Shinto cannot be traced to its beginnings, because until the 5th cent. (when Chinese writing was introduced into Japan) the myths and rituals were transmitted orally. The written record of the ancient beliefs and customs first appeared in the Kojiki [records of ancient matters], prepared under imperial order and completed in A.D. 712. From those first Japanese accounts of the religion of times then already far past, it can be seen that a worship of the forces and forms of nature had grown into a certain stage of polytheism in which spiritual conceptions had only a small place. Nor was there any clear realization of a personal character in the beings held to be divine, and there were practically no images of the deities.
There was no one deity supreme over all, but some gods were raised to higher ranks, and the one who held the most exalted position was the sun goddess, known as the Ruler of Heaven. The emperors of Japan are said to be descended from the sun goddess Amaterasu-o-mi-kami, in unbroken line beginning with the first, Jimmu, who ascended his throne in 660 B.C. Thus the emperor was looked upon as divine, even while living; by divine right he was the chief priest, and as such he presided over ceremonies of foremost importance. Aside from this his religious responsibilities were delegated to others.
A Shinto shrine, unaffected by other religious influences, is a simple unpainted wooden building, having some object within it that is believed to be the dwelling place of the kami. After Buddhism entered Japan in the 6th cent. A.D., it had some influence on Shinto. In many shrines Buddhist priests serve, and worship under their direction is more elaborate than pure Shinto.
Beginning in the 17th cent. a vigorous effort was made to revive the old ways and ideas. After the Meiji restoration in 1868, the ancient department of Shinto rites was reestablished, giving Shinto much of its structure and identity as a religion. In 1882 all Shinto organizations were divided into two groups, state shrines (supervised and partially supported by the government) and sectarian churches. The ancient mythology was used to glorify the emperor and the state, and state Shinto became a powerful instrument in the hands of the militarists, who used it to glorify their policy of aggression.
Japan's defeat in World War II brought about the disestablishment of state Shinto. In 1946 in a New Year's rescript, Emperor Hirohito destroyed its chief foundation by disavowing his divinity; in the same year Gen. Douglas MacArthur forbade the use of public funds to support Shinto. In present-day Shinto there is no dogmatic system and no formulated code of morals. Shinto practices can be found abroad wherever large Japanese communities exist, as in the United States and South America. Some of the newer sects stress world peace and brotherhood as part of their philosophy.
See W. G. Aston, Shinto (1905, repr. 1968); D. C. Holtom, Modern Japan and Shinto Nationalism (rev. ed. 1947, repr. 1963); A. Akiyama, Shinto and Its Architecture (2d ed. 1956); S. Ono, Shinto: The Kami Way (1962); F. H. Ross, Shinto (1965); J. Herbert, Shinto (1966); S. D. Picken, Shinto: Japan's Spiritual Roots (1980).
Indigenous religion of Japan. Based on the worship of spirits known as kami, Shintō has no founder and no official scripture, though its mythology is collected in the Kojiki (“Records of Ancient Matters”) and Nihon shoki (“Chronicles of Japan”), written in the 8th century. The term Shintō (“Way of the Kami”) came into use to distinguish indigenous Japanese beliefs from Buddhism, which had been introduced into Japan in the 6th century. At Shintō's core are beliefs in the kami's mysterious creating and harmonizing power. According to Shintō myths, in the beginning a certain number of kami simply emerged, and a pair of kami, Izanagi and Izanami, gave birth to the Japanese islands, as well as to the kami who became ancestors of the various clans. The Japanese imperial family claims descent from Izanagi's daughter, the sun goddess Amaterasu. All kami are said to cooperate with one another, and life lived in accordance with their will is believed to produce a mystical power that gains their protection, cooperation, and approval. Through veneration and observation of prescribed rituals at shrines (e.g., ritual purity), practitioners of Shintō can come to understand and live in accordance with divine will. In the early 21st century, Shintō had nearly 2.8 million followers. Seealso shinbutsu shūgō.
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The word Shinto, from the original Chinese Shendao (神道), combines two kanji: (compound words use Chinese pronunciation, hence shin not kami), meaning gods or spirits; and , meaning a philosophical way or path (originally from the Chinese word dao). As such, Shinto is commonly translated as "The Way of the Gods." Some differences exist between koshinto (the ancient Shintō) and the many types of Shinto taught and practiced today, showing the influences of Buddhism when it was introduced into Japan in the sixth century.
Shinto is no longer Japan's official state religion, although it is considered the native religion of Japan. Some Shinto practices and teachings, although given a great deal of prominence during the Second World War, are no longer taught or practiced today, while others still exist as commonplace activities such as omikuji (a form of fortune-telling) and the Japanese New Year to which few people give religious connotations. Important national ceremonies such as coronations and imperial marriages are conducted at the Three Palace Sanctuaries in Tokyo.
Shinto has no binding set of dogma, no holiest place for worshippers, no person or kami deemed holiest, and no defined set of prayers. Instead, Shinto is a collection of rituals and methods meant to mediate the relations of living humans and kami. Conversely, Shinto had and continues to have an impact on the practice of other religions within Japan. In particular, one could even make a case for discussing it under the heading of Japanese Buddhism, since these two religions have exercised a profound influence on each other throughout Japanese history. Further, the Japanese "New Religions" that have emerged since the end of the Second World War have also shown a clear Shinto influence.
