2112 ("Twenty-One Twelve") is the fourth studio album by Canadian rock band Rush, released in 1976. The Toronto dates of the 2112 tour were recorded and released as All The World's a Stage in September 1976. In 2006 a poll of Planet Rock listeners picked 2112 as the definitive Rush album.
The album 2112 features an eponymous seven-part suite written by Geddy Lee and Alex Lifeson, with lyrics written by Neil Peart. The suite tells a dystopian story set in the year 2112. Since the album is named after the suite it is mistakenly thought of as a concept album. Technically it is not, as the songs on the second side are completely unrelated to the plot of the suite. Rush repeated this arrangement in Hemispheres.
2112 is one of two Rush albums listed in 1001 Albums You Must Hear Before You Die.
A man discovers a guitar (ancient miracle) and learns to play new, different music from what he has ever heard. When he goes to present this to the priests of the Temples, they destroy the guitar. He goes into hiding and dreams of music; upon awakening he becomes severely depressed and commits suicide after a few more days in hiding. As he dies, another planetary battle begins ("Grand Finale") resulting in the (perhaps deliberately) ambiguous ending "Attention all planets of the Solar Federation: We have assumed control." (This spoken section was created by Geddy Lee and Alex Lifeson reportedly "messing around with a tape recorder".)
On the album, Neil Peart credits "With acknowledgment to the genius of Ayn Rand." Rand, a Russian-born American novelist and Objectivist philosopher, wrote a novella entitled Anthem (itself the title of another Rush song, from the album Fly By Night) from which Peart borrowed the broad strokes of the plot.
"Tears" would be the first Rush song to feature an outside musician. Hugh Syme, who would play keyboards on a number of Rush songs in the future (ie. "Different Strings" on Permanent Waves and "Witch Hunt" on Moving Pictures) contributes a multi-tracked Mellotron string part to the track. "A Passage to Bangkok" and "The Twilight Zone" are songs typical of this time period of Rush. "Twilight" was written and recorded in one day. "Something for Nothing" closes out the album. Neil Peart states: "All those paeans to American restlessness and the American road carried a tinge of wistfulness, an acknowledgment of the hardships of the vagrant life, the notion that wanderlust could be involuntary, exile as much as freedom, and indeed, the understanding that freedom wasn't free. In the mid-'70s, the band was driving to a show in downtown Los Angeles, at the Shrine Auditorium, and I noticed some graffiti splattered across a wall: 'Freedom isn't free,' and I adapted that for a song on 2112, 'Something for Nothing'".
| Year | Chart | Position |
|---|---|---|
| 1976 | Pop Albums | 61 |
| Information |
|---|
"The Twilight Zone"
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"2112: Overture/The Temples of Syrinx"
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"A Passage to Bangkok"
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A Mercury Records remaster was issued in 1997.