Play constructed according to strict technical principles that produce neatness of plot and theatrical effectiveness. The form was developed circa 1825 by Eugène Scribe and became dominant on 19th-century European and U.S. stages. It called for complex, artificial plotting, a buildup of suspense, a climactic scene in which all problems are resolved, and a happy ending. Scribe's hundreds of successful plays were imitated all over Europe; other practitioners of the form included playwrights Victorien Sardou, Georges Feydeau, and Arthur Wing Pinero, who brought the form to the level of art with The Second Mrs. Tanqueray (1893).
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Communal land organization supposedly in effect early in the Zhou dynasty (1046–256 BC). It is mentioned in the writings of Mencius, who advocated it. In the well-field system, one unit of land was divided among eight peasant families. A shared field was surrounded by eight fields, each worked by an individual family. The field in the centre was worked jointly by the families for their lord. Later reformers referred to the concept to justify their land-redistribution systems or to criticize government land practices.
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