Chester Brown (born May 16, 1960) is a Canadian independent cartoonist. His underground work was initially self-published, then released by the independent publishing company Vortex. Most of his output is now published by Drawn and Quarterly.
In September 2008, Brown entered politics as the Libertarian Party of Canada's candidate for the riding of Trinity-Spadina in the 40th Canadian Federal Election.
Brown explained later that "the Ed story came automatically, without any thought." Throughout his early years as a cartoonist he mostly experimented with drawing on the darker side of his subconscious, basing his comedy on free-form association (much like the surrealist technique Automatism). An example of such methods in Brown's work can be found in short one-pagers where he randomly selects comic panels from other sources and then mixes them up, often altering the dialogue. This produced a very experimental absurdist effect in his early strips.
Brown discusses his mother more academically in his strip "My Mother Was A Schizophrenic". In it, he puts forward the anti-psychiatric idea that what we call "schizophrenia" isn't a real disease at all, but instead a tool our society uses to deal with people who display socially unacceptable beliefs and behaviour. Inspired by the evangelical tracts of Jack T. Chick, Brown left Xeroxes of these strips at bus stops and stations around Montreal so its message would reach a wider audience. This strip was eventually reproduced in a journal of psychiatry; it first appeared as a backup feature in Underwater, and is also reprinted in the collection The Little Man.
Brown had a long-term relationship with the musician, actress and media personality Sook-Yin Lee, who is depicted in several of his comics. He also drew the cover for her 1996 solo album Wigs 'n' Guns.
Brown's longest-running work is a series of adaptations of the Christian gospels: he finished the Gospel of Mark as a backup feature in Yummy Fur, and the still unfinished Gospel of Matthew appeared in Yummy Fur and Underwater. These adaptations adhere closely to Biblical events but use colloquial language and often grotesque caricature; Brown's portrayal of Jesus not only is idiosyncratic and often harsh, but varies considerably between the two books, reflecting the differences in emphasis between gospels. The gospel strips have not been reprinted; Brown says he intends to finish them. Recently Chester was asked by Cerebus comic book creator Dave Sim if he'd be interested in letting him publish the unpublished material as part of his proposed possible publication or free print-on-demand from off of the internet of his commentaries of the gospels and The Book of Revelation out of Brooke Foss Westcott and Fenton John Anthony Hort's 1881 interlinear Greek to English translation of The New Testament. At last mention Chester hadn't said yes or no.
The book was selected as one of the best comics of 2003 by Time columnist Andrew D. Arnold and was nominated for a 2004 Eisner Award. Brown has begun to reprint the original, unaltered versions of the Ed stories with the publisher Drawn & Quarterly. They plan to eventually publish a revised third and definitive book-length version of the saga.