Definitions

quilting

quilting

[kwil-ting]
quilting, form of needlework, almost always created by women, most of them anonymous, in which two layers of fabric on either side of an interlining (batting) are sewn together, usually with a pattern of back or running (quilting) stitches that hold the layers together. This method of securing warmth in covering and clothing has been practiced for centuries in N Asia and Europe. Quilting has been a feature of embroidery in the form of raised work. It was a distinctive type of needlework in pioneer American homes, at first mainly utilitarian, later more ornamental. Quilts were usually of the pieced, or patchwork, type until c.1750, when the appliquéd, or laid-on, quilt and the monotone quilt decorated by trapunto (padding or cording) became popular. A fad for quilted petticoats for women and coattails for men was at its height from 1688 to 1714. About 1830 appliquéd box quilts, made with tops of individually pieced, generally geometric patterns, became dominant.

While some 18th-cent. examples are extant, the American quilt as art and craft is largely a 19th-century phenomenon. Dozens of traditional patchwork patterns have evolved, such as Sunburst, Sawtooth, Log Cabin, Schoolhouse, and Bear's Paw, and have continued in use well into the 20th cent. The quilts of certain American groups are especially compelling works of art. Among the most notable of these were made by the Amish (particularly c.1870-1935) who created utilitarian quilts with geometric designs in areas of unpatterned color—deep, vibrant, and close-toned—now much sought after by collectors. The Victorian period marked the popularity of the crazy quilt, in which asymmetrical designs were made of patches of various textiles in a multiplicity of sizes and shapes often connected by decorative stitching.

Part of the American folk art tradition, quilting is still practiced by Southern mountainfolk, the Pennsylvania Dutch, and other rural dwellers and has been revived as ornamental needlework. Traditional African-American quilts have been particularly praised for their bold, asymmetrical designs and brilliant colors, often complemented by the use of tied knots. Of particular interest are quilts (1930s-present) created by the women of Gee's Bend, an historically black Alabama community—jazzy, colorful works in irregular geometric patterns of remarkable abstract power that have been widely exhibited, e.g., at the Whitney Museum of American Art, NYC (2002). The quilt has also been used as a form of textile art, as in the work of Faith Ringgold, who blends African-American tradition with contemporary art. Quilting also has a utilitarian function in modern life with machine-quilted materials used for wearing apparel and in interior decoration, particularly for bed and couch covers.

See P. Cooper and N. B. Buferd, The Quilters: Women and Domestic Art (1978); M. Walker, The Complete Guide to Quiltmaking (1986); C. L. Mosey, Contemporary Quilts from Traditional Patterns (1988); C. Benberry, Always There: The African-American Presence in American Quilts (1992).

Process of stitching together two layers of fabric, usually with a soft, thick substance placed between them. The layer of wool, cotton, or other stuffing provides insulation; the stitching keeps the stuffing evenly distributed and also provides opportunity for artistic expression. Quilting has long been used for clothing in many parts of the world, especially in the Far and Middle East and the Muslim regions of Africa. It reached its fullest development in the U.S., where it was at first popularly used for petticoats and comforters. By the end of the 18th century the U.S. quilt had distinctive features, such as coloured fabric sewn on the outer layers (appliqué) and stitching that echoed the appliqué pattern. Patchwork patterns proliferated in the 19th and 20th centuries.

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Quilting is a sewing method done either by hand, by sewing machine, or by a longarm quilting system. The process uses a needle and thread to join two or more layers of material together to make a quilt. Typical quilting is done with three layers: the top fabric or quilt top, batting or insulating material and backing material. The quilter's hand or sewing machine passes the needle and thread through all layers and then brings the needle back up. The process is repeated across the entire piece where quilting is wanted. A straight or running stitch is commonly used and these stitches can be purely functional or decorative and elaborate. Quilting is done on bed spreads, art quilt wall hangings, clothing, and a variety of textile products. Quilting can make a project thick, or with dense quilting, can raise one area so that another stands out.

History

There is a common belief that quilting originated for its utility rather than decoration. The origins of this method of craft are thought to be in the Crusades, when soldiers needed warmth as well as protection from the chafing caused by heavy armor. Additionally, there are ancient Egyptian sculptures showing figures which appear to be wearing clothing which is quilted, possibly for warmth in the chilly desert evenings. In the 14th century, the gambeson was a popular form of armour.

In American Colonial times most women were busy spinning, weaving and making clothing. Meanwhile women of the wealthier classes prided themselves on their fine quilting of wholecloth quilts with fine needlework. Quilts made during the early 1800s were not constructed of pieced blocks but instead whole cloth quilts. Broderie perse quilts and medallion quilts were made. Some antique quilts made in North America have worn-out blankets or older quilts as the internal batting layer, quilted between new layers of fabric and thereby extending the usefulness of old material.

During American Pioneer days "paper" quilting became popular. Paper was used as a pattern and each individual piece of cut fabric was basted around the paper pattern. Paper was a scarce commodity in the early American west and women would save letters from home, newspaper clippings, and catalogs to use as patterns. The paper not only served as a pattern but as an insulator. The paper found between the old quilts has become a primary source about pioneer life. Quilts made without any insulation or batting were referred to as summer quilts. They were not made for warmth, only to keep the chill off on cooler summer evenings. Harriet Powers, a slave-born African American woman, made two famous story quilts. She was just one of the many African American quilters who contributed to the evolution of quilting.

In modern times, art quilts have started to become popular for their aesthetic and artistic qualities rather than for functionality (i.e., they are displayed on a wall rather than spread on a bed).

Quilting types and equipment

Many types of quilting exist today. The two most widely used are hand-quilting and machine quilting.