Some feel Shinto was used as an ideology during the militaristic beginning of the Shōwa period, following the Meiji Restoration. Because Shinto has no absolute authority, some feel what was a natural expression of the beliefs of the people was hijacked by radical nationalists, who desired to unify the Japanese people against the "inferior" people in other nations. Others wonder if the emphasis Shinto places on Japanese exceptionalism made such developments inevitable. Even today, some far right factions within Japanese society want to see a greater emphasis placed on Shinto and increased reverence shown to the Emperor as part of a project to restore Japan to its "rightful place" as the leading nation of the world.
Shinto's kami are collectively called , an expression literally meaning "eight million kami," but interpreted as meaning "myriad".
The most widely worshiped of all kami is the sun-goddess Amaterasu. However, Japanese do not specifically worship her or invoke her name to ask for help. Her main shrine is the Ise Shrine, but many lesser shrines are dedicated to her. Within the shrine, she is often symbolized by a mirror. Alternatively, the inner sanctum may be empty. This emptiness does not mean non-existence; rather, it symbolizes that everything that one sees through the mirror is the embodiment of Amaterasu and every other kami.
Until the end of World War II, the Tenno (Emperor) was believed to have been descended from Amaterasu and father of all Japanese, and was therefore a kami on earth (an ikigami or "living kami"); this divine status was popularized during the Meiji Restoration. This did not prevent military governors (Shogun) from usurping power, but the emperor was always seen as the true ruler of Japan, even when his rule was only nominal. Although Emperor Hirohito renounced his divine status in 1946 under American pressure (Ningen-sengen), the imperial family remains deeply involved in the Shinto ritual that unifies the Japanese nation symbolically. Because Shinto does not require a declaration or an enforcement to be worshiped (considered "unharmonious,") this declaration, while serving political reasons, is religiously meaningless and merely means that the state enforcement has ended.
Because Shinto has co-existed with Buddhism for well over a millennium, it is very difficult to untangle Shinto and Buddhist beliefs about the world. Though Buddhism and Shinto have very different perspectives on the world, most Japanese do not see any challenge in reconciling these two very different religions, and practice both. Thus it is common for people to practice Shinto in life yet have a Buddhist funeral. Their different perspectives on the afterlife are seen as complementing each other, and frequently the ritual practice of one will have an origin in the other.
Of the many and diverse Shinto shrines in existence, some are well known:
Music plays a very important role in the kagura performance. Everything from the setup of the instruments to the most subtle sounds and the arrangement of the music is crucial to encouraging the kami to come down and dance. The songs are used as magical devices to summon the gods and as prayers for blessings. Rhythm patterns of five and seven are common, possibly relating to the Shinto belief of the twelve generations of heavenly and earthly deities. There is also vocal accompaniment called kami uta in which the drummer sings sacred songs to the gods. Often the vocal accompaniment is overshadowed by the drumming and instruments, reinforcing that the vocal aspect of the music is more for incantation rather than aesthetics.
In both ancient Japanese collections, the Nihongi and Kojiki, Ame-no-uzeme’s dance is described as asobi, which in old Japanese language means a ceremony that is designed to appease the spirits of the departed, and which was conducted at funeral ceremonies. Therefore, kagura is a rite of tama shizume, of pacifying the spirits of the departed. In the Heian period (8th-12th centuries) this was one of the important rites at the Imperial Court and had found its fixed place in the tama shizume festival on the eleventh month. At this festival people sing as accompaniment to the dance: “Depart! Depart! Be cleansed and go! Be purified and leave!” This rite of purification is also known as chinkon. It was used for securing and strengthening the soul of a dying person. It was closely related to the ritual of tama furi (shaking the spirit), to call back the departed soul of the dead or to energize a weakened spirit. Spirit pacification and rejuvenation were usually achieved by songs and dances, also called asobi. The ritual of chinkon continued to be performed on the emperors of Japan, thought to be descendents of Amaterasu. It is possible that this ritual is connected with the ritual to revive the sun goddess during the low point of the winter solstice.
There is a division between the kagura that is performed at the Imperial palace and the shrines related to it, and the kagura that is performed in the countryside. Folk kagura, or kagura from the countryside is divided according to region. The following descriptions relate to sato kagura, kagura that is from the countryside. The main types are: miko kagura, Ise kagura, Izumo kagura, and shishi kagura.
Miko kagura is the oldest type of kagura and is danced by women in Shinto shrines and during folk festivals. The ancient miko were Shamanesses, but are now considered priestesses in the service of the Shinto Shrines. Miko kagura originally was a shamanic trance dance, but later, it became an art and was interpreted as a prayer dance. It is performed in many of the larger Shinto shrines and is characterized by slow, elegant, circular movements, by emphasis on the four directions and by the central use of torimono (objects dancers carry in their hands), especially the fan and bells.
