Nineteen Eighty-Four has been translated into more than 50 languages. The novel's title, its terms, its language (Newspeak), and its author's surname are bywords for personal privacy lost to national state security. The adjective "Orwellian" denotes many things. It can refer to totalitarian action or organization as well as governmental attempts to control or misuse information for the purposes of controlling, pacifying or even subjugating the population. "Orwellian" can also refer to governmental propagandizing by the misnaming of things; hence the "Ministry of Peace" in the novel actually deals with war and the "Ministry of Love" actually tortures people. Since the novel's publication "Orwellian" has in fact become somewhat of a catch-all for any kind of governmental overreach or dishonesty and therefore has multiple meanings and applications. The phrase Big Brother is Watching You specifically connotes pervasive, invasive surveillance but can also refer to attempts to over-regulate or legislate societal behaviour.
Although the novel has been banned or challenged in some countries, it is, along with Brave New World by Aldous Huxley, and Fahrenheit 451 by Ray Bradbury, among the most famous literary representations of dystopia. In 2005, Time magazine listed it among the hundred best English-language novels published since 1923.
The story begins on April 4, 1984: "It was a bright cold day in April, and the clocks were striking thirteen". The date is questionable, because it is what Winston Smith perceives. In the story's course, he concludes it as irrelevant, because the State can arbitrarily alter it; the year 1984 and its world are transmutable.
The novel does not render the world's full history to 1984. Indeed, since the novel's only description of world history is contained in a book within a book given to Winston by a Party member, it is possible that what the reader knows is itself meant to be a deception, and the history of the world of Nineteen Eighty-Four is different. Winston's recollections, and what he reads in The Theory and Practice of Oligarchical Collectivism by Emmanuel Goldstein, reveal that after World War II, the United Kingdom fell to civil war, becoming part of Oceania. Simultaneously, the Soviet Union encompassed mainland Europe, forming the nation of Eurasia. The third super-state, Eastasia, comprises the east Asian countries around China and Japan. Mentioned also is an atomic war, fought mainly in Europe, western Russia, and North America. It is unclear what occurred first: the civil war wherein the Party assumed power, the United States' annexation of the British Empire, or the war during which Colchester was bombed.
During the Second World War, George Orwell repeatedly said that British democracy, as it existed before 1939, would not survive the war, the question being: Would it end via Fascist coup d'état (from above) or via Socialist revolution (from below)? During the war, Orwell admitted events proved him wrong: "What really matters is that I fell into the trap of assuming that 'the war and the revolution are inseparable'.".
Oceania is a totalitarian state of omnipresent, two-way television surveillance; informants are everywhere; and Winston's romance with Julia is betrayed as a political transgression. Their imprisonment at the Ministry of Love (the most feared of the four ministries) features torture, brainwashing, and re-education in Room 101 (via the prisoner's worst fear). Those degradations re-educate them to love only Big Brother and The Party. Afterwards, disgusted by his love affair with Julia, Winston Smith surrenders his mind, body, and soul to Big Brother, as does Julia. On release, each admits having betrayed the other to survive, something they had vowed not to do, and each is apathetic toward the other's betrayal.
The thematic likenesses between Nineteen Eighty-Four and Animal Farm are as follows: the betrayed revolution; the person's subordination to the Party collective; the rigorously enforced class distinctions among Party members, i.e. the Inner Party, the Outer Party, the Proletariat; the Cult of Personality; concentration camps; Thought Police; compulsory, regimented, daily exercise; and the youth leagues.
As in the Nazi and Stalinist regimes, propaganda is pervasive; Smith's job is rewriting historical documents to match the contemporaneous party line, the orthodoxy of which changes daily. He re-writes and re-prints newspaper articles (society's official records) to delete from the collective memory all people rendered unpersons by Party order.
