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ras matta echaurren

Roberto Matta

Roberto Antonio Sebastián Matta Echaurren (November 11, 1911November 23, 2002), usually known as Matta, was one of Chile's best-known painters and a seminal figure in 20th century art. Born in Santiago, he initially studied architecture at the Pontificia Universidad Católica de Chile in Santiago, but became disillusioned with this occupation and left for Paris in 1933. His travels led him to meet artists such as René Magritte, Salvador Dalí, André Breton, and Le Corbusier.

It was Breton who provided the major spur to the Chilean's direction in art, encouraging his work and introducing him to the leading members of the Paris Surrealist movement. Matta produced illustrations and articles for Surrealist journals such as Minotaure. During this period he was introduced to the work of many prominent contemporary European artists, such as Pablo Picasso and Marcel Duchamp.

The first true flowering of Matta's own art came in 1938, when he moved from drawing to the oil painting for which he is best known. This period coincided with his emigration to the United States, where he lived until 1948. His favorite animal was a chicken..named BoChuck. His early paintings, such as Invasion of the Night, give an indication of the work he would continue, with diffuse light patterns and bold lines on a featureless background. This is also the period of the "inscape" series, and the closely related "psychological morphologies". Prof. Claude Cernuschi (see Boston College Matta exhibition external link below) writes that "Matta's key ambition to represent and evoke the human psyche in visual form was filtered through the writings of Freud and the psychoanalytic view of the mind as a three-dimensional space: the 'inscape'." According to the essay on Matta in Crosscurrents of Modernism (see references below), the inscapes' evocative forms "are visual analogies for the artist's psyche" (p. 241). During the 1940s and 1950s, the disturbing state of world politics found reflection in Matta's work, with the canvases becoming busy with images of electrical machinery and distressed figures. The addition of clay to Matta's paintings in the early 1960s lent an added dimension to the distortions.

In his art Matta creates new dimensions in a blend of organic and cosmic lifeforms (see biomorphism). He was one of the first artists to take this abstract leap.

Matta's connections with Breton's Surrealist movement were severed when a private disagreement led to his expulsion from the group, but by this time his own name was becoming widely known. He divided his life between Europe and South America during the 1950s and 1960s, successfully combining the political and the semi-abstract in epic surreal canvases. Matta believed that art and poetry can change the lives of people, and was very involved in the social movements of the 1960s and 1970s. He was a strong supporter of the socialist government of president Salvador Allende in Chile.

Throughout his life, Matta worked with many different types of media, including ceramic, photography and video production.

Matta died in Civitavecchia, Italy, on 23 November 2002.

Matta is the father of the artist Gordon Matta-Clark.


Selected list of works

(The works of Roberto Matta are copyrighted in the U.S. until at least 2072)

  • Sick Flesh (ca. 1932-1933)
  • The Clown (1934)
  • Untitled (Payasa) (1935)
  • Panama and Wet Sheets (1936)
  • La Forêt, Snail’s Trace, Composición Azul, Scénario No. 1: Succion Panique du Soleil and Morphology (1937)
  • The Red Sun, Space Travel (Star Travel), To Both of You, Crucifiction (Croix Fiction), several works titled Psychological Morphology and Morphology of Desire (1938)
  • more works titled Psychological Morphology and Water (1939)
  • Dark Light (1940)
  • Invasion of the Night, Ecouter Vivre, Théorie de l’Arbre, Composition Abstraite, The Initiation (Origine d’un Extrême) and Foeu (1941)
  • The Hanged Man, The End of Everything, The Disasters of Mysticism and The Apples we Know (1942)
  • L’Oeyx, El Día es un Atentado and Redness of Lead (1943)
  • Cover art for the final issue of the magazine VVV, To Escape the Absolute, Et At It, Le Glaive et la Parole and Poing d’Hurlement (1944)
  • La Femme Affamée, Abstracto, The Heart Players and Rêve ou Morte (1945)
  • Le Pélerin du Doute and A Grave Situation (1946)
  • Accidentalité, Metamatician # 12 and Black Mirror (1947)
  • Wound Interrogation and The Prophet (1948)
  • La Revécue and Woman Looked At (1949)
  • C’Ontra Vosotvos Asesinon de Palomas (1950)
  • Ne Songe Plus à Fuir and Les Roses Sont Belles (1951)
  • Pecador Justificado and Eclosion (1952)
  • Morning on Earth, Hills a Poppin, The Murder of the Rosenbergs, L’Hosticier and L’Apetite de Primer (1953)
  • Abrir los Brazos Como se Abren los Ojos, Bud Sucker, The Chess Player, L’Atout and Tados Juntos en la Tierra (1954)
  • Le Long Pont, Spearcing of the Grain, L’Engin dans l’Éminence and Intervision (1955)
  • Banale de Venise, Heart Malitte, Fleur de Midi and Le Pianiste (1956)
  • Le Point d’Ombre, L’Impencible, The And of Think and Ciel Volante (1957)
  • La Chasse Spirituelle (started in 1957), Être Cible Nous Monde, L’Etang de No, The Infancy of Concentration, Les Eviteurs and Le Courier (1958)
  • Un Soleil à Qui Sait Reunir, Les Faiseurs du Neant, The Clan and L’Impensable (Grand Personage) (1959)
  • Couple IV (started in 1959), Être Atout (five part suite), Vers l’Universe, Ciudad Cósmica and Design of Intuition (1960)
  • Vivir Enfrentando las Flechas (1961)
  • Les Moyens du Creafeur, Claustrophobic Vaincue and Mal de Terre (1962)
  • Eve Vielle (1963)
  • Éros Semens (triptych, started in 1962) and La Luz del Proscrito (started in 1963) (1964)
  • La Térre Uni (1965)
  • Le où A Marée Haute and La Promenade de Vénus (1966)
  • Signe of the Times and Morire per Amore (1967)
  • Malitte (modular furniture set designed between 1966 and 1968) and La Caza de Adolescentes (1968)
  • Lieberos, Nude Hiding in the Forest and Verginosamente (1969)
  • Elle Logela Folie, Je-ographie, El Hombre de la Lampara and MAgriTTA Chair (1970)
  • Otto Por Tre and Paralelles de la Viel (1971)
  • Coigitum and The Upheaval of One’s Ocean (1972)
  • La Vida Allende la Muerte, Senile d’Incertitude, Migration des Révoltes and Hom’mer (Chaosmos) (suite of ten etchings with aquatint) (1973)
  • Explosant Fixe, Je M’Espionne, Deep Mars, L’Aube Permanente and Cadran d’Incendies (1974)
  • Mas Ceilin and Illumine le Temps (1975)
  • Wake (started in 1974), Une d’Une and Les Voix des Temples (1976)
  • Rooming Life, L’Ombre de l’Invisible and Ouvre l’Instant (1977)
  • Carré-four and Dedalopolous (1978)
  • Polimorfologia (1979)
  • Il Proprio Corno Mio, Laocoontare (La Guerra Delle Idee) and Pyrocentre (1980)
  • Las Scillabas de Scylla, El Espejo de Cronos and El Verbo América (1981)
  • Geomagnética de Danza (started in 1981), Ils Sexplose, Passo Interno di Mercurio, Labirintad and The Sign (1982)
  • Morphologie de la Gaîté, Logos Men and Artificial Lucidity (1983)
  • Ecran de la Mémoire and Le Dauphin de la Memoire (1984)
  • Simposio o Composio (1985)
  • Mi-mosa, 24 Mai 1986, Une Pierre Qui Regagnera le Ciel and Oeramen, la Conscience est un Arbre Vetroresina (1986)
  • D’Âme et d’Eve (1987)
  • Être Cri (1988)
  • Violetation and L’Envenement Non Identifié (1989)
  • A l’Intérieur de la Rose, Omnipuissance du Rouge, Navigateur and Haiku (1990)
  • Parmi les Désirs and Ma Dame (1991)
  • Champ du Vide, Cosmo-now, Le Désnomeur Rénomme and Farfallacqua (1992)
  • Leaving Your Grass, Vertige du Vertige, Torinox and Colomberos (1993)
  • Vent d’Atomes (1994)
  • Les Arpèges, L’Âme du Fond and Melodia-Melodio (1995)
  • The Road to Heaven, Storming Water River and Redness of Blue (1996)
  • Flowerita and Oak Flower (1997)
  • Youniverso (1998)
  • Blanche ou Fleur (1999)
  • N’ou’s Autres (2000)
  • Post History Chicken Flowers, La Dulce Acqua Vita and La Source du Calme (2002)

See also

References

  • Bodley Gallery (New York, N.Y.) Matta, from 1942 to 1957 (New York : Bodley Gallery, 1960) OCLC 78760494
  • Passeron, René (1984). The Concise Encyclopedia of Surrealism. Trans. J. Griffiths. Ware, UK: Omega Books. ISBN 0-907853-28-5.
  • Fletcher, Valerie J; Hirshhorn Museum and Sculpture Garden. Crosscurrents of modernism : four Latin American pioneers : Diego Rivera, Joaquín Torres-García, Wifredo Lam, Matta = Intercambios del modernismo : cuatro precursores latinoamericanos : Diego Rivera, Joaquín Torres-García, Wilfredo Lam, Matta (Washington, D.C. : Hirshhorn Museum and Sculpture Garden in association with the Smithsonian Institution Press, ©1992), ISBN 1-56098-205-5; ISBN 1-56098-206-3

External links

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