Ise kagura is a collective name for rituals that are based upon the yudate (boiling water rites of Shugendo origin) ritual. It includes miko dances as well as dancing of the torimono type. The kami are believed to be present in the pot of boiling water, so the dancers dip their torimono in the water and sprinkle it in the four directions and on the observers for purification and blessing.
Izumo kagura is centered in the Sada shrine of Izumo, Shimane prefecture. It has two types: torimono ma, unmasked dances that include held objects, and shinno (sacred No), dramatic masked dances based on myths. Izumo kagura appears to be the most popular type of kagura.
Shishi kagura also known as the Shugen-No tradition, uses the dance of a shishi (lion or mountain animal) mask as the image and presence of the deity. It includes the Ise daikagura group and the yamabushi kagura and bangaku groups of the Tohoku area (Northeastern Japan). Ise daikagura employs a large red Chinese type of lion head which can move its ears. The lion head of the yamabushi kagura schools is black and can click its teeth. Unlike other kagura types in which the kami appear only temporarily, during the shishi kagura the kami is constantly present in the shishi head mask. During the Edo period, the lion dances became showy and acrobatic losing its touch with spirituality. However, the yamabushi kagura tradtion has retained its ritualistic and religious nature.
Originally, the practice of kagura involved authentic possession by the kami invoked. In modern day Japan it appears to be difficult to find authentic ritual possession, called kamigakari, in kagura dance. However, it is common to see choreographed possession in the dances. Actual possession is not taking place but elements of possession such as losing control and high jumps are applied in the dance.
With the introduction of Buddhism and its rapid adoption by the court, it was necessary to explain the apparent differences between native Japanese beliefs and Buddhist teachings. Indeed, Shinto did not have a name until it became necessary to distinguish it from Buddhism. One explanation saw the kami as supernatural beings still caught in the cycle of birth and rebirth (reincarnation). The kami are born, live, die, and are reborn like all other beings in the karmic cycle. However, the kami played a special role in protecting Buddhism and allowing its teachings of compassion to flourish. This explanation was later challenged by Kūkai (空海, 774–835), who saw the kami as different embodiments of the Buddhas themselves. For example, he famously linked Amaterasu (the sun goddess and ancestor of the Imperial family) with Dainichi Nyorai, a central manifestation of the Buddhists, whose name means literally "Great Sun Buddha." In his view, the kami were just Buddhas by another name.
Buddhism and Shinto coexisted and were amalgamated in the shinbutsu shūgō and Kūkai's syncretic view held wide sway up until the end of the Edo period. At that time, there was a renewed interest in "Japanese studies" (kokugaku), perhaps as a result of the closed country policy. In the 18th century, various Japanese scholars, in particular Motoori Norinaga (本居 宣長, 1730–1801), tried to tease apart the "real" Shinto from various foreign influences. The attempt was largely unsuccessful, since as early as the Nihon Shoki parts of the mythology were explicitly borrowed from Chinese doctrines. For example, the co-creator deities Izanami and Izanagi are explicitly compared to the Chinese concepts of yin and yang. However, the attempt did set the stage for the arrival of state Shinto, following the Meiji Restoration (c.1868), when Shinto and Buddhism were separated (shinbutsu bunri).
In 1871, a Ministry of Divinities was formed and Shinto shrines were divided into twelve levels with the Ise Shrine (dedicated to Amaterasu, and thus symbolic of the legitimacy of the Imperial family) at the peak and small sanctuaries of humble towns at the base. The following year, the ministry was replaced with a new Ministry of Religion, charged with leading instruction in "shushin" (moral courses). This was a major reversal from the Edo period, in which families were registered with Buddhist temples, rather than Shinto shrines. Priests were officially nominated and organized by the state, and they instructed the youth in a form of Shinto theology based on the official dogma of the divinity of Japan's national origins and its Emperor.
As time went on, Shinto was increasingly used in the advertising of nationalist popular sentiments. In 1890, the Imperial Rescript on Education was issued, and students were required to ritually recite its oath to "offer yourselves courageously to the State" as well as to protect the Imperial family. The practice of Emperor worship was further spread by distributing imperial portraits for esoteric veneration. All of these practices were used to fortify national solidarity through patriotic observance at shrines. This use of Shinto gave Japanese patriotism a special tint of mysticism and cultural introversion, which became more pronounced as time went on.
Such processes continued to deepen throughout the early Shōwa period, when State Shinto became a main force of militarism, finally coming to an abrupt end in August 1945 when Japan lost the war in the Pacific. On 1 January 1946, Emperor Shōwa issued the Ningen-sengen, in which he quoted the Five Charter Oath of Emperor Meiji and declared that he was not an akitsumikami.
All these main types of Shinto and some subtypes have given birth to many and diverse schools and sects since medieval times to the present days. A list of the most relevant can be found at the article Shinto sects and schools.
Shinto has also spread abroad to a limited extent, and a few non-Japanese Shinto priests have been ordained. A relatively small number of people practice Shinto in America. There are, however, several Shinto shrines in Hawaii, which has a large number of people of Japanese descent. Outside the US, there are also Shinto shrines in Brazil, Canada and the Netherlands. Shrines were also established in Taiwan and Korea during the Japanese occupation of those areas, but following the war, they were either repurposed or destroyed.
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