Simon Boccanegra is part of the standard operatic repertoire and there are many recordings of it.
| Role | Voice type | Premiere Cast March 12, 1857 (Conductor: - ) | Revised version Premiere Cast March 24, 1881 (Conductor: Franco Faccio) |
|---|---|---|---|
| Simon Boccanegra, a corsair, later the first Doge of Genoa | baritone | Leone Giraldoni | Victor Maurel |
| Maria Boccanegra, his daughter, known as Amelia Grimaldi | soprano | Luigia Bendazzi | Anna d'Angeri |
| Jacopo Fiesco, a Genoese nobleman, known as Andrea | bass | Giuseppe Echeverria | Edouard de Reszke |
| Gabriele Adorno, a Genoese gentleman | tenor | Carlo Negrini | Francesco Tamagno |
| Paolo Albiani, a goldsmith and the Doge’s favourite courtier | bass | Giacomo Vercellini | Federico Salvati |
| Pietro, a Genoese popular leader and courtier | baritone | Andrea Bellini | Giovanni Bianco |
| Captain of the Crossbowmen | tenor | Angelo Fiorentini | |
| Amelia’s maid | mezzo-soprano | Fernanda Capelli | |
| Soldiers, sailors, people, senators, the Doge’s court, prisoners - Chorus | |||
The doge has exiled many of his political opponents and confiscated their property. In the Grimaldi castle, Fiesco, to avoid discovery, is using the name Andrea Grimaldi, plotting with Boccanegra's enemies to overthrow him. Unknowingly, years earlier, the Grimaldis had adopted Boccanegra's child and Fiesco's granddaughter after discovering the orphan in a convent. They called her Amelia, hoping that she would be the heir to their family's fortune, their sons having been exiled. Amelia awaits her lover, Gabriele Adorno (Aria:"Come in quest'ora bruna"). He arrives, and she warns him of the dangers of political conspiracy. Word arrives that the doge is coming. Amelia, fearing that a forced marriage to Paolo is to be arranged, urges Adorno to ask her father for permission to marry. Fiesco agrees and reveals that Amelia is actually a penniless foundling. When Adorno says that he does not care, Fiesco blesses the marriage. Boccanegra enters. He pardons Amelia's exiled brothers, but she refuses to marry Paolo. When she tells Boccanegra that she was adopted, he realizes that she is his long-lost daughter. Finally reunited, they are overcome with joy. When Paolo enters, Boccanegra denies permission for the arranged marriage. Furious, Paolo decides to kidnap Amelia.
Scene 2: The senate is in session
The doge is interrupted by the sounds of a mob demanding Boccanegra's head. He orders the doors opened, and the crowd bursts in, chasing Adorno. Adorno confesses to killing Lorenzino for the attempted kidnapping of Amelia, ordered by an unknown high ranking official. Adorno guesses it is must be Boccanegra and is about to attack him when Amelia rushes in and stops the fight (Aria: "Nell'ora soave"). Boccanegra has Adorno arrested for the night (Aria: "Plebe! Patrizi! Popolo!"). Discerning that Paolo is the actual man responsible, he makes everyone, including Paolo, utter a curse on the real kidnapper.
| Year | Cast (Boccanegra, Maria, Adorno, Fiesco) | Conductor, Opera House and Orchestra | Label |
|---|---|---|---|
| 1958 | Tito Gobbi, Victoria de los Ángeles, Giuseppe Campora, Boris Christoff | Gabriele Santini, Teatro dell'Opera di Roma orchestra and chorus | Audio CD: EMI Cat: CDMB 63513 (Digitally remastered, 1990) |
| 1973 | Piero Cappuccilli, Katia Ricciarelli, Plácido Domingo, Ruggero Raimondi | Gianandrea Gavazzeni, RCA Italiana Opera Chorus and Orchestra | Audio CD: RCA |
| 1977 | Piero Cappuccilli, Mirella Freni, José Carreras, Nicolai Ghiaurov | Claduio Abbado, Coro e Orchestra del Teatro alla Scala | Audio CD: Deutsche Grammophon |
| 1995 | Vladimir Chernov, Dame Kiri Te Kanawa, Plácido Domingo, Robert Lloyd | James Levine, Metropolitan Opera orchestra and chorus | DVD: Deutsche Grammophon Cat: 00440 073 0319 |