Oporto Cathedral

The Oporto Cathedral (Portuguese: Sé do Porto), located in the historical centre of the city of Porto, Portugal, is one of the city's oldest monuments and one of the most important Romanesque monuments in Portugal

The current Cathedral of Porto underwent construction around 1110 under the patronage of Bishop Hugo and was completed in the 13th century, but there is evidence that the city has been a bishopric seat since the Suevi domination in the 5th-6th centuries.

The cathedral is flanked by two square towers, each supported with two buttresses and crowned with a cupola. The façade lacks decoration and is rather architecturally heterogeneous. It shows a Baroque porch and a beautiful Romanesque rose window under a crenellated arch, giving the impression of a fortified church.

The Romanesque nave is rather narrow and is covered by barrel vaulting. It is flanked by two aisles with a lower vault. The stone roof of the central aisle is supported by flying butresses, making the building one of the first in Portugal to use this architectonic feature.

This first Romanesque building has suffered many alterations but the general aspect of the façade has remained romanesque.

Around 1333 the Gothic funerary chapel of João Gordo was added. João was a Knight Hospitaller who worked for King Dinis I. His tomb is decorated with his recumbent figure and reliefs of the Apostles. Also from the Gothic period is the elegant cloister, built between the 14th and the 15th centuries during the reign of King John I, who married English Princess Philippa of Lancaster in Oporto Cathedral in 1387.

The external appearance of the Cathedral was greatly altered during Baroque times. In 1772 a new main portal substituted the old Romanesque original and the tower cupolas were altered. Around 1732 Italian architect Nicolau Nasoni added an elegant Baroque loggia to the lateral façade of the Cathedral.

The interior was also altered during the baroque era. In one of the chapels there is a magnificent silver altarpiece, built in the second half of the 17th century by Portuguese artists. Also in the 17th century the romanesque apse (which had an ambulatory) was torn down and a new one was built in baroque style, later decorated with new wall paintings by Nasoni and choir stalls. The altarpiece of the chapel, designed by Santos Pacheco and executed by Miguel Francisco da Silva between 1727 and 1729, is an important work of Portuguese Baroque.

The three red marble holy-water fonts, supported by a statue, date from the 17th century. The baptistery contains a bronze bas-relief by António Teixeira Lopes, depicting the baptism of Christ by John the Baptist.

The South transept arm gives access to the Gothic cloister, which is decorated with baroque azulejos by Valentim de Almeida (between 1729 and 1731). They depict the life of Maria and the Metamorphoses by Ovidius. The remains of the Early-Romanesque ambulatory contain a few sarcophagi. The terrace is decorated with azulejos by António Vidal. The coffer ceiling of the chapterhouse was painted with allegories of moral values by Pachini in 1737.

References

• Portugal/1 - Europa Romanica, Gerhard N Graf, Ediciones Encuentro, Madrid, 1987
• Portuguese Institute for Architectural Heritage
• General Bureau for National Buildings and Monuments (Portugal)

External links

• Site about Oporto Cathedral

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Last updated on Friday July 04, 2008 at 04:35:26 PDT (GMT -0700)
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