It was in 1818 that the palace began its ongoing career as a governmental structure, when it became the seat of the Viceroy of the Polish (Congress) Kingdom under Russian occupation. Following Poland's resurrection after World War I, in 1918, the building was taken over by the newly reconstituted Polish authorities and became the seat of the Council of Ministers. During World War II, it served the country's German occupiers as a Deutsches Haus and survived intact the 1944 Warsaw Uprising. After the war, it resumed its function as seat of the Polish Council of Ministers.
Construction of the present-day Presidential Palace in Warsaw was begun in 1643 by Crown Field Hetman Stanisław Koniecpolski, owner of the town of Brody (80 km. east of Lwów) and numerous latifundia situated in Poland's eastern borderlands (and this is why the first name of the palace was 'Pałac Koniecpolskich' - the Koniecpolski's Palace). It was said that he owned so much landed property that he could cross the breadth of the Republic while spending every night in one of his own manors. The palace was not completed in the Hetman's lifetime, as he died unexpectedly in 1646 at his residence in Brody, a few weeks after taking a young wife.
The palace's architect was Constantino Tencalla, architect to Poland's King Władysław IV and designer of King Zygmunt's Column, in front of the nearby Royal Castle, commemorating Sigismund III of Poland. The palace was completed by Koniecpolski's son Aleksander in the style of a baroque residence, imitating those of northern Italy and Genoa. A view of the palace in a Warsaw panorama of 1656 by Erik Dahlberg confirms this.
The next owner of the palace was Jerzy Sebastian Lubomirski—Grand Crown Hetman and Crown Chancellor, and later the leader of a rebellion against the king—who bought the palace from Aleksander Koniecpolski.
In 1674 the palace became, for the next 144 years, the property of the Radziwiłł family.
It was bought from descendants of Jerzy Sebastian Lubomirski — Stanisław Herakliusz Lubomirski and Hieronim Augustyn Lubomirski — by Michał Kazimierz Radziwiłł of the Nieśwież-Ołyka line, whose wife Katarzyna was a sister of King Jan III Sobieski. After her death, her son Karol Stanisław Radziwiłł I began renovation of the palace and tidied up its surroundings. He entrusted this task to the king's architect, August Locci.
The next to last of the line of heirs in tail of Nieśwież and Ołyka was Karol Stanisław "Panie Kochanku" Radziwiłł, Voivod of Wilno, son of Michał Kazimierz "Rybeńko" Radziwiłł. He had inherited huge estates from his father and uncle which made him the wealthiest magnate in Poland in the second half of the 18th century, and one of the richest men in Europe. He leased out the palace to Franciszek Ryx to house a theater which staged plays and threw masked balls. During the Four-Year Sejm of 1788-1792, he invited all the members of the four deliberating estates to dine there daily. Two meals were served every day: breakfast before the day's session, for 300 people, and dinner after the session. One of the most impressive feasts given by him was on St. Catherine's Day, November 25, 1789, the 25th anniversary of King Stanisław August's coronation, and commemorating the Union of Lithuania with the Polish Crown. Four thousand guests were invited, and the feast cost over 2 million złotys.
On the night of May 2—3, 1791, a conspiratorial group of members of the Four-Year Sejm who were bent on saving the Commonwealth met at the palace to strategize means to secure the adoption, next day, of the May 3rd Constitution. This document was to be Europe's first modern codified national constitution and the world's second, after the U.S. Constitution that had gone into effect in 1789.
Karol Stanisław Radziwiłł II died a sick and blind man at age 57. His property was inherited by Dominik, son of his half-brother Hieronim. Dominik, who had been wounded at the Battle of Hennau, died childless on November 11, 1813. The line of the Nieśwież-Ołyka heirs in tail died out with him.
In 1818 the palace became the seat of the Viceroy of the Polish (Congress) Kingdom (when it acquired the name 'Pałac Namiestnikowski' - the Palace of Namestnik of Kingdom of Poland). The first Viceroy, from 1815, was Józef Zajączek (1752-1820), former aide-de-champ to Hetman Franciszek Ksawery Branicki, deputy to the Four-year Sejm, secretary of the Assembly of Friends of the Government Act (i.e., of the May 3rd Constitution), a division commander during the Polish-Russian War of 1792, hero of the Battle of Zieleńce, a Polish Jacobin, a soldier in Jan Henryk Dąbrowski's legions, a general of Napoleon's. At the last he adopted a servile attitude toward Aleksander I, King of Poland and Tsar of Russia, who created him a duke in 1818. Zajączek had lost a leg at the Berezina River and was carried about in an armchair by his valets.
