Baudelaire, Charles, 1821-67, French poet and critic. His poetry, classical in form, introduced symbolism (see symbolists) by establishing symbolic correspondences among sensory images (e.g., colors, sounds, scents). The only volume of his poems published in his lifetime, Les Fleurs du mal (1857, enlarged 1861, 1868; several Eng. tr., The Flowers of Evil), was publicly condemned as obscene, and six of the poems were suppressed. Later recognized as a masterpiece, the volume is especially remarkable for the brilliant phrasing, rhythm, and expressiveness of its lyrics. Baudelaire's erratic personality was marked by moodiness, rebelliousness, and an intense religious mysticism. His life was burdened with debts, misunderstanding, illness, and excesses, and his work unremittingly reflects inner despair. The main theme is the inseparable nature of beauty and corruption. A collection of poetic prose pieces was published posthumously as Petits poèmes en prose (1869). As poet and critic Baudelaire earned distinction in literary circles. Believing criticism to be a function of the poet, he wrote perceptive appraisals of his contemporaries. His criticism was collected posthumously in Curiosités esthétiques (1868) and L'Art romantique (1869). He felt a great affinity to Poe, whose works he translated and brought to the attention of the French public. One of the great figures of French literature, Baudelaire has also been a major influence in other Western poetry.

(born April 9, 1821, Paris, France—died Aug. 31, 1867, Paris) French poet. While a law student he became addicted to opium and hashish and contracted syphilis. His early reckless spending on fine clothes and furnishings led to a life dogged by debt. In 1844 he formed an association with Jeanne Duval, a woman of mixed black and white ancestry who inspired some of his finest poetry. He published a single novel, La fanfarlo, in 1847. His discovery of the works of Edgar Allan Poe in 1852 led to years of work on Poe, which produced many masterly translations and critical articles. His reputation rests primarily on the extraordinary poetry collection Les fleurs du mal (1857; The Flowers of Evil), which dealt with erotic, aesthetic, and social themes in ways that appalled many of his middle-class readers, and he was accused of obscenity and blasphemy. Though the h1 became a byword for depravity, the book became perhaps the most influential collection of lyrics published in Europe in the 19th century. His Petits poèmes en prose (1868) was an important and innovative experiment in prose poetry. He also wrote provocative essays in art criticism. Baudelaire's later years were darkened by disillusionment, despair, and mounting debt; his death at 46 resulted from syphilis. He is regarded as the earliest and finest poet of modernism in French.

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(born April 9, 1821, Paris, France—died Aug. 31, 1867, Paris) French poet. While a law student he became addicted to opium and hashish and contracted syphilis. His early reckless spending on fine clothes and furnishings led to a life dogged by debt. In 1844 he formed an association with Jeanne Duval, a woman of mixed black and white ancestry who inspired some of his finest poetry. He published a single novel, La fanfarlo, in 1847. His discovery of the works of Edgar Allan Poe in 1852 led to years of work on Poe, which produced many masterly translations and critical articles. His reputation rests primarily on the extraordinary poetry collection Les fleurs du mal (1857; The Flowers of Evil), which dealt with erotic, aesthetic, and social themes in ways that appalled many of his middle-class readers, and he was accused of obscenity and blasphemy. Though the h1 became a byword for depravity, the book became perhaps the most influential collection of lyrics published in Europe in the 19th century. His Petits poèmes en prose (1868) was an important and innovative experiment in prose poetry. He also wrote provocative essays in art criticism. Baudelaire's later years were darkened by disillusionment, despair, and mounting debt; his death at 46 resulted from syphilis. He is regarded as the earliest and finest poet of modernism in French.

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