Ezio's aria of heroic resolution "E gettata la mia sorte" is a fine example of a characteristic Verdian genre, and achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II. Other contemporary comment praised the work as suitable for the "political education of the people", and in contrast criticised the opera as "Teutonic" in nature.
| Role | Voice type | Premiere Cast, March 17, 1846 (Conductor: - ) |
|---|---|---|
| Attila, King of the Huns | bass | Ignazio Marini |
| Uldino, a Breton slave of Attila's | tenor | Ettore Profili |
| Odabella, daughter of the Lord of Aquileia | soprano | Sophie Loewe |
| Ezio, a Roman General | baritone | Natale Costantini |
| Foresto, a Knight of Aquileia | tenor | Carlo Guasco |
| Pope Leo I | bass | Giuseppe Romanelli |
| Captains, Kings and Soldiers of the Huns, Priestesses, Aquileians, Roman Soldiers and populace of Rome | ||
The opera proper opens outside Attila's camp with Odabela's "Oh! Nel fuggente nuvolo" lamenting her father and Foresto, whom she believes also dead. When he appears, she is put on the defensive, denying any infidelity and reminding him of the biblical Judith. In his tent, Attila awakes and tells Uldino of a dream in which an old man stopped him at the gates of Rome and warned him to turn back ("Mentre gonfiarsi l'anima parea"). In the daylight, his courage returns and he orders a march ("Oltre quel limite, t'attendo, o spettro"). However, when a procession approaches, he recognizes the Roman bishop Leo and collapses.
Ezio has been recalled, after a peace has been concluded. In "Dagl'immortali vertici", he contrasts Rome's past glory with the child emperor Valentine. Recognizing the incognito Foresto among the bearers of an invitation to a banquet with Attila, he agrees to join forces ("E' gettata la mia sorte" ). At the banquet, Foresto's plot to have Uldino poison Attila is foiled by Odabella, jealous of her own revenge. A grateful (and unsuspecting) Attila declares she shall be his wife, and places the unmasked Foresto in her custody.
Foresto laments Odabella's apparent betrayal ("Che non avrebbe il misero"). Ezio arrives with a plan to ambush the Huns, and Odabella comes to plead for his trust. Attila finds the three and recognizes treachery. Odabella stabs him.
| Year | Cast (Atilla, Foresto, Odabella, Ezio) | Conductor, Opera House and Orchestra | Label |
|---|---|---|---|
| 1972 | Ruggero Raimondi, Carlo Bergonzi, Christina Deutekom, Sherill Milnes | Lamberto Gardelli, Royal Philharmonic Orchestra, Ambrosian Singers and Finchley Children's Music Group | Audio CD: Philips Cat: 412-875-2 |
| 1991 | Samuel Ramey, Neil Shicoff, Cheryl Studer, Giorgio Zancanaro | Riccardo Muti, Teatro alla Scala Orchestra and Chorus | Audio CD: EMI Cat: |
| 1991 | Samuel Ramey, ?, Cheryl Studer, Giorgio Zancanaro | Riccardo Muti, Teatro alla Scala Orchestra and Chorus | DVD: Image Entertainment Cat: 4360PUDVD |
| ? | Yevgeny Nesterenko, Lajos Miller, Sylvia Sass, János B. Nagy | Lamberto Gardelli, Hungarian State Orchestra Hungarian Radio and Television Chorus | Audio CD: Hungaroton Cat: |
| 2001 | Ferruccio Furlanetto, Carlo Ventre, Dimitra Theodossiou, Alberto Gazale | Donato Renzetti, Teatro Lirico Giuseppe Verdi, Trieste Orchestra and Chorus | Audio CD: Dynamic Cat: CDS 372/1-2 |