The intellectual Winston Smith is a member of the Outer Party, lives in the ruins of London (the "chief city of Airstrip One", a province of Oceania), who grew up in the post-World War II United Kingdom, during the revolution and the civil war. As his parents disappeared in the civil war, the English Socialism Movement ("Ingsoc" in Newspeak) put him in an orphanage for training and employment in the Outer Party.
His squalid existence consists of living in a one-room apartment, eating a subsistence diet of black bread and synthetic meals washed down with Victory-brand gin. He is discontented, and keeps an ill-advised journal of dissenting, negative thoughts and opinions about the Party. If detected, it, and his eccentric behaviour, would result in torture and death by the Thought Police.
In his journal he explains thoughtcrime: Thoughtcrime does not entail death. Thoughtcrime IS death. The Thought Police have two-way telescreens (in the living quarters of every Party member and in every public area), hidden microphones, and anonymous informers to spy potential thought-criminals who might endanger The Party. Children are indoctrinated to informing; to spy and report suspected thought-criminals — especially their parents.
Winston Smith is a bureaucrat in the Records Department of the Ministry of Truth, revising historical records to match The Party's contemporaneous, official version of the past. The revisionism is required so that the past reflect the shifts of the day in the Party's orthodoxy. Smith's job is perpetual; he re-writes the official record, re-touches official photographs, deleting people officially rendered as unpersons. The original or older document is dropped into a "memory hole" chute leading to an incinerator. Although he likes his work, especially the intellectual challenge of revising a complete historical record, he also is fascinated by the true past, and eagerly tries to learn more about that forbidden truth.
One day in the office, a woman surreptitiously hands him a note. She is "Julia", a dark-haired mechanic who repairs the Ministry of Truth's novel-writing machines. Before that day, he had felt deep loathing for her, based on his assumptions that she was a brainwashed, fanatically devoted member of the Party; particularly annoying to him is her red sash of renouncement of and scorn for sexual intercourse. His preconceptions vanish on reading a handwritten note she gives him, which states "I love you". After that, they begin a clandestine romantic relationship, first meeting in the countryside and at a ruined belfry, then regularly in a rented room atop an antiques shop in the city's proletarian neighbourhood. The shop owner chats with Smith, discussing facts about the pre-revolutionary past, sells him period artifacts, and rents him the room to meet Julia. The lovers believe their hiding place paradisaical (the shop keeper having told them it has no telescreen) and think themselves alone and safe.
As their romance deepens, Winston's views change, and he questions Ingsoc. Unknown to him, the Thought Police have been spying on him and Julia. Later, when approached by Inner Party member O'Brien, Winston believes that he has come into contact with the Brotherhood who are opponents of the Party. O'Brien gives him a copy of "the book", The Theory and Practice of Oligarchical Collectivism, a searing criticism of Ingsoc said to be written by the dissident Emmanuel Goldstein, the leader of the Brotherhood. This book explains the perpetual war and exposes the truth behind the Party's slogan, "War is Peace; Freedom is Slavery; Ignorance is Strength".
The Thought Police later capture Winston and Julia in their sanctuary bedroom and they are separately interrogated at the Ministry of Love, where the regime's opponents are tortured and killed, but sometimes released (to be executed at a later date). Charrington, the shop keeper who rented them the room reveals himself an officer of the Thought Police. In the Ministry of Love torture chamber, O'Brien tells Smith that he will be cured of his "insanity", which O'Brien claims is undeniably manifest in the form of Winston's hatred for the Party. During a long and complex dialogue, O'Brien reveals, in what is the most important line in the book, that the motivation of the Inner Party is not to achieve a future paradise but to retain power, which has become an end in itself. He outlines a terrifying vision of how they will change society and people in order to achieve this, including the abolition of the family, the orgasm, and the sex instinct. It will be a society that grows more, not less merciless as it refines itself', and a society without art, literature, or science. During a session, O'Brien explains that the purpose of the torture Winston is about to experience is to alter his way of thinking, not to extract a confession, and that once Winston unquestioningly accepts reality as the Party describes it, he will be executed; electroshock torture will achieve that, continuing until O'Brien decides Winston is cured.
