Although Strauss originally used the contracted spelling G'schichten for his waltz, the name is also commonly cited as Geschichten, which is also the version by which the subsequent dramas have been known.
The waltz's introduction, which is one of the longest he ever wrote for a waltz (at 119 bars in reference to the actual musical score) of which the first part of the Introduction starts off in C major, intertwining with F major before gaining ascendancy in volume and mood, finishing with a 'lunga' direction. The second part, which is the more reflective, is in the key of G major with a solo violin incorporating bits of material which would crop up in successive waltz sections. A short flute cadenza invoking birdsong comes in which moves on to the zither solo, marked 'moderato'. The zither part involves two sub-sections of its own; the slowish ländler tempo and its more vigorous counterpart, with the direction of 'vivace' (quickly). Loud orchestral chords brings the waltz back to reality, and the familiar waltz theme in F major is played.
Waltz 2A and 2B is in B flat major whereas Waltz 3A is in the key of E-flat major with a quick section in B flat in Waltz 3B. The entire waltz section 4 is in B flat as well whereas waltz section 5 is wholly in the E flat key. Waltz 5B contains the customary climax with cymbals and is loudly played. After a brief and tense coda, Waltz 1A makes a re-entry. As the waltz ushers closer to its end, the zither solo makes another appearance, reprising its earlier melody in the Introduction. A crescendo in the final bars dispels the tranquility and the waltz is concluded with a brass flourish and snare drumroll.
A 1979 remake was undertaken by director Maximilian Schell, this time featuring Birgit Doll (Marianne), Hanno Pöschl (Alfred), Helmut Qualtinger (Zauberkonig), Jane Tilden (Valerie), Adrienne Gessner (Alfreds Großmutter), Götz Kauffmann (Oskar), André Heller (Hierlinger) and Robert Meyer (Erich).