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Théophile Gautier

Théophile Gautier

[goh-tyey]
Gautier, Théophile, 1811-72, French poet, novelist, and critic. He was a leading exponent of art for art's sake—the belief that formal, aesthetic beauty is the sole purpose of a work of art. An important manifesto of this theory appeared in the preface of his novel Mademoiselle de Maupin (1835). Gautier was a painter before he turned to writing. His theory of plasticity, that words should be used as the painter and sculptor use their tools, is illustrated in his volumes of poems Voyage en Espagne (1845) and Emaux et camées [enamels and cameos] (1852). His other works include the poem La Comédie de la mort (1838), the novel Le Capitaine Fracasse (1863), and L'Histoire de l'art dramatique en France (1858-59). He prepared the way for the Parnassians and symbolists in their reaction against romanticism.

See studies by A. B. Smith (1977), R. Shell (1982), and K. Bulgin (1988).

His daughter, Judith Gautier, 1850-1918, was married to the poet Catulle Mendès and then to Pierre Loti, with whom she wrote the novel La Fille du ciel (1911; tr. The Daughter of Heaven, 1912). Her novels, poems, and essays were usually on Asian subjects. She was the first woman to become a member of the Goncourt Academy.

Théophile-Jules Pelouze (also known as Jules Pelouze, Théophile Pelouze, Theo Pelouze, or TJ Pelouze, February 26, 1807 - 1867) was a French chemist. He was born at Valognes, and died in Paris.

His father, Edmond Pelouze, was an industrial chemist and the author of several technical handbooks. The son, after spending some time in a pharmacy at La Fère acted as laboratory assistant to Gay-Lussac and Jean Louis Lassaigne at Paris from 1827 to 1829. In 1830 he was appointed associate professor of chemistry at Lille, but returning to Paris next year became repetiteur, and subsequently professor at the École polytechnique. He also held the chair of chemistry at the Collège de France, and in 1833 became assayer to the mini and in 1848 president of the Commission des Monnaies. He resigned all his public positions in 1852.

After the coup d'état in 1851 he resigned his appointments, but continued to conduct an experimental laboratory-school he had started in 1846. There he worked with the explosive material guncotton and other nitrosulphates. His student Ascanio Sobrero was the discoverer of nitroglycerin, and another student, Alfred Nobel, was to take that discovery on to great heights in the form of commercial explosives including dynamite.

Though Pelouze made no discovery of outstanding importance, he was a busy investigator, his work including researches on salicin, on beetroot sugar, on various organic acids (gallic, malic, tartaric, butyric, lactic, etc.), on oenanthic ether (with Liebig), on the nitrosulphates, on guncotton, and on the composition and manufacture of glass.

He also carried out determinations of the atomic weights of several elements, and with E. Fremy, published Traité de chimie générale (1847-1850); Abrégé de chimie (1848); and Notions générales de chimie (1853).

He and his wife Marguerite lived in the famous French castle Château de Chenonceau from 1864 until his death in 1867; she continued to inhabit it until at least 1878.

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