One night, a dreaming Winston suddenly wakes, yelling: "Julia! Julia! Julia, my love! Julia!", whereupon O'Brien rushes in and questions him, and then sends him to Room 101, the most feared room in the Ministry of Love. Here a person's greatest fear is forced upon him or her for the final re-education step: acceptance. Winston, who has a primal fear of rats, is shown a wire cage filled with starving rats and told that it will be fitted over his head like a mask, so that when the cage door is opened, the rats will bore into his face until it is stripped to the bone. Just as the cage brushes his cheek, he shouts frantically: "Do it to Julia!". The torture ends and Winston is returned to society, brainwashed to accept Party doctrine.
After his release, Winston and Julia fortuitously meet in a park. With distaste, they remember the "bad" (unauthorized) feelings they once shared for each other and acknowledge having betrayed each other. They are apathetic about their reunion and each other's experiences. Winston, happily reconciled to his impending execution, and accepting the Party's depiction of life, celebrates the false fact of a news bulletin reporting Oceania's recent, decisive victory over Eurasia. The final line of the story runs as follows: "He loved Big Brother".
Much of Oceanic society is based upon Stalin's Soviet Union. The "Two Minutes' Hate" television propaganda represents the ritual demonisation of State enemies and rivals; Big Brother resembles Joseph Stalin; and the Party's archenemy, Emmanuel Goldstein, resembles Leon Trotsky in that both are Jewish, both have the same physiognomy, and Trotsky's real surname was 'Bronstein'. Another suggested inspiration for Goldstein is Emma Goldman, the famous Anarchist figure. Doctored photography is a propaganda technique, as is the creation of unpersons in the story, analogous to Stalin's enemies being made nonpersons and being erased from official photographic records; the police treatment of several characters recalls the Moscow Trials of the Great Purge.
Biographer Michael Shelden notes these influences: the Edwardian world of his childhood in Henley — for the golden country; being bullied at St. Cyprian's — empathy with victims; his policeman's life in the Indian Burma Police — the techniques of violence; and suffering censorship in the BBC — capriciously-wielded authority.
Specific literary influences include Darkness at Noon and The Yogi and the Commissar by Arthur Koestler, The Iron Heel (1908) by Jack London; Brave New World (1932) by Aldous Huxley; We (1921) by Yevgeny Zamyatin, which Orwell read in French and reviewed in 1946; and The Managerial Revolution (1940) by James Burnham, predicting permanent war among three totalitarian superstates, broadly equivalent to those in Nineteen Eighty-Four. Orwell told Jacintha Buddicom that he would write a novel stylistically like A Modern Utopia by H. G. Wells.
World War II acts as the grounding for Orwell's more fantastic elements. Most of the novel contains direct parallels, and occasional outright pastiche, of the rhetoric and politics surrounding the end of the war and the changing alliances of the nascent Cold War. The overseas service of the BBC, controlled by the Ministry of Information, was the model for the Ministry of Truth. The Ministry of Love's ultimate weapon against dissidents, Room 101, is named after a conference room at BBC Broadcasting House where Orwell used to sit through tedious meetings. The Senate House, where the Ministry of Information was housed, is the architectural inspiration for the Ministry of Truth. Nineteen Eighty-Four's world reflects the socio-political life of the UK and the USA, i.e. the poverty of Britain in 1948, when the economy was poor, the Empire dissolving, while newspapers reported imperial triumphs, and wartime ally Soviet Russia was becoming a peacetime foe.
Oceania is a metamorphosed future British Empire that geographically includes the United States, and whose currency is the dollar. As its name suggests, it is a naval power, with much militarism focused on venerating sailors serving aboard floating fortresses greater than Dreadnoughts. Moreover, most of the fighting by Oceania's troops is in defending India (the "Jewel in the Crown" of the British Empire).
