See G. G. Luce, Biological Rhythms in Human and Animal Physiology (1971); J. Brady, ed., Biological Timekeeping (1982); L. Glass and M. C. Mackey, From Clocks to Chaos: The Rhythms of Life (1988).
See P. Kiparsky and G. Youmans, ed., Rhythm and Meter (1989).
Poetic rhythm designed to approximate the natural rhythm of speech. It is characterized by the frequent juxtaposition of single accented syllables and by the occurrence of feet with varying numbers of syllables whose sequence is interrupted by unstressed syllables that are not counted in the scansion. Because stressed syllables often occur sequentially, the rhythm is said to be “sprung.” This system of prosody was developed by Gerard Manley Hopkins, who saw it as the basis of such early English poems as William Langland's Piers Plowman.
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Periodic biological fluctuation in an organism corresponding to and in response to periodic environmental change, such as day and night or high and low tide. The internal mechanism that maintains this rhythm even without the apparent environmental stimulus is a “biological clock.” When the rhythm is interrupted, the clock's adjustment is delayed, accounting for such phenomena as jet lag when traveling across time zones. Rhythms may have 24-hour (circadian rhythm), monthly, or annual cycles. Seealso photoperiodism.
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Any of several closely related musical styles developed by African American artists. The various styles were based on a mingling of European influences with jazz rhythms and tonal inflections, particularly syncopation and the flatted blues chords. They grew out of the blues of the rural South, which blended work chants with songs of deep emotion, and were greatly influenced by gospel music. Three major forms were distinguishable. The earliest, called race, was the style of the “jump” band, which emphasized strong rhythm, solo work (especially by saxophones), and vocals in a shout-blues manner. A second form, often called Chicago blues, was exemplified by performers such as Muddy Waters and was typically played by a small group with amplified instruments. The third major form was primarily vocal, featuring close, gospel-influenced harmonies often backed by an orchestra. In the mid-1950s the term rhythm and blues was adopted by the music industry for music intended for the African American audience; with the gradual disappearance of racial barriers, the Chicago blues style began to seem less a vital form than a folk tradition, while the gospel style was transformed into the soul music of vast appeal. Rhythm and blues was the chief antecedent of rock music.
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Inherent cycle of approximately 24 hours in length that appears to control or initiate various biological processes, including sleep, wakefulness, and digestive and hormonal activity. The natural signal for the circadian pattern is the change from darkness to light. The controlling mechanism for these cyclic processes within the body is thought to be the hypothalamus. Any change in the circadian cycle (such as jet lag and other conditions associated with travel) requires a certain period for readjustment.
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