Aleksandr Petrovich Sumarokov (Russian: Александр Петрович Сумароков) (November 25 1717 - October 12 1777), was a Russian poet and playwright who single-handedly created classical theatre in Russia, thus assisting Mikhail Lomonosov to inaugurate the reign of classicism in Russian literature.
Sumarokov wrote much and regularly, chiefly in those literary kinds neglected by Lomonosov. His principal importance rests in his plays, among which Khorev (1749) is regarded as the first regular Russian drama. He ran the first permanent public theatre in the Russian capital, where he worked with the likes of Fyodor Volkov and Ivan Dmitrievsky. His plays were based on the subjects taken from Russian history (Dmitry Samozvanets), proto-Russian legends (Khorev) or on Shakespearean plots (Makbet, Hamlet).
D.S. Mirsky believed that there could be no doubt "the good acting made the reputation of Sumarokov, as the literary value of his plays is small. His tragedies are a stultification of the classical method; their Alexandrine couplets are exceedingly harsh; their characters are marionettes. His comedies are adaptations of French plays, with a feeble sprinkling of Russian traits. Their dialogue is a stilted prose that had never been spoken by anyone and reeked of translation".
Sumarokov's non-dramatic work is by no means negligible. His fables are the first attempt in a genre that was destined to flourish in Russia with particular vigor. His satires, in which he occasionally imitates the manner of popular poetry, are racy and witty attacks against the government clerks and officers of law. His songs are, of all his writings, those which still can be expected to attract the reader of poetry. They are remarkable for a truly prodigious metrical inventiveness and a genuine gift of melody. In subject matter they are entirely within the pale of classical, conventional love poetry.
Sumarokov's literary criticism is usually carping and superficial, but it did much to inculcate on the Russian public the canons of classical taste. He was a loyal follower of Voltaire, with whom he prided himself on having exchanged several letters. Vain and self-conscious, Sumarokov considered himself a Russian Racine and Voltaire in one. In personal relations he was irritable, touchy, and often petty. But his exacting touchiness contributed, almost as much as did Lomonosov's calm dignity, to raise the profession of the pen and to give it a definite place in society.