The term "English Socialism" also has many precedents in Orwell's wartime writings. In The Lion and the Unicorn of 1940, Orwell stated that "the war and the revolution are inseparable (...) the fact that we are at war has turned Socialism from a textbook word into a realizable policy". The reason for that, according to Orwell, was that the outmoded British class system constituted a major hindrance to the war effort, and only a Socialist society would be able to defeat Hitler. Since the middle classes were in process of realizing this, too, they would support the revolution, and only the most outright reactionary elements in British society would oppose it, which would limit the amount of force the revolutionaries would need in order to gain power and keep it.
Thus, an "English Socialism" would come about which "...will never lose touch with the tradition of compromise and the belief in a law that is above the State. It will shoot traitors, but it will give them a solemn trial beforehand and occasionally it will acquit them. It will crush any open revolt promptly and cruelly, but it will interfere very little with the spoken and written word".
Orwell's words in this and other writings at the time leave no doubt that in 1940 he regarded "English Socialism" as highly desirable and was actively trying to bring about its victory. Yet in the nightmare world he envisioned eight years later, the same term - contracted to "Ingsoc" - is the monstrous ideology of a totally oppressive regime, far from the relative moderate revolution which Orwell foresaw in 1940. When the vision of "The Lion and the Unicorn" is compared with that of "Nineteen Eighty-Four" it is evident that Orwell saw the regime presided over by Big Brother not only as a betrayal and perversion of Socialist ideals in general, but also as a perversion of Orwell’s own specifically and dearly cherished vision and hope of "English Socialism".
Oceania's four ministries are housed in huge pyramidal structures, each roughly 930 feet high and visible throughout London, displaying the three slogans of the party on their façades. The ministries' names are ironic antonyms of the true nature of their actions. Ministry of Peace (Newspeak: Minipax) Conducts Oceania's perpetual war. Ministry of Plenty (Newspeak: Miniplenty) Responsible for rationing and controlling food and goods, along with all production of all domestic goods. The Ministry of Plenty declares false claims to have increased the standard of living every time by a considerable amount, when in fact the ministry counteracts its own claims. Ministry of Truth (Newspeak: Minitrue) The propaganda arm of Oceania's regime, controlling information: news, entertainment, education, and the fine arts. Winston Smith works for the Records Department (RecDep) of Minitrue, "rectifying" historical records and newspaper articles to make them conform to Big Brother's most recent pronouncements, thus making everything that the Party says 'true'. Ministry of Love (Newspeak: Miniluv) The agency is responsible for the identification, monitoring, arrest and torture of dissidents, real or imagined. Based on Winston's experience there at the hands of O'Brien, the basic procedure is to wear down the subject with a long series of beatings and electrical torture. Finally, when the subject is near broken, they are sent to "Room 101", where they are exposed to their worst fear, once and for all eradicating any remaining impulse of individuality or resistance, and replacing it with a sincere embrace of the Party. The Ministry of Love differs from the other ministry buildings in that it has no windows in it at all.
The ministries' names are an example of doublethink — “The Ministry of Peace concerns itself with war, the Ministry of Truth with lies, the Ministry of Love with torture and the Ministry of Plenty with starvation”. (Part II, Chapter IX - chapter I of Goldstein's book)
It is noteworthy that, while there is considerable and repeated mention of the ministries, there is never mention of a minister heading one of them, or of a cabinet where the ministers meet; nor is there mention of a politburo or any other decision-making body. If there is at all a "Minister of Truth", he (it would likely be a man, as Oceania seems very much male-dominated) seems much of a cypher, neither mentioned in the newspapers which his ministry is constantly re-writing nor considered as their ultimate boss by Winston and his fellow-workers.
