Me'or Enayim
He is known chiefly for his book Me'or Eynaim (Hebrew, Light of the Eyes) in which he used critical methods to test the literal truth of the Aggadah, the non legalistic and narrative portions of the Talmud. His views were sharply criticised by Judah Loew ben Bezalel (the Maharal of Prague) in the latter's Be'er ha-Golah.Dei Rossi's great work, Me'or Enayim ("Light of the Eyes") (Mantua, 1573-75; Berlin, 1794; Vienna, 1829; Vilna, 1863-66), includes the two works already mentioned and a third entitled Imre Binah. The latter is divided into four parts; the first part contains a survey of the Jewish race at the time of the Second Temple, narrates the origin of the Septuagint, points out the contradictions between some of the beliefs of the Talmudists and the proved results of scientific research, records the origin of the Jewish colonies in Alexandria and Cyrene, chronicles the wars of Bar Kokhba against the Romans, etc. Dei Rossi quotes from the writings of Philo, whose orthodoxy he questions. He criticizes him for having allegorized Biblical narratives of facts, and points out that the Alexandrian philosopher never gives the traditional interpretation of the Biblical text.
In the second part Dei Rossi criticizes a number of the assertions of the Talmudists (many of his criticisms being repeated by later commentators), and gives explanations of various aggadic passages which can not be taken literally (as, for instance, the haggadah which attributes the death of Titus to a gnat which entered his brain while he was returning to Rome). The third part is devoted to a study of Jewish chronology and translations from the writings of Philo, Josephus, and others, with commentaries. The fourth part deals with Jewish archeology, describing the shapes of the priestly garments and the glory of the Second Temple, and giving the history of Queen Helen and her two sons.
Attitude of his contemporaries
Dei Rossi's followed the burgeoning scientific method of inquiry in his work and did not rely solely upon tradition. But this way of dealing with subjects which the multitude reverenced as sacred called forth many criticisms on the part of his contemporaries. Prominent among his critics were Moses Provençal of Mantua (to whom Dei Rossi had submitted his work in manuscript), Isaac Finzi of Pesaro, and David Provençal, who endeavored to defend Philo. Dei Rossi appended to some copies of the Me'or Enayim an answer to the criticisms of Moses Provençal, and a dissertation entitled Tzedek Olamim, in which latter he refuted the arguments of Isaac Finzi. Later he wrote a special work entitled Matzref ha-Kesef (published by Filipowski at Edinburgh, 1854, and included by Zunz in the Vilna edition of the "Me'or"), in which he defended his "Yeme 'Olam" against its critics. Dei Rossi, however, also had to contend with those who considered his "Me'or 'Enayim" as a heretical work. Joseph Caro commissioned Elisha Gallico to draw up a decree to be distributed among all Jews, ordering that the "Me'or 'Enayim" be burned. But, Joseph Caro dying before it was ready for him to sign, the decree was not promulgated, and the rabbis of Mantua contented themselves with forbidding the reading of the work by Jews under twenty-five years of age.The "Me'or 'Enayim" attracted the attention of many Christian Hebraists, who translated parts of it into Latin.
Dei Rossi was the author of a collection of poems (Venice, n.d.), among which are several of a liturgical character.
- Jacobs, Joseph and Isaac Broydé. "Ross, Azariah ben Moses dei". Jewish Encyclopedia. Funk and Wagnalls, 1901-1906, which cites the following bibliography:
- *Giovanni Bernardo De Rossi, Dizionario, p. 280;
- *Zunz, in Kerem Ḥemed, v. 131-138, vii. 119-124;
- *Rapoport, ib. v. 159-162;
- *Steinschneider, Cat. Bodl. col. 747;
- *Jost, Gesch. des Judenthums und Seiner Sekten, iii. 123;
- *Grätz, Gesch. ix. 405 et seq.;
- *Zunz, Literaturgeschichte, p. 417;
- *Ginsburg, Levita's Massoreth ha-Massoreth, p. 52.
Notes
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Me'or Enayim
He is known chiefly for his book Me'or Eynaim (Hebrew, Light of the Eyes) in which he used critical methods to test the literal truth of the Aggadah, the non legalistic and narrative portions of the Talmud. His views were sharply criticised by Judah Loew ben Bezalel (the Maharal of Prague) in the latter's Be'er ha-Golah.Dei Rossi's great work, Me'or Enayim ("Light of the Eyes") (Mantua, 1573-75; Berlin, 1794; Vienna, 1829; Vilna, 1863-66), includes the two works already mentioned and a third entitled Imre Binah. The latter is divided into four parts; the first part contains a survey of the Jewish race at the time of the Second Temple, narrates the origin of the Septuagint, points out the contradictions between some of the beliefs of the Talmudists and the proved results of scientific research, records the origin of the Jewish colonies in Alexandria and Cyrene, chronicles the wars of Bar Kokhba against the Romans, etc. Dei Rossi quotes from the writings of Philo, whose orthodoxy he questions. He criticizes him for having allegorized Biblical narratives of facts, and points out that the Alexandrian philosopher never gives the traditional interpretation of the Biblical text.
In the second part Dei Rossi criticizes a number of the assertions of the Talmudists (many of his criticisms being repeated by later commentators), and gives explanations of various aggadic passages which can not be taken literally (as, for instance, the haggadah which attributes the death of Titus to a gnat which entered his brain while he was returning to Rome). The third part is devoted to a study of Jewish chronology and translations from the writings of Philo, Josephus, and others, with commentaries. The fourth part deals with Jewish archeology, describing the shapes of the priestly garments and the glory of the Second Temple, and giving the history of Queen Helen and her two sons.
Attitude of his contemporaries
Dei Rossi's followed the burgeoning scientific method of inquiry in his work and did not rely solely upon tradition. But this way of dealing with subjects which the multitude reverenced as sacred called forth many criticisms on the part of his contemporaries. Prominent among his critics were Moses Provençal of Mantua (to whom Dei Rossi had submitted his work in manuscript), Isaac Finzi of Pesaro, and David Provençal, who endeavored to defend Philo. Dei Rossi appended to some copies of the Me'or Enayim an answer to the criticisms of Moses Provençal, and a dissertation entitled Tzedek Olamim, in which latter he refuted the arguments of Isaac Finzi. Later he wrote a special work entitled Matzref ha-Kesef (published by Filipowski at Edinburgh, 1854, and included by Zunz in the Vilna edition of the "Me'or"), in which he defended his "Yeme 'Olam" against its critics. Dei Rossi, however, also had to contend with those who considered his "Me'or 'Enayim" as a heretical work. Joseph Caro commissioned Elisha Gallico to draw up a decree to be distributed among all Jews, ordering that the "Me'or 'Enayim" be burned. But, Joseph Caro dying before it was ready for him to sign, the decree was not promulgated, and the rabbis of Mantua contented themselves with forbidding the reading of the work by Jews under twenty-five years of age.The "Me'or 'Enayim" attracted the attention of many Christian Hebraists, who translated parts of it into Latin.
Dei Rossi was the author of a collection of poems (Venice, n.d.), among which are several of a liturgical character.
- Jacobs, Joseph and Isaac Broydé. "Ross, Azariah ben Moses dei". Jewish Encyclopedia. Funk and Wagnalls, 1901-1906, which cites the following bibliography:
- *Giovanni Bernardo De Rossi, Dizionario, p. 280;
- *Zunz, in Kerem Ḥemed, v. 131-138, vii. 119-124;
- *Rapoport, ib. v. 159-162;
- *Steinschneider, Cat. Bodl. col. 747;
- *Jost, Gesch. des Judenthums und Seiner Sekten, iii. 123;
- *Grätz, Gesch. ix. 405 et seq.;
- *Zunz, Literaturgeschichte, p. 417;
- *Ginsburg, Levita's Massoreth ha-Massoreth, p. 52.
Notes
External links
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