Musical work for orchestra inspired by an extramusical story, idea, or “program,” to which the h1 typically refers or alludes. It evolved from the concert overture, an overture not attached to an opera or play yet suggestive of a literary or natural sequence of events. Franz Liszt, who coined the term, wrote 13 such works. Famous symphonic poems include Bedrhacekich Smetana's The Moldau (1879), Claude Debussy's Prelude to the Afternoon of a Faun (1894), Paul Dukas's The Sorceror's Apprentice (1897), Richard Strauss's Don Quixote (1897), and Jean Sibelius's Finlandia (1900).

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