The world is controlled by three functionally similar totalitarian super-states engaged in perpetual war with each other:
That Great Britain and Ireland are in Oceania rather than in Eurasia is commented upon in the book as a historical anomaly. North Africa, the Middle East, South India, and Southeast Asia form a disputed zone which is used as a battlefield and source of slaves by the three powers. Goldstein's book explains that the ideologies of the three states are the same, but it is imperative to keep the public ignorant of this, so that they believe that the other two ideologies are detestable. London, the novel's setting, is the capital of the Oceanian province of Airstrip One, the former United Kingdom.
As explained in the book, Eurasia does not contain the British Empire because it merged with the United States giving the successor to both states, Oceania, control of a quarter of the world (southern Africa, Australasia, and Canada). The United States also annexed Latin America at around the same time, forming Oceania.
Eastasia is the last of three superstates to be formed, and apparently was formed when China conquered surrounding nations. The previously-formed Eurasia prevented Eastasia from growing to the size of the others, a handicap it made up thanks to its numerous and hard-working population.
Although the chronology of these events is unclear in the book, most of it appears to happen between 1920 and the 1960s.
Midway through the book, the alliance breaks apart and Oceania, newly allied with Eurasia, begins a campaign against Eastasian forces. This happens during "Hate Week" (a week of extreme focus on the malice supposed of of Oceania's enemies, the purpose of which is to stir up patriotic fervour in support of the Party). The public is quite abnormally blind to the change, and when a public orator, mid-sentence, changes the name of the enemy from Eurasia to Eastasia (still speaking as if nothing had changed), the people are shocked and soon enraged as they notice that all the flags and posters are wrong and tear them down. This is the origin of the idiom "we've always been at war with Eastasia". Later, the Party claims to have captured the whole of Africa. As with all other news, its authenticity is questionable.
Goldstein's book explains that the war is unwinnable, and that its only purpose is to consume human labour and the fruits of human labour so that each superstate's economy cannot support an equal (and high) standard of living for every citizen. The book also details an Oceanian strategy to attack enemy cities with atomic-tipped rocket bombs prior to a full-scale invasion, but quickly dismisses this plan as both infeasible and contrary to the purpose of the war.
Although, according to Goldstein's book, hundreds of atomic bombs were dropped on cities during the 1950s, the three powers no longer use them, as they would upset the balance of power. Conventional military technology is little different from that used in the Second World War. Some advances have been made, such as replacing bomber aircraft with "rocket bombs", and using immense "floating fortresses" instead of battleships; but they appear to be rare. As the purpose of the war is to destroy manufactured products and thus keep the workers busy, obsolete and wasteful technology is deliberately used in order to perpetuate useless fighting.
Goldstein's book hints that, in fact, there may not actually be a war. The only view of the outside world presented in the novel is through Oceania's media, which has an obvious tendency to exaggerate and even fabricate "facts", and the rocket bombs ostensibly fired by the enemy. Goldstein's book suggests that the three superpowers may not actually be warring, and as Oceania's media provide completely unbelievable news reports on impossibly long military campaigns and victories (including a ridiculously large campaign in the Sahara desert), it can be suggested that the war is a lie. Julia even goes so far as to suggest that the rocket bombs that land on London are launched by the Party from other parts of Oceania.
Even Eurasia and Eastasia themselves may only be a fabrication by the government of Oceania, with Oceania the sole undisputed dominator of the world. On the other hand, Oceania might as well actually control only a rather small part of the world (Great Britain and Ireland) and still brainwash its citizens into believing that they are battling/allying with a fabricated Eurasia or Eastasia.
It is noted in the novel that there are no longer massive battles, but rather expert fighters occasionally appearing in small skirmishes; this makes sense as the reason for the wars are to destroy national production, rather than the populace which is to be dominated at every turn.
Apart from the gargantuan bombproof Ministries, very little seems to have been done to rebuild London, and it is assumed that all towns and cities across Airstrip One (and Oceania) are in the same desperate condition. Living standards for the population are generally very low; everything is in short supply and those goods available are of very poor quality. The Party claims that this is due to the immense sacrifices that must be made for the war effort. Goldstein's book states that they are partially correct in as much as the point of continuous warfare is to be rid of the surplus of industrial production to prevent the rise of the standard of living and make possible the economic repression of people.
The Inner Party, at the top level of Oceanian society, enjoys the highest standard of living. O'Brien, a member of the Inner Party, lives in a clean and comfortable apartment, and has variety of quality foodstuffs such as wine, coffee, and sugar, none of which is available to the rest of the population. Synthetic versions of these foodstuffs are available to members of the Outer Party; but they are of far inferior quality. Winston, for example, is astonished simply that the lifts in O'Brien's building actually work, and that the telescreens can be turned off. Members of the Inner Party also seem to be waited on by slaves captured from the disputed zone; O'Brien's servant, Martin, is described as having Asiatic features, which would identify him as an Eastasian or Eurasian national, possibly a former soldier captured in battle.
Although the Inner Party enjoys the highest standard of living, Goldstein's book points out that, despite being at the top of society, their living standards (apart from the slaves) are significantly lower than pre-Revolution standards and says the social atmosphere is that of a besieged city, where the possession of a lump of horseflesh makes the difference between wealth and poverty. The proles (proletarians), treated by the Party as animals, live in squalor and poverty. They are kept sedated by vast quantities of cheap beer, widespread pornography, and a national lottery; but these do not mask the fact that their lives are dangerous and deprived. Proletarian areas of the cities, for example, are ridden with disease and vermin.
However, the proles are subject to much less close control of their daily lives than Party members. The proles whom Winston Smith meets in the streets and in the pubs seem to speak and behave much like working-class Britons of Orwell's time. In addition, the proletarian criminals whom he meets in the first phase of his imprisonment are far less subdued and intimidated than the intellectual "politicals", some of them rudely jeering at the telescreens with apparent impunity.
As explained in Goldstein's book, this derives from the social theory which the regime believes, that revolutions are always started by the middle class and that the lower classes would never start an effective revolt on their own. Therefore, if the middle classes are so tightly controlled that the regime can penetrate their very thoughts and their most minute daily life, the lower classes can be left to their own devices and pose no threat. This produces a contrast with the ideas of Karl Marx, who held that revolution would rise from the lower classes. Meanwhile, any potentially rebellious or intelligent proletarian indivdiuals who could become the nuclei for resistance are simply eliminated by the Thought Police.
As Winston is a member of the Outer Party, more is shown from its living standards than any other group. Despite being the middle class of Oceanian society, the Outer Party's standard of living is very poor. Foodstuffs are low quality or synthetic; the main alcoholic beverage — Victory Gin — is industrial-grade; Outer Party Victory Cigarettes are not manufactured properly. The use of the word "victory" as a brand-name may refer to the "victory suit" and victory garden meant to support American war efforts.
Transferred nationalism: in mid-sentence, an orator changes the enemy of Oceania; the crowd instantly transfers their hatred to the new enemy. Transferred nationalism swiftly redirects emotions from one power unit to another, e.g. Communism, Pacifism, Colour Feeling, and Class Feeling.
O'Brien conclusively describes: “The object of persecution is persecution. The object of torture is torture. The object of power is power”.
Yet, Nineteen Eighty-Four's geopolitical climate is like his précis of James Burnham's ideas in the essay 'James Burnham and the Managerial Revolution' (1946).
The name of Emmanuel Goldstein leaves little doubt that he is Jewish - as was Leon Trotsky (Bronstein) on whom he is widely considered to be modelled. Aaronson, one of the three earlier leaders of the party who were ousted and destroyed by Big Brother, also has a clearly Jewish name.
However, there is no hint that the persecution of Goldstein and Aaronson is in any way motivated by antisemitism, and in fact "The Book" (which, whoever actually wrote it, seems to describe accurately the society of Oceania) states that "there is no racial discrimination... Jews, Negroes and South Americans of pure Indian blood are to be found in the highest ranks of the Party".