Beginning in 1818 the palace was rebuilt in classicist style by the architect Chrystian Piotr Aigner (1756-1841). He extended the palace (its lower wings reached the line of buildings on Krakowskie Przedmieście), placed a new grand staircase between the main body of the building and its northern wing, remodeled the palace facades, and redecorated the rooms on the first and second floors of the main body of the building. Because of its massive vaulting, the ground floor remained unchanged. Aigner had two associates: Camillo Landini, who sculpted the four stone lions guarding the palace courtyard on the Krakowskie Przedmieście side, and Mikołaj Monti, an Italian painter. The main body of the building was remodeled to the Corinthian order and ornamented with columns, pilasters, balustrade and stone statues. Aigner is inseparably linked with the Viceroy's (Polish: Namiestnikowski) — today's Presidential—Palace as the creator of its classicist exterior, which survives unchanged to this day.
The year 1852 brought disaster to the palace. A fire burned the main body of the building almost to the ground. Only charred walls remained. Reconstruction was entrusted to Alfons Kropiwnicki (1803-1881).
In the rebuilt palace, gatherings of the Agricultural Society were held, and balls were organized when the tsars visited Poland. In 1870, a statue of Ivan Paskevich was unveiled there. In 1879, in the palace's colonnade hall, the inhabitants of Warsaw for the first time saw "The Battle of Grunwald", a historical painting by Jan Matejko. At the turn of the 20th century, the Tarnowski Palace to the right (south) of the building was pulled down, and in 1899-1901 the luxurious Hotel Bristol was built in its place, designed by Władysław Marconi. One of the shareholders in the consortium that built the hotel was the famous pianist and post-World War I Polish prime minister, Ignacy Paderewski.
In 1918 the building was taken over by the newly reconstituted Polish authorities, and renovation of the palace was entrusted to Marian Lalewicz. The building became the official seat of the Chairman of the Council of Ministers (the Prime Minister) and of the Council of Ministers itself. The side wings housed the chancellery offices of the Council of Ministers. As restored by Lalewicz, the building was greatly admired by Warsaw's inhabitants and visitors. Germany's Herman Goering, when in February 1937 calling there on Prime Minister General Felicjan Sławoj Składkowski, took such a keen interest in the palace that he arrived late to his meeting with Polish Foreign Minister Józef Beck.
In 1939 the palace suffered minimal damage. In 1941-1942 it was radically reconstructed into a Deutsches Haus by the Polish architects Janusz Nagorski and Jan Lukasik. In the course of the work, rococo ornamentation in the rooms overlooking the garden was renovated with great care. A couple of grisaille paintings were uncovered on the staircase, featuring eagle and weapon motifs. The Germans wanted to remove the eagles as Polish national emblems, but allowed them to remain after it was explained that these were Napoleonic eagles, a favorite motif of the French Empire period. On the ground floor of the right wing, a restaurant was put in, with wooden beam ceiling and a spacious cloakroom. The palace survived the Warsaw Uprising intact.
After Warsaw's liberation, the palace was thoroughly reconstructed by Antoni Brusche and Antoni Jawornicki. In 1965 Bertel Thorvaldsen's classicist equestrian statue of Prince Józef Poniatowski, which previously had stood before the now destroyed Polish General Staff building (the "Saxon Palace") on nearby Piłsudski Square (once known as "Saxon Square"), was relocated to the courtyard before the "Viceroy's Palace."
Since July 1994, the palace has been the official seat of the President of the Republic of Poland.
Commissioned in 1816 by the Monuments Founding Community, it was supposed to be unveiled in 1830, but the ceremony never took place because of the national insurrection interrupting it. Sculpted by Bertel Thorvaldsen in 1832 and modelled after the Equestrian Statue of Marcus Aurelius in Rome. Then the sculpture was transferred to the Modlin Fortress, and from there to the private residence of a Russian general Ivan Paskevich in Belarus. It returned to Poland in 1922 and was put in the Saxon Square and a few years later destroyed durning the Second World War.
A new casting from the original mould returned to Warsaw in 1965. It was founded by the citizens of Copenhagen.
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