Noted for his vigorous, concise, and lucid style, Camus soon gained recognition as a major literary figure. His belief that man's condition is absurd identified him with the existentialists (see existentialism), but he denied allegiance to that group; his works express rather a courageous humanism. The characters in his novels and plays, although keenly aware of the meaninglessness of the human condition, assert their humanity by rebelling against their circumstances.
His essay Le Mythe de Sisyphe (1942, tr. The Myth of Sisyphus, 1955) formulates his theory of the absurd and is the philosophical basis of his novel L'Étranger (1942, tr. The Stranger, 1946) and of his plays Le Malentendu (1944, tr. Cross Purpose, 1948) and Caligula (1944, tr. 1948). The essay L'Homme révolté (1951, tr. The Rebel, 1954), dealing with historical, spiritual, and political rebellion, treats themes found in the novels La Peste (1947, tr. The Plague, 1948) and La Chute (1956, tr. The Fall, 1957). Other works include the plays L'État de siège (1948, tr. State of Siege, 1958); and Les Justes (1950, tr. The Just Assassins, 1958); journalistic essays; and stories. Camus was awarded the 1957 Nobel Prize in Literature. The first draft of an autobiographical novel, found in a briefcase after his death in a car crash, was published as Le Premier Homme (1994, tr. The First Man, 1995).
See Camus at "Combat": Writing 1944-1947, ed. by J. Levi-Valensi (2007); his Notebooks: 1935-1951, ed. by P. Thody (2 vol., 1963-65, repr. 1998), Notebooks: 1951-1959 (2008); biography by O. Todd (1997); studies by G. Brée (4th ed. 1972), D. Lazere (1973), L. Braun (1974), P. McCarthy (1982), B. L. Knapp, ed. (1988), D. Sprintzen (1988), H. Bloom, ed. (1989, repr. 2003), P. Thody (1989), D. R. Ellison (1990), J. McBride (1992), C. S. Brosman (2001), and M. Longstaffe (2007).
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Albert Camus, photograph by Henri Cartier-Bresson.
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Albert Camus, photograph by Henri Cartier-Bresson.
Learn more about Camus, Albert with a free trial on Britannica.com.