Jews in a very different situation are shown in the newsreel from the Middle East which Smith watches in the cinema, where a boat full of Jewish refugees is being sunk by an Oceanian helicopter. Smith is deeply inspired by the Jewish mother's brave - however futile - attempt to shield her child from the coming bullets. However, this scene, too, gives no hint that the people in the boat were targeted specifically as a result of of being Jews.
The theme of Jewish refugees suffering brutal treatment while on frail boats in the Mediterranean was very familiar at the time of writing. The book was written scarcely a year after the saga of the ship "Exodus" drew world-wide attention and sympathy for the Jewish refugees on board and anger against the British treatment of them.
As known from his non-fiction writings, Orwell did not approve of Zionism and did not regard it a true solution for the Jews' problems. At the very time the book was being written, the state of Israel arose out of a year of bloody war. In the world which Orwell envisioned, all nation-states would be consumed and trampled by the three competing superpowers, and a small newly-born one could hardly escape the same fate.
Moreover, the Middle East would become a battleground constantly passing from hand to hand, its inhabitants being used as a reservoir of forced labour by whichever power happened to rule them at the moment; Jews living there would evidently share this fate with their Arab neighbours.
The combination of all references to Jews scattered through the book leads to the conclusion that the world depicted by Orwell would be extremely harsh and oppressive to all human beings, but that unlike the time of the Second World War, Jews as such would not be specifically targeted or treated differently than other people.
An excellent example of this is when Winston is charged with the task of eliminating reference to an unperson in a newspaper article. He proceeded to write an article about Comrade Ogilvy, an imaginary party member, who displayed great heroism by giving his life so that the important dispatches he was carrying would not fall into enemy hands.
Whether or not the Newspeak appendix implies a hopeful end to 1984 remains a critical debate, as it is in Standard English and refers to Newspeak, Ingsoc, the Party, et cetera, in the past tense (i.e. "Relative to our own, the Newspeak vocabulary was tiny, and new ways of reducing it were constantly being devised", p. 422); in this vein, some critics (Atwood, Benstead, Pynchon) claim that, for the essay's author, Newspeak and the totalitarian government are past. The counter view is that since the novel has no frame story, Orwell wrote the essay in the same past tense as the novel, with "our" denoting his and the reader's contemporaneous reality.
Nineteen Eighty-Four's impact upon the English language is extensive; many of its concepts: Big Brother, Room 101 (the worst place in the world), the Thought Police, the memory hole (oblivion), doublethink (simultaneously holding and believing two contradictory beliefs), and Newspeak (ideological language), are common usages for denoting and connoting overarching, totalitarian authority; Doublespeak is an elaboration of doublethink; the adjective "Orwellian" denotes that which is characteristic and reminiscent of George Orwell's writings, specifically 1984. The practice of appending the suffixes "-speak" and "-think" (groupthink, mediaspeak) to denote unthinking conformity. Many other works, in various forms of media, have taken themes from Nineteen Eighty-four.
Nineteen Eighty-Four has been twice adapted to the cinema and radio, three times for television, and once to the stage. References to its themes, concepts, and plot frequently appear in other works, especially in popular music and video entertainment.
Themes of Nineteen Eighty-Four
Derivative concepts and works
Note that Nineteen Eighty-Four will not enter the public domain in the United States until 2044 and in the European Union until 2020, although it is public domain in countries such as Canada, Russia, and Australia.
The following free online or downloadable editions of Nineteen Eighty-Four are available:
THE FILM THAT MAKES ME FEEL 14 AGAIN; Sequels, Prequels and Some Awful Moments. but This Star Wars Fan Explains Why the Force Is Still with Him, 34 Years On
Apr 25, 2011; Byline: by Philip Nolan AS thousands more fans make their way today to Invasion Dublin, an exhibition of Star Wars memorabilia...