See also C. Read, The Tudors (1936); C. Morris, The Tudors (1955); M. Foss, Tudor Portraits (1974); A. Plowden, The House of Tudor (1982).
See J. Chazin-Bennahum, The Ballets of Antony Tudor (1994).
(born April 4, 1908, London, Eng.—died April 20, 1987, New York, N.Y., U.S.) British-born U.S. dancer, teacher, and choreographer. In 1927 he joined Marie Rambert's company, where he choreographed and danced such works as The Planets (1934) and The Lilac Garden (1936). In 1940 he moved to New York City, joining the new Ballet Theatre (later American Ballet Theatre), for which he created many of his signature psychological ballets, including Pillar of Fire (1942) and Shadow of the Wind (1948). In these works he sought to convey emotional conflict and aspects of character and motivation. In 1974 he became associate director of American Ballet Theatre.
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Architectural style in England (1485–1558) that made lavish use of half-timbering (see timber framing), as well as oriels, gables, decorative brickwork, and rich plasterwork. Exposed diagonal bracing usually occurs at building corners, with the second story often sporting a picturesque overhang; this cantilevered construction partially counterbalances the load carried by the spanning portions of the beams.
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(born Feb. 18, 1516, Greenwich, near London, Eng.—died Nov. 17, 1558, London) Queen of England (1553–58). The daughter of King Henry VIII and Catherine of Aragon, she was declared illegitimate after Henry's divorce and new marriage to Anne Boleyn (1533). In 1544 Mary was restored to court and granted succession to the throne. After becoming queen (1553), she married Philip II of Spain, restored Roman Catholicism, and revived the laws against heresy. The resulting persecution of Protestant rebels and the execution of some 300 heretics earned her the hatred of her subjects and the nickname “Bloody Mary.” She waged an unsuccessful war against France that in 1558 resulted in the loss of Calais, England's last foothold on the Continent.
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(born Nov. 29, 1489, London, Eng.—died Oct. 18, 1541, Methven, Perth, Scot.) Queen consort of King James IV of Scotland (1503–13). The daughter of King Henry VII of England, she was married to James to improve relations between England and Scotland. After her husband's death (1513), she became regent for her son, James V (1512–1542). When she married the pro-English earl of Angus (1514), she was forced to give up the regency, but she played a key role in the conflict between the pro-French and pro-English factions in Scotland, shifting her allegiances to suit her financial interests. She obtained an annulment from Angus (1527) to marry Henry Stewart, Baron Methven, who became James's chief adviser.
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(born April 4, 1908, London, Eng.—died April 20, 1987, New York, N.Y., U.S.) British-born U.S. dancer, teacher, and choreographer. In 1927 he joined Marie Rambert's company, where he choreographed and danced such works as The Planets (1934) and The Lilac Garden (1936). In 1940 he moved to New York City, joining the new Ballet Theatre (later American Ballet Theatre), for which he created many of his signature psychological ballets, including Pillar of Fire (1942) and Shadow of the Wind (1948). In these works he sought to convey emotional conflict and aspects of character and motivation. In 1974 he became associate director of American Ballet Theatre.
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Due to evolving Welsh naming conventions, it gradually migrated to become a surname in Wales. For example, a son of a man called Tewdwr might be styled '(forename) ap Tewdwr' (i.e. '(forename), son of Tewdwr'), which gradually evolved into an English-style surname.
Most famously, it was used by a branch of the descendants of 12th century Welsh ruler Rhys ap Gruffydd of Deheubarth, who through intermarriage with the English Royal family, ascended the English throne in 1485. This Tudor Dynasty remained in power until the death of Elizabeth I in 1603, an era known historically in England and Wales as the Tudor Period.
"Tudor" may refer to:
As a Christian name: