrote the prose and Caskey provided the photographs for a 1949 book about their journey, The Condor and the Cows.
On Valentine's Day 1953, at the age of 48, he met teen-aged Don Bachardy among a group of friends on the beach at Santa Monica. Although one can find Bachardy's age at the time variously reported, in the biographical film Chris & Don: A Love Story, Bachardy himself recalls that, "at the time I was, probably, 16." Despite the age difference, this meeting began a partnership that, though interrupted by affairs and separations, continued until the end of Isherwood's life. During the early months of their affair, Isherwood finished (and Bachardy typed) the novel he had been working on for some years, The World in the Evening (1954). Isherwood also taught a creative-writing course at Los Angeles State College (now California State University, Los Angeles) for several years during the 1950s and early '60s.
The more than 30-year age difference between Isherwood and Bachardy raised eyebrows at the time, with Bachardy (as he recalled) "regarded as a sort of child prostitute", but the two became a well-known and well-established couple in Southern Californian society, with many Hollywood friends.
Down There on a Visit, a novel published in 1962, comprises four related stories that overlap the period covered in his Berlin stories. In the opinion of many reviewers, Isherwood's finest achievement was his 1964 novel A Single Man. During 1964 Isherwood collaborated with American writer Terry Southern on the screenplay for the Tony Richardson film adaptation of The Loved One, Evelyn Waugh's caustic satire on the American funeral industry.
Isherwood and Bachardy lived together in Santa Monica for the rest of Isherwood's life. Bachardy became a successful draughtsman with an independent reputation, and his portraits of the dying Isherwood became well-known after Isherwood's death. At the age of 81, Isherwood died in 1986 at Santa Monica, California from prostate cancer. Their lifelong relationship is chronicled in the film Chris & Don: A Love Story.
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