Hand Quilting is the process of using a needle and thread to sew a running type stitch by hand across the entire area to be quilted. This binds the layers together. A quilting frame or hoop is often used to assist in holding the piece being quilted, off the quilter's lap. A quilter can make one running stitch at a time; this is called a stab stitch. Another option is called a rocking stitch, where the quilter has one hand, usually with a finger wearing a thimble, on top of the quilt, while the other hand is located beneath the piece to push the needle back up. The third option is called "loading the needle" and involves doing four or more stitches before pulling the needle through the cloth. Hand quilting is still practiced by the Amish within the United States, and is enjoying a resurgence worldwide.

Machine Quilting is the process of using a home sewing machine or a Longarm machine to sew the layers together. With the home sewing machine the layers are tacked together before quilting. This involves laying the top, batting and backing out on a flat surface and either pinning (using large safety pins) or tacking the layers together. Longarm Quilting involves placing the layers to be quilted on a special frame. The frame has bars on which the layers are rolled, keeping these together without the need for basting or pinning. These frames are used with a professional sewing machine mounted on a platform. The platform rides along tracks so that the machine can be moved across the layers on the frame. A Longarm machine is moved across the fabric. In contrast, the fabric is moved through a home sewing machine.

Tying is another technique of fastening the three layers together (and is not a form of quilting at all). This is done primarily on quilts that are made to be used and are needed quickly. The process of tying the quilt is done with yarns or multiple strands of thread. Square knots are used to finish off the ties so that the quilt may be washed and used without fear of the knots coming undone.

Quilting: Processes and Definitions

Traditional Quilting Processes Traditional quilting is a six-step process that includes: 1) selecting a pattern, fabrics and batting; 2) measuring and cutting fabrics to the correct size to make blocks from the pattern; 3) piecing (sewing cut pieces of fabric together using a sewing machine or by hand to make blocks) blocks together to make a finished "top"; 4) layering the quilt top with batting and backing, to make a "quilt sandwich"; 5) quilting by hand or machine through all layers of the quilt sandwich; and 6) squaring up and trimming excess batting from the edges, machine sewing the binding to the front edges of the quilt and then hand-stitching the binding to the quilt backing. Note: If the quilt will be hung on the wall, there is an additional step: making and attaching the hanging sleeve.

Definitions

  • Piecing: Sewing small pieces of cloth into patterns, called blocks, that are then sewn together to make a finished quilt top. These blocks may be sewn together, edge to edge, or separated by strips of cloth called sashing. Note: Whole cloth quilts typically are not pieced, but are made using a single piece of cloth for the quilt top.
  • Layering: Placing the quilt top right side up atop the batting and the backing, which is right-side out.
  • Quilting: Sewing the three quilt layers together, using stitches in decorative patterns, called motifs, or in utilitarian patterns, such as straight lines, using bigger stitches.
  • Borders: Typically strips of fabric of various widths added to the perimeter of the pieced blocks to complete the quilt top. Note: borders may also be made up of simple or patterned blocks that are stitched together into a row, before being added to the quilt top.
  • Binding: Fabric strips cut on the bias or straight of the grain, sewn together, making a long strip that will fit the perimeter of the quilt, which is typically machine sewn to the front side of the edge of the quilt, folded over, and hand sewn to the back side of the quilt.
  • Quilting: Stitching through all three layers of the quilt sandwich, typically by hand or machine in decorative patterns, which serves three purposes: 1) to secure all three layers to each other, and 2) to add to the beauty and design of the finished quilt, and 3) to trap air within the quilted sections, making the quilt as a whole much warmer than its parts; for example, a single layer or all three layers used separately. Quilting is usually completed by starting from the middle, and moving outward toward the edges of the quilt. Examples: simple or complex geometric grids, "motifs" traced from published quilting patterns or traced pictures, complex repeated designs called tessellations, or stitching within the seam line itself, i.e., stitching in the ditch.

Note 1: Quilting can be elaborately decorative, comprising stitching fashioned into complex designs and patterns. The quilter may choose to emphasize and add to the richness of the quilting, by using threads that are multicolored and/or metallic, or that contrast highly to the fabric. Conversely, the quilter may choose to make the quilting disappear, using "invisible" nylon or polyester thread, and stitching in the ditch (in the seam line). Some quilters draw the quilting design on the quilt top before stitching, while others stitch "freehand."

Note 2: While the majority of quilt tops are pieced from many smaller patches of fabric (patchwork quilts), in which the patterns of individual blocks, or the pattern created by combining the blocks is the emphasis, whole cloth quilts typically use a single, non-figural piece of fabric and the elaborate quilting is the emphasis. Polished chintz, sateen or other shiny fabrics are often used in whole cloth quilts to aid in emphasizing the intricately detailed quilting stitches.

Note 3: Quilting is often combined with embroidery, patchwork, appliqué and other forms of needlework.

Specialty quilting styles

  • Shadow or Echo Quilting - Hawaiian Quilting, where quilting is done around an appliquéd piece on the quilt top, then the quilting is echoed again and again around the previous quilting line.
  • Ralli Quilting - Indian quilting, often associated with the Gujarat region.
  • Sashiko quilting - Japanese quilting
  • Trapunto quilting - stuffed quilting, often associated with Italy.
  • Machine Trapunto quilting - a process of using water soluble thread and an extra layer of batting to achieve trapunto design and then sandwiching the quilt and re-sewing the design with regular cotton thread.
  • Shadow trapunto- This involves quilting a design in fine Lawn and filling some of the spaces in the pattern with small lengths of colored wool.
  • Tivaevae or tifaifai - A distinct art from the Cook Islands.
  • Watercolor Quilting - A sophisticated form of scrap quilting whereby uniform sizes of various prints are arranged and sewn to create a picture or design. See also Colorwash.

Quilting Software

References

See also

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