Musical work for orchestra inspired by an extramusical story, idea, or “program,” to which the h1 typically refers or alludes. It evolved from the concert overture, an overture not attached to an opera or play yet suggestive of a literary or natural sequence of events. Franz Liszt, who coined the term, wrote 13 such works. Famous symphonic poems include
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Aurora is an orchestral tone poem by William Lloyd Webber which is acknowledged to be among the composer's finest works. Written in 1948 it lay unperformed for many years. When a recording was issued in 1986 the Guardian newspaper's reviewer, Edward Greenfield, described the work as: " Music as sensuous as any you will find by a British composer". William Lloyd Webber himself had this to say in a programme note about Aurora:
“Arriving from the East in a chariot of winged horses, dispelling night and dispersing the dews of the morning. Aurora was the Roman Goddess of the dawn. This short tone poem attempts to portray in reasonably respectable sonata first movement form, the inherent sensuality of her nature. Consecutive 6/4 chords introduce a bit of night music soon to be dispelled by the dawn theme, announced by the flute. Aurora’s theme forms the second subject and (it is hoped) is of a suitably lyrical nature, as befits such a beautiful goddess. Her amorous adventures can possibly be imagined in the development section, and in the recapitulation her theme occurs twice – the first time with a light textured orchestration, and then with all the instruments that were available at the time of writing the piece. At the moment of climax, the night music returns again, and Aurora has to leave us. However the final cadence has a hint of her theme, and there is always the promise of a new day.”