See T. McNamee, Alice Waters and Chez Panisse (2007).
See J. Rooney, Bossmen: Bill Monroe and Muddy Waters (1991); S. B. Tooze, Muddy Waters (1997); R. Gordon, Can't Be Satisfied (2002).
Since the 18th cent. coastal states have been held to have jurisdiction over unenclosed waters for 3 nautical mi (3.45 mi/5.55 km) from the low water line, a measure originally derived from the distance of a cannon shot. In the case of a bay up to 24 mi (39 km) wide, a line drawn from one enclosing point to the other marked the outer limit of territorial jurisdiction. A broader zone of jurisdiction to combat smuggling has long been claimed by various states, as by the United States during prohibition.
Merchant ships of all flags have the right of "innocent passage" in a nation's territorial waters; the rights of nonbelligerent foreign warships in this zone, and the extent of the jurisdiction of the coastal nation's courts over ships passing through and incidents in the zone, have long been matters of debate. Fishing and mineral extraction within the zone are entirely within the control of the coastal nation. In the 20th cent., coastal nations progressively widened their claims over offshore waters, especially in the face of competition from foreign fishing fleets and in anticipation of rich oil, gas, and mineral finds on the continental shelf. The UN-sponsored Law of the Sea Treaty, which went into effect in 1994, codified territorial waters of 12 nautical mi (13.8 mi/22.2 km) and an exclusive economic zone of 200 nautical mi (230 mi/370 km). In 1999, U.S. agencies were empowered by presidential proclamation to enforce American law up to 24 miles (39 km) offshore, doubling the previous limit.
(born April 4, 1915, Rolling Fork, Miss., U.S.—died April 30, 1983, Westmont, Ill.) U.S. blues guitarist and singer. He grew up in the cotton country of Mississippi and taught himself harmonica as a child. He later took up guitar, eagerly absorbing the classic delta blues styles of Robert Johnson and Son House. He was first recorded in 1941 by archivist Alan Lomax (see John Lomax). In 1943 he moved to Chicago; there he broke with the country blues style by playing over a heavy dance rhythm, adopting the electric guitar and adding piano and drums while retaining a moan-and-shout vocal style and lyrics that were by turns mournful, boastful, and risqué. The result came to be known as urban blues, from which sprang in large part later forms such as rock music and soul music. A surge in interest in the roots of popular music in the early 1960s brought Waters widespread fame, and he performed internationally into the 1970s.
Learn more about Waters, Muddy with a free trial on Britannica.com.
(born April 4, 1915, Rolling Fork, Miss., U.S.—died April 30, 1983, Westmont, Ill.) U.S. blues guitarist and singer. He grew up in the cotton country of Mississippi and taught himself harmonica as a child. He later took up guitar, eagerly absorbing the classic delta blues styles of Robert Johnson and Son House. He was first recorded in 1941 by archivist Alan Lomax (see John Lomax). In 1943 he moved to Chicago; there he broke with the country blues style by playing over a heavy dance rhythm, adopting the electric guitar and adding piano and drums while retaining a moan-and-shout vocal style and lyrics that were by turns mournful, boastful, and risqué. The result came to be known as urban blues, from which sprang in large part later forms such as rock music and soul music. A surge in interest in the roots of popular music in the early 1960s brought Waters widespread fame, and he performed internationally into the 1970s.
Learn more about Waters, Muddy with a free trial on Britannica.com.
Waters Corporation is an American corporation that produces products for chromatography
Aimi waters Welsh Paranormal Investigator