Hip-Hop: Beyond Beats and Rhymes is a 2006 documentary film written, produced, and directed by Byron Hurt. The documentary explores the issues of masculinity, violence, homophobia and sexism in hip hop music and culture, through interviews with artists, academics and fans. Hurt's activism in gender issues and his love of hip-hop caused him to feel what he described as a sense of hypocrisy, and began working on the film. The premiere of the film took place at the Sundance Film Festival, being welcomed by a standing ovation. It has also won Best Documentary at the San Francisco Black Film Festival and the Audience Award at the Roxbury Film Festival. On February 20 2007 the film aired on the PBS Emmy-winning documentary series, Independent Lens.
Interviews with students of Spelman College regarding a protest against the appearance of rapper Nelly, who originally contacted the school to have a bone marrow drive take place on campus. The student body asked the rapper to hold a forum to discuss his video Tip Drill, in which he is seen sliding a credit card down the back side of a woman. In response, the rapper canceled plans to hold the bone marrow drive at the school.
An interview with rapper Busta Rhymes in which the rapper walked out when confronted with question involving homophobia in the rap community. Rhymes is quoted as saying; "I can't partake in that conversation," followed by, "With all due respect, I ain't trying to offend nobody. ... What I represent culturally doesn't condone [homosexuality] whatsoever." When asked if the hip-hop culture would ever accept a homosexual rapper, Busta Rhymes exited the interview.
Many media outlets focused on the interview with activist and rapper, Chuck D of rap group Public Enemy. The rapper was quoted as stating: "BET is the cancer of black manhood in the world, because they have one-dimensionalized and commodified us into being a one-trick image. We're [shown] throwing money at the camera and flashing jewelry at the camera that could give a town in Africa water for a year." The rapper also stated a link existed between the sales of hip-hop music to young white Americans, and the amount of pressure on black artists to create more of that content: sex and violence.